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Ruth Stone - The Garland Handbook of African Music

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Ruth Stone The Garland Handbook of African Music
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The Garland Handbook of African Music Second Edition The Garland Handbook of - photo 1
The Garland Handbook of African Music
Second Edition
The Garland Handbook of African Music
Second Edition

Edited by
Ruth M. Stone
Indiana University, Bloomington

First published 2000 by Garland Publishing Inc This edition published 2008 - photo 2

First published 2000
by Garland Publishing, Inc.

This edition published 2008
by Routledge
270 Madison Ave, New York, NY 10016

Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

This edition published in the Taylor & Francis e-Library, 2009.

To purchase your own copy of this or any of Taylor & Francis or Routledges collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk [URL inactive].

The Garland Handbook of African Music second edition, is an abridged paperback edition of Africa, volume 1 of The GarlandEncyclopedia of World Music, with the addition of a new article, Exploring African Music as well as articles by Alex Perullo, Gregory Barz and Judah Cohen, Daniel B. Reed, Jeffrey A. Summit, Jane Goodman, and Clara Henderson. The Reed article is adapted from previous publication by Indiana University Press, used by permission. Unless otherwise noted, all interior illustrations were provided by the authors of articles and sections in this Handbook.

2000 Ruth M. Stone; 2008 Taylor & Francis

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging in Publication Data
The Garland handbook of African music / [edited by] Ruth M. Stone
p. cm.
Abridged paperback edition of Africa, volume 1 of The Garland encyclopedia of world music, with the addition of a new article, Exploring African Music as well as articles by Alex Perullo, Gregory Barz and Judah Cohen, Daniel B. Reed, Jeffrey A. Summit, Jane Goodman, and Clara Henderson. Reed article is adapted from previous publication by Indiana University PressT.p. verso
Includes bibliographical references and index.
Discography: p.
Filmography: p.
ISBN 10: 0-415-96102-5 (pbk)
ISBN 13: 978-0-415-96102-8 (pbk)
ISBN 10: 0-203-92787-7 (ebk)
ISBN 13: 978-0-203-92787-8 (ebk)
1. MusicAfricaHistory and criticism. 2. Folk musicAfricaHistory and criticism. I. Stone, Ruth M. II. Garland encyclopedia of world music. Vol. 1, Africa.
ML350.G54 2008
780.96dc22
2007047402

ISBN 0-203-92787-7 Master e-book ISBN

ISBN 10: 0-415-96102-5 (pbk)
ISBN 10: 0-203-92787-7 (ebk)

ISBN 13: 978-0-415-96102-8 (pbk)
ISBN 13: 978-0-203-92787-8 (ebk)

For eBook customers, please email with proof of purchase to obtain access to the supplementary content of any CDs for this book.

The following examples are included on the accompanying compact disc packaged with this volume. Track numbers are also indicated on the pages listed below for easy reference to text discussions.

Track

Kpelle Woi-meni-pele epic excerpt (Liberia)

Lidet Christmas celebration (Ethiopia)

Whispered song (Burundi)

Vai call to prayer (Liberia)

Palm-wine highlife song (Ghana)

HIV/AIDS music (Uganda)

Dan music (Cte dIvoire)

Anlo-Ewe kinka drumming (Ghana)

Anlo-Ewe kinka songs (Ghana)

Maninka mansareh balo praise songs (Sierra Leone)

Bala patterns of Maninka mansareh balo praise song (Sierra Leone)

Maninka Duwa praise song (Sierra Leone)

Tuareg Tihadanaren (Algeria)

Tuareg takmba song, Khadisia (Algeria)

Basoga song, Enyhonyhi kolojo khumutiyeere (Uganda)

Baganda song, Gganga aluwa (Uganda)

Abaudaya (Jewish) Music (Uganda)

Somali caayar, dhaanto, Excerpt A (Somalia)

Somali caayar, dhaanto, Excerpt B (Somalia)

Popular song, Motike (Central African Republic)

BaAka pygmy hunting song Makala (Central African Republic)

BaAka pygmy god dance song (Central African Republic)

Shona mbira song, Tongore (Zimbabwe)

Shona spirit song, Nyama musango (Zimbabwe)

Mvamo dance song (Malawi)

  • Gregory Barz
    Vanderbilt University
    Nashville, Tenn., U.S.A.
  • Judah Cohen
    Indiana University
    Bloomington, Ind., U.S.A.
  • Peter Cooke
    London, U.K.
  • David B. Coplan
    University of Witwatersrand
    Johannesburg, South Africa
  • Jacqueline Cogdell DjeDje
    University of California
    Los Angeles, Calif., U.S.A.
  • Jane E. Goodman
    Indiana University
    Bloomington, Ind., U.S.A.
  • Clara E. Henderson
    Indiana University
    Bloomington, Ind., U.S.A.
  • Angela Impey
    London, U.K.
  • John E, Kaemmer
    Seattle, Wash., U.S.A.
  • Andrew L. Kaye
    Bethelem, Pa., U.S.A.
  • Michelle Kisliuk
    University of Virginia
    Charlottesville, Va., U.S.A.
  • Gerhard Kubik
    University of Vienna
    Vienna, Austria
  • Patience A. Kwakwa
    University of Ghana
    Legon, Ghana
  • Lester P. Monts
    University of Michigan
    Ann Arbor, Mich., U.S.A.
  • Alex Perullo
    Bryant University
    Smithfield, R.I., U.S.A.
  • Daniel B. Reed
    Indiana University
    Bloomington, Ind., U.S.A.
  • Cynthia Schmidt
    University of Iowa
    Iowa City, Iowa, U.S.A.
  • Kay Kaufman Shelemay
    Harvard University
    Cambridge, Mass., U.S.A.
  • Ruth M. Stone
    Indiana University
    Bloomington, Ind., U.S.A.
  • Jeffrey A. Summit
    Tufts University
    Medford, Mass., U.S.A.
  • Christopher A. Waterman
    University of California
    Los Angeles, Calif., U.S.A.
  • Caroline Card Wendt
    Indianapolis, Ind., U.S.A.

This handbook covers the making of African music, its performers and audiences, theories of musical conception, and the exchange of music among peoples on the continent and beyond. It presents a view of the music of Africa from the perspectives of those who have studied it and those who make it.


NEW TO THIS EDITION

There are a number of new contributions to this second edition. First, the explosion of new research in East Africa is represented in new contributions by Alex Perullo writing about music in Tanzania and Jeffrey A. Summit who writes of the Abayudaya Jews in Uganda. Second, new topics have emerged as important in the music of Africa in the recent past. Jane E. Goodman presents the case of music and video in North Africa, Gregory Barz and Judah Cohen tackle the topic of music and HIV/AIDS education through music. Clara E. Henderson explores womens dance in the Christian church of Malawi. Daniel B. Reed explores the ever-fascinating way that identity and music intertwine in the contemporary Cte dIvoire of West Africa.

The second edition also provides new features in the questions for critical thinking that enhance the possibilities for using this volume as a textbook. The questions are designed to stimulate thinking and discussion about the articles and the issues they raise.

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