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Jill Richards - The Fury Archives; Female Citizenship, Human Rights, and the International Avant-Gardes

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THE FURY ARCHIVES MODERNIST LATITUDES MODERNIST LATITUDES Jessica Berman - photo 1

THE FURY ARCHIVES

MODERNIST LATITUDES

MODERNIST LATITUDES

Jessica Berman and Paul Saint-Amour, Editors

Modernist Latitudes aims to capture the energy and ferment of modernist studies by continuing to open up the range of forms, locations, temporalities, and theoretical approaches encompassed by the field. The series celebrates the growing latitude (scope for freedom of action or thought) that this broadening affords scholars of modernism, whether they are investigating little-known works or revisiting canonical ones. Modernist Latitudes will pay particular attention to the texts and contexts of those latitudes (Africa, Latin America, Australia, Asia, Southern Europe, and even the rural United States) that have long been misrecognized as ancillary to the canonical modernisms of the global North.

For a complete list of books in the series, see

THE

FURY ARCHIVES

Female Citizenship, Human Rights, and the International Avant-Gardes

Jill Richards

Columbia University Press

New York

Columbia University Press gratefully acknowledges the generous support for this - photo 2

Columbia University Press gratefully acknowledges the generous support for this book provided by a Publishers Circle member.

Columbia University Press Publishers Since 1893 New York Chichester West - photo 3

Columbia University Press

Publishers Since 1893

New York Chichester, West Sussex

cup.columbia.edu

Copyright 2020 Columbia University Press

All rights reserved

E-ISBN 978-0-231-55198-4

Library of Congress Cataloging-in-Publication Data

Names: Richards, Jill C., 1983 author.

Title: The fury archives : female citizenship, human rights, and the international avant-gardes / Jill Richards.

Description: New York : Columbia University Press, [2020] | Series: Modernist latitudes | Includes bibliographical references and index.

Identifiers: LCCN 2019058884 (print) | LCCN 2019058885 (ebook) | ISBN 9780231197106 (hardback) | ISBN 9780231197113 (paperback)

Subjects: LCSH: FeminismHistory. | Women political activistsHistory. | Women radicalsHistory. | Womens rightsHistory. | CitizenshipHistory.

Classification: LCC HQ1150 .R53 2020 (print) | LCC HQ1150 (ebook) | DDC 305.4209dc23

LC record available at https://lccn.loc.gov/2019058884

LC ebook record available at https://lccn.loc.gov/2019058885

A Columbia University Press E-book.

CUP would be pleased to hear about your reading experience with this e-book at .

Cover images: Claude Cahun, I am in training dont kiss me (1927), photograph, courtesy of the Jersey Heritage Collection. Suzanne Malherbe manuscript (background image), Claude Cahun and Suzanne Malherbe Collection, courtesy of the Beinecke Library, Yale University.

Contents
  1. 1.The Fury Archives: Afterlives of the Female
    Incendiary

T he questions driving this book emerged outside of or against the university, through the reading groups, committee meetings, and actions associated with the University of California Student Occupation Movement, Occupy Oakland, and associated anarchist, left-communist, feminist, queer, and antiracist organizing in the Bay Area from 2009 through 2014. I am so grateful for these communities, alongside the wider extra-academic political formations that have sustained and challenged me in the subsequent years spent on the East Coast, in New Haven, Philadelphia, and Brooklyn.

