Jennifer Bajorek - Unfixed
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Unfixed
PHOTOGRAPHYAND DECOLONIAL IMAGINATION IN WESTAFRICA
JenniferBajorek
Duke University PressDurham and London2020
2020 Duke University Press
All rights reserved
Printed in the United States of America on acid-free paper
Designed by Drew Sisk
Typeset in Portrait, Folio, and Univers by Westchester Publishing Services
Library of Congress Cataloging-in-Publication Data
Names: Bajorek, Jennifer, author.
Title: Unfixed : photography and decolonial imagination in West Africa / Jennifer Bajorek.
Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index.
Identifiers: LCCN 2019016282 (print)
LCCN 2019980319 (ebook)
ISBN 9781478003663 (hardcover)
ISBN 9781478003922 (paperback)
ISBN 9781478004585 (ebook)
Subjects: LCSH : PhotographyPolitical aspectsAfrica, French-speaking WestHistory20th century. | PhotographySocial aspectsAfrica, French-speaking WestHistory20th century.
Classification: LCC TR 119. F 83 B 356 2020 (print) | LCC TR 119. F 83 (ebook) | DDC 770.0966/0917541--dc23
LC record available at https://lccn.loc.gov/2019016282
LC ebook record available at https://lccn.loc.gov/2019980319
Cover art: ID -card photograph of an unidentified woman. Photograph: Joseph Mose Agbodjlou. Porto-Novo, Benin, 1970s. Courtesy of Lonce Agbodjlou.
Frontispiece: Portrait, woman in hitchhiker pose. Photograph: Zinsou Cosme Dossa, Porto-Novo, Benin, ca. 1962. Modern print made by Lonce Agbodjlou with the photographers permission. Courtesy of the family of Zinsou Cosme Dossa.
DUKE UNIVERSITY PRESS GRATEFULLY ACKNOWLEDGES THE SUPPORT OF HAMPSHIRE COLLEGE AND THE CREATIVE CAPITAL/WARHOL FOUNDATION ARTS WRITERS GRANT PROGRAM. PUBLICATION OF THIS BOOK HAS BEEN AIDED BY A GRANT FROM THE MILLARD MEISS PUBLICATION FUND OF CAA.
Portrait, woman in hitchhiker pose, by Zinsou Cosme Dossa, Porto-Novo, Benin, ca. 1962 ii |
Portrait of Khady Ndoye, printed on the diagonal, by unknown photographer, Dakar, Senegal, late 1950s 2 |
Digitized contact prints from the studio of Beno t Adjovi, Cotonou, Benin, late 1960s, early 1970s |
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