Ana Victoria Calderon - Color Harmony for Artists: How to Transform Inspiration into Beautiful Watercolor Palettes and Paintings

KATERI EWING

GRAPHITE
Materials and Projects

COLORED PENCIL
Materials and Projects

INK
Materials and Projects

Think back to the last time you watched a small child pick up a crayon to draw on paper.That tiny hand held the waxy stick, maybe even switched the crayon to the other hand, as the child moved it across the paper. She made her mark. She simply drew, without any preconceived idea of what would appear on the paper. Theres immense joy in the act of putting those colorful marks down, and she certainly had no hesitation or fear of not being good enough. Hand an adult a crayon and a piece of paper, however, and you may see a person afraid to make a mark because it might not be good enough. What if it doesnt look like anything? Why did I ever think I wanted to draw, anyway?

At what point in the timeline of life does a drawing suddenly have to look like something? Why cant the simple tactile practice of dragging a colored pencil across a piece of paper bring joy and satisfaction? Somewhere along our path to adulthood, we lose that spontaneous, creative courage. My wish is to help you reclaim it.

In this book, we learn about two ways of drawingthe seeing-based representational way and the more expressive, abstract way. Both forms of drawing are much richer when we tap into our unique and intuitive way of mark making instead of following a step-by-step formula, which can lead to discouragement when what we draw doesnt measure up to our expectations of what we were trying to copy.

Seeing-based drawing is a way of documenting something tangible from the world around us by learning to slowly mark down the textures and shapes that our eyes see. It is meditative, calming, and accessible to anyone who can commit a few minutes a day to this invaluable practice. Every student I teach begins with seeing and drawing, and all are amazed at what they can create with this simple practice. Theres no measuring, no perspective or foreshortening, and no fancy tools needed. We begin our lessons with a pencil and paper and learn to mark down what our eyes see in our unique way.

Once we build our mark-making vocabulary with pencil, well dive into the expressive world of color: colored pencils, markers, pens, and ink. With these tools, we can explore patterns, textures, and more abstract designs while continuing to hone our seeing-based drawing skills. Each lesson is simple to complete as shown, but also has unlimited possibilities for repeating with different results each time. At the end of each lesson, I offer inspiration on ways to make the project your own.

A bit of gentle advice as we begin: Leave your expectations and self-criticism at the door. As many of my students have discovered, we can be eternal beginners and find all the satisfying benefits and joy we could ever hope for in a creative practice. Its also good to know there is strong scientific evidence that those who enjoy a creative practice as a regular part of their lives also enjoy many benefits to their health and well-being, including a more positive outlook on life. This has certainly been true in my experience. My daily drawing practice has been a good and constant companion through many of my greatest struggles. Its the reason I began teaching. I want everyone to reap the same kind of benefits I receive from it.

You may have arrived at these pages with a secret desire to unlock your creative potential. Perhaps youve always wanted to draw but were told you just didnt have the talent. Or, maybe youre a professional artist who feels your work has gone stale and methodical and are looking to tap into your intuition with fresh exercises.