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Schreibman Susan - A New Companion to Digital Humanities

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Notes on contributors -- Preface -- [1] Infrastructures: Between bits and atoms: physical computing and desktop fabrication in the humanities; Embodiment, entanglement, and immersion in digital cultural heritage; The internet of things; Collaboration and Infrastructure -- [2] Creation: Becoming Interdisciplinary; New media and modeling: games and the digital humanities; Exploratory programming in digital humanities pedagogy and research; Making virtual worlds; Electronic literature as digital humanities; Social scholarly editing; Digital methods in the humanities: understanding and describing their use across the disciplines; Tailoring access to content; Ancient evenings: retrocomputing in the digital humanities -- [3] Analysis: Mapping the geospatial turn; Music information retrieval; Data modeling; Graphical approaches to the digital humanities; Zen and the art of linked data: new strategies for a semantic web of humanist knowledge; Text analysis and visualization: making meaning count; Text-mining the humanities; Textual scholarship and text encoding; Digital materiality; Screwmeneutics and hermenumericals: the computationality of hermeneutics; When texts of study are audio files: digital tools for sound studies in digital humanities; Marking texts of many dimensions; Classification and its structures;This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship.

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Table of Contents List of Tables Chapter 15 Chapter 20 Chapter 36 List - photo 1
Table of Contents
List of Tables
  1. Chapter 15
  2. Chapter 20
  3. Chapter 36
List of Illustrations
  1. Chapter 02
  2. Chapter 11
  3. Chapter 12
  4. Chapter 13
  5. Chapter 15
  6. Chapter 19
  7. Chapter 20
  8. Chapter 27
  9. Chapter 34
  10. Chapter 35
Guide
Pages
Blackwell Companions to Literature and Culture

This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field.

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93. A New Companion to Digital HumanitiesEdited by Susan Schreibman, Ray Siemens, and John Unsworth
A NEW COMPANION TO DIGITAL HUMANITIES

EDITED BY

SUSAN SCHREIBMAN, RAY SIEMENS, AND JOHN UNSWORTH

This edition first published 2016 2016 John Wiley Sons Ltd Registered - photo 2

This edition first published 2016
2016 John Wiley & Sons, Ltd.

Registered Office
John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices
350 Main Street, Malden, MA 02148-5020, USA
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of Susan Schreibman, Ray Siemens, and John Unsworth to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication data applied for

Hardback 9781118680599
Paperback 9781118680643

A catalog record for this book is available from the British Library.

Cover image: Zdenk Skora, Lines No. 56 (Humberto), 1988, oil on canvas, 200 200 cm. Collection of the Museum of Modern Art Olomouc, The Czech Republic. Photo Zdenk Sodoma. Zdenk Skora - heir, Lenka Skorov, 2015

Notes on Contributors

John Ashley Burgoyne is a lecturer in the Music Cognition Group at the University of Amsterdam and a guest researcher at the Netherlands Institute for Sound and Vision. Dr. Burgoyne led the compilation of the McGill Billboard transcriptions and the Hooked on Music project on long-term musical memorability.

Tanya E. Clement is an assistant professor in the School of Information at the University of Texas at Austin. Her primary area of research is scholarly information infrastructure. She has published widely on digital humanities and digital literacies as well as scholarly editing, modernist literature, and sound studies. Her current research projects include High Performance Sound Technologies for Access and Scholarship (HiPSTAS).

Owen Conlan is an assistant professor in the School of Computer Science and Statistics, Trinity College Dublin, with expertise in personalization and visualization. He has co-authored over 100 publications and has received several best-paper awards. Owen coordinated the European Commission-funded CULTURA project, and he is a passionate educator who teaches knowledge and data engineering.

Panos Constantopoulos is a professor in the Department of Informatics and Dean of the School of Information Sciences and Technology, Athens University of Economics and Business. He is also affiliated with the Athena Research Centre, where he heads the Digital Curation Unit. He was previously in the Department of Computer Science, University of Crete (19862003). From 1992 to 2003 he was head of the Information Systems Laboratory and the Centre for Cultural Informatics at the Institute of Computer Science, Foundation for Research and Technology Hellas. His interests include digital curation and preservation, knowledge representation and conceptual modeling, ontology engineering, semantic information access, decision support and knowledge management systems, cultural informatics and digital libraries.

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