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Rachel Holmes - The Hottentot Venus: The Life and Death of Sarah Baartman

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The Hottentot Venus: The Life and Death of Sarah Baartman: summary, description and annotation

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A significant and timely book ... Holmes has produced a laceratingly powerful story Frances Wilson, Literary Review

In 1810 the slave turned showgirl Sarah Baartman, Londons most famous curiosity, became its legal causeclbre. Famed for her exquisite physique in particular her shapely bottom she was stared at, stripped, pinched, painted, worshipped and ridiculed. This talented, tragic young South African woman became a symbol of exploitation, colonialism and defiance.
In this scintillating and vividly written book Rachel Holmes traces the full arc of Baartmans extraordinary life for the first time.

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Plate Section Caricature engraving by Charles Williams from 1811 published - photo 1

Plate Section

Caricature engraving by Charles Williams from 1811 published in 1822 - photo 2

Caricature engraving by Charles Williams from 1811, published in 1822, satirising the notion of an association between a Hottentot Venus and eros. With its plump white baby Cupid carried by Saartjie, the image inadvertently alludes to Saartjies past as a domestic servant and nursemaid in a racially divided colonial society.

A crowded street in London by George Cruikshank 1812 shows the bustling - photo 3

A crowded street in London, by George Cruikshank, 1812, shows the bustling intensity of London life and its popular entertainments. Note the shopfront poster advertising The Hottentot Venus show.

Coloured aquatint by Frederick Christian Lewis published in March 1811 - photo 4

Coloured aquatint by Frederick Christian Lewis, published in March 1811, shortly before The Hottentot Venus went on tour. Saartjie is shown wearing the numerous accessories transported from South Africa by Dunlop and Cesars in which she was to be exhibited.

Political cartoon by Charles Williams depicting Saartjie and Lord Grenville - photo 5

Political cartoon by Charles Williams depicting Saartjie and Lord Grenville going into business together shortly after her court case, London, December 1810. Grenville and his Whig cohorts had been known as the broad bottoms since the 1806 Ministry of all the Talents, hence the proliferation of cartoons featuring both him and Saartjie.

Satirical engraving of Miss Ridsdale Sartjee and Miss Harvey by William Heath - photo 6

Satirical engraving of Miss Ridsdale, Sartjee and Miss Harvey by William Heath, 1810, parodying three famous London courtesans Henriette Dubochet, her sister Fanny and her friend Julia Johnstone who were known at the time as The Three Graces. Speculations on Saartjies impressions of London became a popular subject for satire, offering an opportunity to poke fun at native English culture.

Unattributed cartoon Paris 1814 showing what Parisians regarded as another - photo 7

Unattributed cartoon, Paris, 1814, showing what Parisians regarded as another curiosity: Scots Guards, serving in the allied army of occupation. French audiences both feared and admired Saartjies distinctive difference, making her an instant success.

Saartjies state funeral Hankey Eastern Cape 9 August 2002 BY THE SAME - photo 8

Saartjies state funeral, Hankey, Eastern Cape, 9 August 2002.

BY THE SAME AUTHOR

Scanty Particulars

also published as

The Secret Life of Dr James Barry

Eleanor Marx: A Life

Sylvia Pankhurst: Natural Born Rebel

Gripping and meticulously researched Spectator

A compassionate account of her life Financial Times

Holmess engaged and engaging book seeks to disentangle the real woman from this web of interpretations ... Her research is impeccable ... In telling Baartmans extraordinary story, Holmess fascinating book illuminates the forces which dominated her age, and resound in our own Sunday Telegraph

Hers is a heartbreaking and important story Time Out

The most upsetting book I have read this year ... Holmes reconstructs this tragic life in its entirety ... with courage and sensitivity The Times

Holmes has done some excellent research not only into Saartjies background but also into the London of the times ... Holmes has been meticulous in filling in the political background as well as the pseudo-scientific research leading to the so-called theory of eugenics Irish Times

Holmess well-written account of Baartmans life and afterlife shows how an individual who led an extraordinary existence and was a symbol of her centurys tangled attitude towards sex, race and imperialism lives on Sunday Times

A lively biography of Saartjie Baartman, a South African curiosity who achieved celebrity in early nineteenth-century London Daily Telegraph Summer Reading Picks

In this first post-colonial biography of Baartman, Holmes uses Saartje throughout, but musters as much factual information as possible, telling her tale with care and respect Independent

BLOOMSBURY PUBLISHING Bloomsbury Publishing Plc 50 Bedford Square London WC1B - photo 9

BLOOMSBURY PUBLISHING Bloomsbury Publishing Plc 50 Bedford Square London WC1B - photo 10

BLOOMSBURY PUBLISHING

Bloomsbury Publishing Plc

50 Bedford Square, London, WC1B 3DP, UK

BLOOMSBURY, BLOOMSBURY PUBLISHING and the Diana logo are trademarks of Bloomsbury Publishing Plc

First published in Great Britain in 2007

This paperback edition published in 2020

This electronic edition published in 2020

Copyright Rachel Holmes, 2007

Rachel Holmes has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers

Every reasonable effort has been made to trace copyright holders of material reproduced in this book, but if any have been inadvertently overlooked the publishers would be glad to hear from them.

For legal purposes the constitute an extension of the copyright page

A catalogue record for this book is available from the British Library

PB: 978-1-4088-9911-3; eBook: 978-1-4088-8151-4

To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters

And he said unto me, Son of man, can these bones live? And I answered, O Lord God, thou knowest.

Ezekiel 37.3

The story of Sarah Baartman is the story of the African people of our country in all their echelons.

President Thabo Mbeki

The rear end exists, I see no reason to be ashamed of it. Its true that there are rear ends so stupid, so pretentious, so insignificant, that theyre only good for sitting on.

Josephine Baker

I am a sex-o-matic Venus freak when Im with you.

Macy Gray

CONTENTS

Plates

Love and Beauty, caricature engraving by Charles Williams from 1811, published in 1822. (Bridgeman Images)

A crowded street in London (Grievances of London) by George Cruikshank. (Getty Images)

Coloured aquatint by Frederick Christian Lewis, published in March 1811, shortly before The Hottentot Venus went on tour. (British Library Board. All Rights Reserved / Bridgeman Images)

Prospects of Prosperity, political cartoon by Charles Williams, 1810. (British Museum)

The Three Graces, engraving by William Heath, 1810. (British Museum)

Les Curieux en extase, unattributed cartoon, Paris, 1814. (Royal Museums Greenwich Picture Library)

Saartjies state funeral, Hankey, Eastern Cape, 9 August 2002. (

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