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Louise B. Halfe - Burning in This Midnight Dream

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Louise B. Halfe Burning in This Midnight Dream

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Burning in This
Midnight Dream
Louise B. Halfe Sky Dancer
Brick Books
Copyright
Library and Archives Canada Cataloguing in Publication
Title: Burning in this midnight dream / Louise B. Halfe Sky Dancer.
Names: Halfe, Louise, author.
Identifiers: Canadiana (print) 20200402005 | Canadiana (ebook) 2020040 2021 | ISBN 9781771315517 (softcover) | ISBN 781771315524 (HTML) | ISBN 9781771 315531 (PDF)
Subjects: LCGFT: Poetry.
Classification: LCC PS 8565 .A 4335 B 2021 | DDC C/.dc
Copyright Louise B. Halfe Sky Dancer, 2021
We gratefully acknowledge the Canada Council for the Arts, the Government of Canada through the Canada Book Fund, and the Ontario Arts Council for their support of our publishing program.
This book is a work of fiction Names characters places and incidents either - photo 1This book is a work of fiction Names characters places and incidents either - photo 2This book is a work of fiction Names characters places and incidents either - photo 3
This book is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, is coincidental.
The author photo was taken by Kimball V. Regier.
Cover painting by Sherry Farrell Racette: She Is Dreaming, 2020 , gouache on illustration board, x . inches.
Original edition published by Coteau Books in 2016 .
Edited by Tim Lilburn.
Brick Books
King St. W.
Kingston, ON
k7l 2x7
www.brickbooks.ca
Dedication
This book is dedicated to my children,
Usne Josiah Butt and Omeasoo Wahpasiw
as well as my grandsons Josiah kesic Butt left and Alistair aski Butt - photo 4
as well as my grandsons
Josiah kesic Butt (left) and Alistair aski Butt (right).
In the middle is my mother, Madeliene Waskewitch (Half, Moyah).
Mom and Dads wedding November 4 1939 Table of Contents Preamble The Truth - photo 5
Mom and Dads wedding, November 4, 1939.
Table of Contents
Preamble
The Truth and Reconciliation process opened the door to sharing that dark history. Truth is hard to find however. Hard to share, hard to hear. At times those stories are understandably sanitized: for the teller, for the audience, safe for polite company or church basements. These stories attempt to go deeper, but never fully plumb the depths. They are intended to share yet more of that truth. Think of all the children, and weep. Children fed to pedophile priests and nuns. Children whipped and starved. Families and communities destroyed. Generation upon generation, courtesy of the Canadian Government. Courtesy of the Canadian public.
Now we seek to define reconciliation. We must first know the deeper truth however. Celebrate the survivors and extend kindness to the lost. Understand the way forward. At the very least get out of the way. We will survive as a people. Rise up and be proud. Reoccupy our land. And live.
Foreword
When I was asked to write the foreword to Cree poet Louise B. Halfe Sky Dancers fourth book of poetry, I accepted with some trepidation. How could I do justice to these poems that invoke such a powerful mix of feelings: anger, shame, despair, confusion, love, joy, and hope? With a deep sense of humility, I am honoured to write these few words. As author of Unsettling the Settler Within: Indian Residential Schools, Truth Telling, and Reconciliation in Canada, and through my work with the Truth and Reconciliation Commission of Canada, I have reflected deeply on the incredibly rich and generous gift that Canadians have been given by those who survived the Indian residential school system. They have shared their life memories with each other and with all of us so that together we will learn, understand, and remember. They do so in the hope that we will take action to change things so that their children, grandchildren, and great-grandchildren will have better lives. This is the hard work and promise of reconciliation; it involves decolonizing ourselves, our families, our communities, our workplaces, and our country. It is everyones work.
Reconciliation has many pathways; writing poetry is one. Louises poems are teachings. She writes hard truths about what she and her parents suffered at the hands of the nuns and priests at residential school. She writes about secrets that haunt and silences kept, and about finding the strength to persevere. Sky Dancers poems are teachings. She writes about her nhkom and nimosm, her Cree grandparents, who knew the old ways the medicines, the pipe, the sweat lodge and enjoyed the wealth and dignity that came from living and working on their own land. Louise Sky Dancers writing is both a courageous act of resistance and a reclaiming of culture, language, and the blood memory of her ancestors that, despite the ravages of colonialism, is still written on her heart.
Her poems remind us that sometimes childhood memories comfort us as we recall our home, our family, our culture. These teach us about who we are and where we belong. We remember the places, sights, sounds, and smells of our childhood. We treasure those special times we shared with grandparents or parents as they lovingly taught us how to walk in the world. For many residential school surivivors, there are other memories too; of adults who abused them and spewed racial hatred that made them feel ashamed, confused, lonely and unloved. Memories of loss, disconnection and an unrelenting longing for the ties of family and community that have been damaged and may never be repaired. Memories of unsafe homes where the lessons of violence learned by great-grandparents, grandparents and parents in the residential schools were then inflicted on new generations of children. Survivors life stories hold all of these memories.
These poems are testimonies of truth, justice, and healing. These poems are gifts. I invite you, the reader, to read and reflect upon them with open minds and humble hearts. Then share them with others. They unsettle us in a good way. They inspire us. They give us hope.
Paulette Regan, 2016
Pete Waskewitch Kakakon Wilfred Chocans grandmother and Charlie Waskewitch - photo 6
Pete Waskewitch, Kakakon (Wilfred Chocans grandmother), and Charlie Waskewitch. Pete and Charlie are brothers.
Dedication to the Seventh Generation
ahw,
ta ka-whtamtincimisowin
I will share these stories
but I will not share
those from which I will never crawl.
It is best that way.
I forget to laugh sometimes,
though in these forty years
my life has been filled
with towering mornings,
northern lights.
Sit by the kotawn the fire place.
Drink muskeg and mint tea.
Hold your soul
but do not weep.
Not for me, not for you.
Weep for those who havent yet sung.
Weep for those who will never sing.
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