Beautiful Beasties
A Creative Guide to Modern Pet Photography
Published by
John Wiley & Sons, Inc.
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Copyright 2012 by John Wiley & Sons, Inc., Indianapolis, Indiana
Published simultaneously in Canada
ISBN: 978-1-118-23520-1
Manufactured in the United States of America
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Credits
Acquisitions Editor
Courtney Allen
Project Editor
Dianne Russell, Octal Publishing, Inc.
Technical Editor
Alan Hess
Copyeditor
Bob Russell, Octal Publishing, Inc.
Editorial Director
Robyn Siesky
Business Manager
Amy Knies
Senior Marketing Manager
Sandy Smith
Vice President and Executive Group Publisher
Richard Swadley
Vice President and Executive Publisher
Barry Pruett
Proofreading
Octal Publishing, Inc.
About the Author
Born to an artist mom, in a family of animal lovers, one could argue that pet photographer Jamie Pflughoefts path was predestined. A self-professed dog fanatic, Jamie became passionate about photographing pets in 1999 after seeing never-ending camera-worthy moments happen in front of her while working as a dog walker and pet sitter. She attended the University of Washington as an adult student studying animal behavior as part of her psychology major, Jamie was able to take the knowledge she gleaned from her university classes and apply it to her photo shoots with animals. Jamie graduated shortly after September 11, 2001, into what was a poor job market in which she was competing against Ph.D. holders for entry-level positions, a friend recommended that she turn her pet photography hobby into a business. Is that even a job? Jamie asked. After a little bit of research, a six-week business training class, some homemade business cards, a $500 loan and a switch from a film camera to a digital camera, in July of 2003, Jamies business, Cowbelly Pet Photography, was born. Jamie established the business to meet a growing need of pet owners to have high quality photos captured of their pets for posterity.
Since the inception of Cowbelly Pet Photography, Jamie has worked with over 500 private clients and has provided commercial and editorial photography for several large companies and magazines. Editorial clients include The Bark Magazine , Modern Dog Magazine , Cesars Way Magazine , and CityDog Magazine . Some of her commercial clients include Purina, Wal-Mart, Nutro, PetSafe, ABC Studios, AAA, Signature DNA Unleashed, Pinnacle, and more.
Along with blogging on topics such as photography, digital editing, business, dog-friendly travel, and more, Jamie has taught 14 workshops to over 150 budding pet photographers in cities around the United States, with plans to teach internationally starting in 2013. Jamie has developed a large following on Twitter, Facebook, and the Cowbelly blog, and sold out a Master Class at WPPI in 2011. She is largely considered one of the foremost leaders in the pet-photography industry.
When not photographing dogs in Washington and California, you can find Jamie with her beloved Lab-mix pooch, Fergie, by her side, enjoying all that the Emerald City has to offer.
Like the dogs she photographs, Jamie believes life is best lived playing, sleeping, eating, loving, daydreaming, having regular adventures and being sure to feel plenty of joy every single day. A Picture is Worth a Thousand Woofs!
You can connect with Jamie on Twitter at @cowbelly; on Facebook at her page for pet photographers, www.facebook.com/BeautifulBeastiesByCowbelly; or her website for pet photographers, www.beautifulbeasties.com. You can see more of her work on her portfolio site at www.cowbelly.com, which she tries to update as frequently as possible with photos of cute, funny animals just being awesome.
By the way, the name Pflughoeft (pronounced flew-hoffyoure welcome) is of German origin. It is used as a nickname for farmers.
Jamie and her dog, Fergie.
Acknowledgments
I would like to thank Bill and Nat of Photo Lab Pet Photography for providing input on the cover design as well as the information about twentieth-century photographers who captured pets. A big thank you to Moira McLaughlin of Dog Art Today for also providing information on twentieth-century photographers who trained their lenses on animals.
To Courtney Allen, my editor at Wiley, for believing in me enough to take on this project, inviting me to write for you, and for being so patient with me during the process. Thank you for understanding my bizarre notions about human energy fields affecting electronics. (Im still waiting to hear the story about the Mexican food and the microwave!)