Credits Senior Editor Roxane Cerda Acquisitions Coordinator Julie Hummel Project Editor Charlotte Kughen Editorial Manager Christina Stambaugh Vice President and Publisher Cindy Kitchel Vice President and Executive Publisher Kathy Nebenhaus Interior Design Lissa Auciello-Brogan Cover Design Jos Almaguer Photography Nikol Lohr, Ron Miller (Daisy Cloche) Copyright 2013 by Nikol Lohr. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions. Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials.
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Dedication For my mom, who nurtured my love
for both books and fashion. Acknowledgments Thanks most of all to my agent, Lindsay Edgecomb, who conceived the idea for this book and was generous enough to entrust it to me. Thanks to Roxane Cerda and Cindy Kitchel, both thoughtful, engaged, and just plain fun editors; to project editors Charlotte Kughen and Carol Pogoni, who carefully whipped my manuscript into shape; and scrupulous and elegant technical editor Therese Chynoweth, who deciphered even my clumsiest instructions, smoothed out the lumps, and gave the patterns precision. Thanks to my many friends and their children who were kind enough to model my patterns: Elise Artzer; Brian, Briza, Loretta, and Stanley Buscemi; Lucy Friedman; Rebecca Gonzales; Trish Hurless and her daughter Sadie Rose; Kyplee, Kailynn, and Treyanne Jacobsen (and their mom, Sherri); Suzanne Link and Jay Mahavier; Kristi Lohr; Rachel Kieserman; Marilyn Martinez and her daughter Ruby Martinez-Jones; Ron Miller; Charlene Osman; Lester Saucier; and Jennifer, Lucy, Sam, and Jacob Schermerhorn. Thanks to Gilbert Garcia and Yolanda Torres for use of their cars for Sal Paradise, and to W3LL PEOPLE and makeup artist Christine Stafford for location and makeup for Emma. Special thanks also to Ron for all the style input, and forgiving the embroidery scissors and darning needles scattered underfoot and in the bed, and for helping me keep up with the rest of my life while I was knitting and knitting and knitting.
Finally, a big thanks to all the companies that provided yarn support (thats free yarn to you and me): Spincycle Yarns, Malabrigo Yarn, Colourmart, Cascade Yarns, Louet, Valley Yarns, Blue Sky Alpacas, Lion Brand Yarn, The Wicked Stitch, and Knit Picks.
Preface I cant say exactly why a love of literature and a love of knitting fit together hand-in-glove. Perhaps its because both reading and knitting demand imagination, focus, a willing suspension of disbelief, and a bit of nerdiness. Or maybe its because both books and knitting start with basic building blocks that can combine and recombine in any number of surprising ways. Whatever the reason, avid knitters are very often avid readers, and Im no exception. So when Lindsay Edgecombe (fellow knitter and literary agent) approached me about creating knitting patterns inspired by favorite literary characters, I think I actually clapped my hands and squealed with glee.
Im not sure whether I was more thrilled to knit the designs or to re-read all my old favorites, many of which I hadnt touched since childhood. (And with the simpler patterns or with audio books, you can do both at once!) Of course, it was nearly impossible to cull my giant master list down to a book-sized selection (and I still have a mammoth list of future designs waiting in the wings), but here I present an assortment of projects inspired by the women, men, and children from some of my favorite books. While a few items are modern-construction rewrites of antique patterns, I didnt strive for historical accuracy because I didnt want the patterns to be relegated to art pieces or historical reenactments. Instead, I tried to give a nod to the spirit of the character or era while still producing a very knittable, wearable, modern garment. I hope you enjoy knitting them as much as I did.