2016 by Nikki Van De Car
Photographs 2016 by Steve Legato
Published by Running Press,
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A Subsidiary of Hachette Book Group, Inc.
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ISBN 978-0-7624-6191-2
Library of Congress Control Number: 2016952172
E-book ISBN 978-0-7624-6192-9
Edited by Shannon Lee Connors
Tech edited by Therese Chynoweth
Designed by Susan Van Horn
Illustrations by Trina Dalziel
Prop styling by Kristi Hunter
Garments modeled by Shannon Lee Connors, Kristi Hunter, Amelia Legato, Caitlin Moore, Rucha Phadtare, and Bailey Watro
Typography: Naive, Naive Line Sans, Artisania, and Brandon
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E3-20170306-JV-NF
I never go anywhere without my yarn. I take it with me to the movies, to the doctors office, to my daughters karate class. I knit while Im waiting for the pasta water to boil, and I crochet while sitting in the sunshine with my cat. And for those twenty or ten or even five minutes that I am able to squeeze out of my day, I find peace.
The marvelous thing about crafting with yarn is that its so portablemost of these projects are small enough to fit comfortably in your purse, ready to pull out at a moments notice. Standing in line? Trying to center yourself while riding the train home from work? You have everything you need at your fingertips.
William Morris once said, A good way to rid ones self of a sense of discomfort is to do something. That uneasy, dissatisfied feeling is actual force vibrating out of order; it may be turned to practical account by giving proper expression to its creative character. Its true. If Im upset or frustrated or even just not quite sure how Im feeling, all I need is a few moments to sit and feel the soft, beautiful yarn moving through my fingers, to observe the tactile pleasures of a craft that engages the sensestouch, of course, but also sight as I watch my work grow before my eyes. Sometimes I deliberately choose yarn that smells sheepy, and I think about the Shetland or Leicester sheep, roaming the Hebrides, whose wool I am holding now. And I hear the click-click-click of the needles, rhythmic and steady as breathing.
The book is divided into three sectionsColor, Texture, and Structureand each of these sections shines a light on that specific aspect of knitting or crochet. Of course, in reality, a knitter or crocheter is always dancing and trading back and forth among all three, all the time. You cant have a knitted or crocheted anything that doesnt play with color, texture, and structure all at once. But the patterns in these sections tend to focus on one thing or anotherstripes and saturation in Color, yarn and stitch choice in Texture, gauge and construction in Structure. What will you choose to focus on today?
Yarn work is a craft that asks us to be fully present, to engage and lose ourselves in creating something that is both beautiful and functional. The act of knitting and crocheting is deeply satisfying in its own rightbut to wind up with something lovely and handmade at the end of it is what crafting is all about.
(CROCHETED SCARF)
Scarves are often chosen as first projects for a beginning knitter or crocheter, and its easy to see why. Theyre very simple, they are worked back and forth, there is no shaping, and they are easy to wear and appreciate.
But scarves take a long time, and someone who is just learning usually wants to see some results, to finish something and feel that sense of accomplishment. And while doing the exact same thing over and over again can feel very meditative, eventually it feels very boring. Its a fine line.
This triangular scarf, named after the downward dog yoga pose, is still very simple, but the occasional increase on the first half and decrease on the second half will keep you engaged, while also teaching you something new. Its a great project to learn on. When it is worked in a color gradient, as shown here, the hues shift almost imperceptibly. As your scarf grows, your understanding of crochet will grow with it.
FINISHED MEASUREMENTS
7 inches (18.5 cm) wide and 41 inches (105.5 cm) long.
MATERIALS
400 yards (366 meters) fingering weight wool yarn (shown in A Hundred Ravens Iachos Mini-Skein Gradient, in color Morgans Frost)
Size F-5 (3.75 mm) crochet hook
Safety pin
Tapestry needle
GAUGE
28 sts and 28 rows = 4 inches (10 cm) in single crochet (see ).
PATTERN
Foundation ch: Ch 3.
Next row: Begin in second ch from hook, sc in each ch, ch 1, and turn2 sts.
Next row: Skip turning ch, 2 sc, ch 1, and turn.
Increase row: Skip turning ch, 2 sc into first st, sc to end, ch 1, and turn3 sts.
Place safety pin on this side of the fabric, as you will always increase or decrease with the safety pin facing you.
*Work 3 rows even.
Increase row: 2 sc into first st, sc to end, ch 1, and turn1 st increased.
Repeat from * until there are 50 sts.
Work 3 rows even.
**Decrease row: Sc2tog, sc to end, ch 1, and turn1 st decreased.
Work 1 row even.
Repeat from ** until 2 sts remain. Sc2tog, and fasten off.
finishing:
Weave in all ends using tapestry needle. Finish the piece by blocking it, as instructed on .
My friend Anna Noyes made this garland as we sat together on the rubber floor of the neighborhood playground while our children ran around in the sunshine. I sketched out what I wanted her to do and gave her a crochet hook and some yarn. But when it was finished, the result was not the rigid necklace I had envisioned. Its more fluid, because as Anna crocheted and I knit, we chatted about our work, and in that flow the necklace evolved.