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Charles Reid - Watercolor Basics: Learn To Solve The Most Common Painting Problems

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Charles Reid Watercolor Basics: Learn To Solve The Most Common Painting Problems
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Watercolor Basics Copyright 2019 by Charles Reid Manufactured in China All - photo 1
Watercolor Basics Copyright 2019 by Charles Reid Manufactured in China All - photo 2
Watercolor Basics Copyright 2019 by Charles Reid Manufactured in China All - photo 3

Watercolor Basics. Copyright 2019 by Charles Reid. Manufactured in China. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. Published by North Light Books, an imprint of Penguin Random House LLC. First Edition.

www.penguinrandomhouse.com

Ebook ISBN: 9780593327845

Edited by Vanessa Lyman and Jeffrey Blocksidge

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ABOUT THE AUTHOR Charles Reid is an award-winning artist specializing in - photo 4
ABOUT THE AUTHOR

Charles Reid is an award-winning artist specializing in watercolor painting. He teaches too many classes and workshops, but they constantly refresh him. Thinking of new ideas for each class is hopefully warding off Alzheimers.

Charles exhibits in both the United States and Europe, meeting many talented and delightful people while traveling with his best friend and wife, Judith.

ACKNOWLEDGEMENTS

Thanks to my editors, Jeffrey Blocksidge and Vanessa Lyman, and all of the very talented people at North Light who worked so hard to make this book possible.

Also thanks to all of the friends and students who gave me ideas and support. Sadly we werent able to include so many of their worthy paintings. Even though your paintings dont appear in the book, they gave me inspiration.

Courthouse Santa Barbara DEDICATION To Judith as always And to my parents - photo 5

Courthouse, Santa Barbara

DEDICATION

To Judith, as always.

And to my parents, David and Peggy, and my brother Gorden, who always encouraged me.

Table of Contents

Lose yourself, your memory and your wish to be correct. Learn to paint people objectively, using value to communicate their features and skin tones.

Learn to interpret light and shadow, to build contrast, and to simplify and connect shapes of value to paint engaging scenes.

Joseph WolfskillScottsdale Introduction Hopefully youll find some tips in - photo 6

Joseph WolfskillScottsdale

Introduction

Hopefully youll find some tips in this book that will help with your watercolor painting problems. My advice: Practice contour drawing, stop sketching and always have wet paint in your supply.

Try to enjoy the small victories. Stop painting when you no longer have ideas. Remember, all watercolors painted on the spot will have flaws. Enjoy painting and dont dwell on the result.

Ive taught many classes and Ive tried to remember and deal with the most common problems discussed in critiques over the years. I most likely missed some important problems and I apologize. But let me start you off with some basic rules to live by:

LEARN TO DRAW

Study my exercises, especially my contour drawing of the Talbot motorcar on . Dont just look at the pictures. Drawing is the key to figure work, but its just as important in still-life and landscape painting.

LEARN TO SEE VALUES

Dont confuse values with color or color intensity. Before using color, paint the examples in monochrome with Paynes Gray using the value scale on . Find old photographs with apparent light-and-dark differences. Avoid photos that have confusing half-tones (middle values between light and shadow).

DONT COPY WHAT YOU SEE

Digest what you see into your own vision. Dont just see and paint. Remember The Magic Squint: If its hard to see a boundary when you squint, then its a lost edge. (Thanks to Richard Schmid for this term.)

Always evaluate a painting decision with an adjacent element. Never draw or paint anything isolated.

Joseph Wolfskill 2Scottsdale Brushes Paper and Other Stuff BRUSHES - photo 7

Joseph Wolfskill 2Scottsdale

Brushes Paper and Other Stuff BRUSHES Brushes are your most important - photo 8
Brushes, Paper and Other Stuff
BRUSHES Brushes are your most important consideration You can use cheap paper - photo 9
BRUSHES

Brushes are your most important consideration. You can use cheap paper, plastic palettes and student-grade paints, but you must have good brushes. There are four choices when choosing a brush: natural sable hair, natural hair from other animals, a combination of sable hair and synthetic fibers, and completely synthetic fibers. These brushes come in two shapes: round and flat. I use only round natural sable brushes (often labeled kolinski, after the little animal whose tail is used to make sable brushes). Although Im not qualified to comment on the other brushes mentioned above (Ive never used any of them), I will make some observations. Synthetic brushes are inexpensive, but they dont seem to hold much water and paint. Squirrel quills hold lots of paint and water, but theyre rather lank and lack spring, and theyre almost as expensive as sables. If you cant manage a natural sable, a round brush with a mix of natural and synthetic fibers would probably be your best bet.

There are many fine natural sable brushes available. You can purchase them from any artists catalog. Sable brushes can seem very expensive when compared to synthetic brushes, but Ive found that a good sable brush will last and give you more painting pleasure than synthetic brushes. My favorite is the Da Vinci Maestro. It has a very full body and points beautifully.

A no. 8 would be a good size to start with. This is the size I use the most. Once youve made the plunge and decide to purchase another brush, Id backtrack and buy a no. 6. If youre delighted with your sable brushes, you should add a no. 10 to your next Christmas or birthday wish list. I use a no. 12, but you really dont need a sable larger than a no. 10. If you are painting a large area and need a big brush, use a squirrel quill or sable/synthetic brush.

PAPER Watercolor requires a different surface from oil painting Oil painting - photo 10
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