Ebimo - How to Draw Bold Manga Characters
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- Book:How to Draw Bold Manga Characters
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- Publisher:Tuttle Publishing
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- Year:2022
- Rating:3 / 5
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How to Draw Bold Manga Characters: summary, description and annotation
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Elevate your manga drawings to the next level with help from a Japanese professional! Manga drawing expert and author Ebimo is an action film junkie who taught herself to draw by studying martial arts films. In this book, she brings those techniques, tips, and tricks to you! Learn how to draw every detail of exciting action characters--from the muscles used in fight scenes to the 3-D arc of a flying frontal kick. What sets Ebimo apart is her fusion of the basics of figure drawing and proper posing with cutting-edge digital-age illustration and coloration techniques. Artists working on paper or a screen will learn to bring greater depth and complexity to their characters with these expert tutorials. This all-in-one guide is unlike any other, offering: Dual-format step-by-step tutorials for those who draw on paper, on screen, or both Up-close studio visits where you can follow along as characters are drawn An essential reference guide to all the key poses in action scenes and sequences Dynamic full-color examples with single, dual and multiple characters Over 1,350 sample illustrations to study and learn from! How to Draw Bold Manga Characters presents the best of both worlds--hand-drawn detail with digital dynamics--in one essential volume. *Recommended for artists 14 and up*
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DRAW
at the line-drawing stage. The
movement of the hands at either side
of the chest and the color of the tank
top moving with them were visualized
at the initial stage. Its a pose with a
slightly downward gaze.
Redness is added on the
chest, joints, tips of the toes
and so on, while highlights
are applied to the surfaces
directed towards the light,
such as the shoulders and
thighs, to bring out the
youthfulness of this twisted
pose.
the skin.
looking towards them as well as to the parts that are
exposed when hit by light, heightening the sense of
excitement for those viewing the work.
lets direct the spotlight onto the body
from the front.
In order to make a bold,
sexy pose attractive, light is
concentrated on the arms and
chest area to focus attention on
them. As the light is slightly from
below, the impression of viewing
the figure from a low angle is
strengthened. The color of the
shadow is applied over the entire
figure, then an airbrush is used
to hollow out only the areas
being lit up (the same method
is used on to depict
backlighting). Adding deep
shadow to the rounded, blurred
vignette and crisp lighting on
parts with lots of undulations
such as around the eyes and
ears makes for a remarkable
end result.
color and
underwear color are
applied at this stage.
In order to compare
the effect of light,
the same skin color
has been used as for
the works on .
skirt, light source coming from the front
of the line drawing so that it will be easy
to find unpainted areas or areas where
paint has gone outside the lines.
on a separate layer. This yellow-green
color will cover a large area so factor it in to
balance out the overall composition.
with the skin left white. Try changing the overall feel through tones.
colors are applied to the reverse side of the dress
and to the shoes to create cohesion.
yellow-green adds softness while the blue tones in the navy add a fresh feel,
creating a light, cool impression.
at the overall balance
indicates that at the very least, there is a lack of cohesion
in the number of colors. Look carefully at whether the types of
colors suit the overall image and make adjustments.
nearly-blue purple
is applied to the eyes to
create nuance.
color is blended to match the tone (top) and colored
blue to tie in with the hair (bottom).
used to add color to the
skin base. Dull reddish beige
is blended in over the cheeks,
shoulders and so on to bring
out color.
dress. Increasing whitish surfaces makes
for a cheerful impression.
the upturned sections of skirt lends a sense of
rhythm and solidity.
A color one level lighter is blended over the ends and the highlighted
sections of the head.
hair and clothes
silhouette considered when shadow is roughly applied.
crease line made in the line drawing.
the neck) and minimal shadow (the ends and the section billowing around
at the front) in the hair brings out a sense of solidity, chibi-style. Shadow is
also added where the clothing tapers.
of the flipped-up skirt is captured
with a curved outline in order to play up
the smooth movement in the fabric, while
the inside is completely painted in.
bent leg.
creasing in the clothing.
the skirt, shadows formed from both
blocks and lines are used to render a sense
of solidity.
The pure black of the line drawing is made
slightly fainter in order to blend into the colors
that have been painted. Reddish brown is applied to
areas of the skin exposed to light, while deep navy
is added to hair and deep green is added to clothing.
dropped onto the shoulder area, while the area from the elbows down is
entirely covered in shadow. Unlike in hair and clothing, fine wrinkles in the skin
dont stand out so are erased completely. The shadows in the hollows of the body
are rounded in line with protuberances in the flesh, while shadows formed by hair,
clothing and so on are treated differently according to type.
does not stand out too much. Fluid light is scattered over the hair in line with its flowing motion.
The face is important, so lines in the eyes are made finer and eyelashes are added.
outline of the head and edges of hair bundles for a glossy
finish. Several lines are added to the hair flying around the head in
order to further emphasize the fluttering effect.
perspective: shine light from diagonally above
the thickness of the line around each body part
is altered to create a sense of movement starting
from the line drawing stage.
shades. Teaming refreshing colors with the flirty vibe created by
the facial expression and the way the clothes are worn adds a feeling
of freshness.
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