Elizabeth St. Hilaire
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Contents
PART ONE
PART TWO
PART THREE
PART FOUR
PART FIVE
DEDICATION
For Emilie and Connor,
Thank you for loving me for who I am, for supporting me in what I do, and for understanding both.
Materials Used in This Book
Dont feel like you need to have all of these products in order to start painting and creating. Begin with the techniques that require materials you already have or the basic necessities: paint, paper and brushes or other application tools. Then as you progress through the book, add a few new tools and materials as they strike your fancy. Pretty soon you will know what suits you and where your passions lie, and youll have the tools and materials you need to follow your paper painting dreams.
PAINT, GLUE, GELS
Acrylic paint colors: black, gray, red, orange, yellow, blue, green, white, brown and purple (Fluid acrylics are necessary for the paper painting techniques.)
Elmers glue
Gesso
Gloss gel medium
Golden UVLS acrylic varnish
Liquitex clear gesso
Liquitex gloss gel medium
White gesso
PAPER SUPPLIES
Corrugated cardboard
Decorative paper from art supply stores (lightest colors available)
Dry waxed deli paper
Found paper including pages from atlases, catalogs childrens and adult books, Chinese (foreign language) newspapers, gift tissues, handwritten notes, kids old homework, maps, sheet music, wallpaper samples, etc.
Palette paper pad, 12" 16" (31cm 41cm)
Paper doilies
Rice and translucent papers
WRITING SUPPLIES & PAINTBRUSHES
Crayons
Derwent Inktense pencils
Faber-Castell Pitt Pen
Pencil (graphite)
Paintbrushes
- Filbert-style small and medium for glue and underpainting
- Winsor & Newtons Artists Acrylic brushes for painting
Prismacolor sticks
Rollerball paint pen
MATS
Craft mat
Nonslip rug liner, place mat or other textured material
Silicone place mat
Silicone sink liner
OTHER MISCELLANEOUS SUPPLIES
Archival ink pad (optional)
Brayer
Brush cleaner (Masters)
Bubble wrap
Craft fun foam (self-adhesive)
Eye dropper
Gallon zip bags for organizing papers
Gelli Arts printing plate
Hair dryer (optional)
Hand-carved stamps
Hot glue gun and glue sticks
Isopropyl rubbing alcohol
Liquid dish soap
Paper towels
Parchment paper
Plastic card (like a room key or gift card)
Rolling pin
Sea sponge
Shoes with pattern on soles
Speedball linoleum cutters
Speedy-Carve carving material and tools
Spray bottle/mister
Stencils
Texture plates or other textured surfaces
Tile (glass, ceramic or terra cotta)
Toothbrush
Vessel for water
Waxed paper plates for palette
What sets the collage work of Elizabeth St. Hilaire apart is her use of unique papers. Her signature collage style utilizes papers colored by hand in every hue and texture needed for a complete paper palette. Only professional artists colors are used for the underpainting and paper painting. Professional acrylic paints are fade resistant and archival. Finished collages are coated with ultraviolet light stabilizing varnish for a final protective layer that eliminates the need for glass.
Foreword
PETER PEACOCK
Collage of hand-painted paper on wood panel
Once in a great while an artist comes along whose work is so distinctive, so unusual, so imaginative and so colorful that it stands out from the crowd, much like a peacock stands out in a colony of penguins. Elizabeth St. Hilaire is such an artist.
I have seen thousands of works of art over the yearsin galleries, museums, art shows, hotels and in private collectors homesbut Ive never seen art like Elizabeths. Who else creates such fabulous flamingoes, pretty pigs, darling donkeys, colorful koi, delightful Dalmatians and charming chickensall out of bits of torn painted paper? No one. Elizabeth is one-of-a-kind. Her work, both in style and method, is uniquely hers.
It was her signature birdthe peacockthat first caught my eye. A friend on Facebook had posted a fabulous image of Peter Peacock, a large collage painting on display in a gallery in Sedona, Arizona. (Ive been attracted to peacocks since the publication of my very first book some twenty years agoit was about peacocks and penguins. Since then, the peacock has been my spirit bird, my personal totem.) Id never seen a peacock quite like the one that Beth created with paint and collage. Peter Peacock stole my heart!
I had to learn more about the fabulous artist who could create such a powerful peacock image, so I tracked down her website, friended her on Facebook and began collecting her work. It was the beginning of a lovely friendship.
In addition to painting and collaging, Beth teaches workshops and writes books for people who want to learn her technique. She generously shares her creative secrets with all who want to learn them. She explains her process step-by-step, clearly and succinctly. She is more than a great artistshe is a great teacher. She helps unleash the latent talent in her students. She coaches; she trains the eye as well as the hand; she inspires others to express their own creative impulses.
In this wonderful new book Beth shares the tips and tools of painted-paper collage making. If her unique technique appeals to you as much as it does to me, heres your chance to learn it and make it your own.