At the same time, this book was made possible through sustained institutional support on many fronts. In the Department of English at the University of California, Berkeley, I owe special thanks to my formidable advisors Charles Altieri, Dan Blanton, and Lyn Hejinian. I am particularly appreciative of this group for their continuous goodwill and encouragement when I changed the focus of my research midstream, from aesthetic theory to radical feminism. At Berkeley, I am also thankful for a number of excellent teachers and mentors in the English Department and beyond, including Kathleen Donegan, Eric Falci, Cecil Giscombe, Kevis Goodman, Celeste Langan, Colleen Lye, Maura Nolan, and Linda Williams. I want to send extra gratitude to Dan Blanton for his generous and devastatingly smart readings of my writing well after graduation. Lyn Hejinian was an invaluable source of inspiration for political, and especially feminist, organizing in the academy. I feel especially lucky to have as classmates the marvelous Sookyoung Lee, Lili Loofbourow, Batya Ungar-Sargon, and Mia You. My dissertation work was supported by grants from the Summer Mellon Dissertation Seminar Fund, taught by Michael Lucey and the Chernin Program, then headed up by Maura Nolan, who was an outstanding mentor when I needed one the most.

In Berkeley and Oakland but extending outside the strict context of institutional affiliation, thank you and love to my housemates at Casa Milvia, Sarah Chihaya and Jessica Crewe, who shared conversation, writing, and late-night movie trivia that sustained me through graduate school. Thanks to Jessie Hock and Alex Dubilet, not least for their sunny, book-filled apartment as a rest stop. I owe so much to my weekly television buddy and teargas hand-holder Callie Maidof. More widely, gratitude and love to an Oakland crew including but not limited to Jasper Bernes, Matt Bonal, Shane Boyle, Chris Chen, Joshua Clover, Chris Nealon, Dan Nemser, Oki Sogumi, Juliana Spahr, and Wendy Trevino. Tim Kreiner deserves special mention and thanks for many years of support. Thanks too to Meredith Wallis, for California activist lawyering and East Coast friendship over the phone. Finally, thank you and appreciation to the ACLU lawyers who argued a class-action lawsuit against the city of Oakland and Alameda County for the mass arrests on January 28, 2012. That settlement paid for a summer of writing this book, though it meant a lot more than that to many different people.

In turning from California to Connecticut, I am first struck by my vast good fortune to have joined the English Department at Yale the same year as the indomitable Marta Figlerowicz, who has provided years of witty commentary, last-minute read-throughs, and solidarity in friendship. Sunny Xiang joined us the next year, along with Rasheed Tazudeen, to form the reconstituted Berkeley network of my dreams. During this time, Briallen Hopper has been a fount of kindness and grace, Greta LaFleur an indefatigable joy, and Eda Pepi my dearest coconspirator. Big thanks to Jill Jarvis, for friendship, dog-walking company, and generous readings of this work when the writing was in the weeds. Lucia Hulsether deserves special thanks for her support during late-stage editing meltdowns. I am most grateful for the existence of my New Haven therapist, Isha Vela, who helped me keep mind and body together over the course of several years. Amid the morass of hasty revisions, Brandon Proia was an excellent developmental editor, offering key suggestions for concision and clarity throughout. In the English Department, Joe Cleary, Wai Chee Dimock, Ben Glaser, Jacqueline Goldsby, Langdon Hammer, Cajetan Iheka, David Kastan, Naomi Levine, Katja Lindskog, Priyasha Mukhopadhyay, Stephanie Newell, Catherine Nicholson, Joe North, Anthony Reed, and Katie Trumpener offered academic and extracurricular support. Extra thanks to Caleb Smith, for his generous reading of drafts and direction amid bureaucratic tangles. In Women, Gender, and Sexuality Studies, I am thankful to have worked with two brilliant, supportive chairs, Inderpal Grewal and Margaret Homans, and for the queer comradeship of Serena Bassi, Igor De Souza, Robin Dembroff, Joe Fischel, and Evren Savci. Katie Lofton deserves a sentence of her own of enthusiastic thanks, for mentorship and much-needed encouragement. I am thankful to have worked as a Mellon Dissertation Workshop fellow, particularly alongside Doug Rogers, who has taught me much about what mentorship can look like in the best of circumstances. At Yale, this book has been supported by the grants from the Fund for Lesbian and Gay Studies (FLAGS) Research Award, A. Whitney Griswold Faculty Research Fund, and the Frederick W. Hilles Publication Fund.

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