BLOOMSBURY ACADEMIC
Bloomsbury Publishing Plc
50 Bedford Square, London, WC1B 3DP, UK
1385 Broadway, New York, NY 10018, USA
29 Earlsfort Terrace, Dublin 2, Ireland
This electronic edition published in 2021 by Bloomsbury Publishing Plc
BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc
First published 2021
Copyright Gail Segal and Sheril Antonio, 2021
For legal purposes the constitute an extension of this copyright page.
Cover design by Namkwan Cho
Cover image: Luxor(2020) directed by Zeina Durra. Cinematography by Zelmira Gainza.
Film-Clinic Productions. Mohamed Hefzy, Producer.
All rights reserved
You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes.
A catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Names: Segal, Gail, 1952- author. | Antonio, Sheril D., 1960- author.
Title: Dramatic effects with a movie camera / Gail Segal and Sheril Antonio.
Description: London : Bloomsbury Academic, 2020. | Includes .
Identifiers: LCCN 2020036662 (print) | LCCN 2020036663 (ebook) |
ISBN: 978-1-3500-9949-4 (HB)
ISBN: 978-1-4742-8582-7 (PB)
ISBN: 978-1-4742-8584-1 (eBook)
ISBN: 978-1-4742-8583-4 (ePDF)
Subjects: LCSH: Cinematography. | Motion picturesProduction and direction.
Classification: LCC TR850 .S35 2020 (print) | LCC TR850 (ebook) | DDC 777dc23
LC record available at https://lccn.loc.gov/2020036662
LC ebook record available at https://lccn.loc.gov/2020036663
ISBN: HB: 978-1-3500-9949-4
PB: 978-1-4742-8582-7
ePDF: 978-1-4742-8583-4
eBook: 978-1-4742-8584-1
To find out more about our authors and their books please visit www.bloomsbury.com where you will find extracts, author interviews and details of forthcoming events, and to be the first to hear about latest releases and special offers, sign up for our newsletters .
Today, as we proof the layout of our book, a viral pandemic circles the globe, leaving an imprint on every continent, forcing a reckoning. The movie industry has, like other venues for creative expression, taken a major hit. And yet storytellers committed to motion pictures have demonstrated pluck and ingenuity, using what resources they have on handeven if just a cell phone, a one-room apartment, and a catto stage and record drama. Within months of the pandemics onset, guilds across the world began revising protocols for safe media production so that the show could go on, and as soon as possible. All the while, demand for visual storytelling content increased, particularly as the parameters of our lives narrowed and the need to be transported became more urgent.
Movies have provided escape, fantasy, inspiration, or adventure, even a chance at love, and the enduring pleasure of catharsis as we see characters navigate lifes perils and survive. Some of these characters emerge with new insight. Others manage to transform, serving as an example. Movies have brought the human community with all its variations of race, creed, gender, and culture into our homes, inviting connection at a time when isolation has been our prescription.
Also, at this time, conversations have intensified, worldwide, around the subject of race and identity, and this too has impacted moviemaking, with film industry standards in America and elsewhere called on to become more inclusive, entitling unheard voices and fostering a new wave of stories indigenous to the storyteller.