This fascinating collection significantly updates and expands our understanding of the popular cultures of weddings. Analyzing the wedding as a premiere site of spectacle, aspiration and the staging of social intimacy, it also unpacks its digitalization, globalization and complex affects and calls our attention to what we might think of as the growing distance between weddings and marriage.
Diane Negra, Professor of Film Studies and Screen Culture, University College Dublin
Grounded in a critique of the class hierarchies and rampant inequalities of racialised heteropatriarchy, this book resists a straightforward dismissal of the mediated wedding spectacle. Instead, the plural feminist perspectives offer (com)passionate explorations of sites of resistance and ambivalence. They identify themes of identity, power, desire, consent, affect, camp, generation, while interrogating the mediated production of intimacies, connectivities and conflicts.
Alison Winch, Lecturer in Media Studies, University of East Anglia
THE WEDDING SPECTACLE ACROSS CONTEMPORARY MEDIA AND CULTURE
This book interrogates the hyper-visibility and stubborn endurance of the wedding spectacle across media and culture in the current climate.
The wide-ranging chapters consider why the symbolic power of weddings is intensifying at a time when marriage as an institution appears to be in decline and they offer new insights into the shifting and complex gender politics of contemporary culture. The collection is a feminist project but does not straight-forwardly renounce the wedding spectacle. Rather, the diverse contributions offer close analyses of the myriad forms and practices of the wedding spectacle, from reality television and cinematic film to wedding videography and bridal boutiques. Drawing on feminist and queer theory, the chapters illuminate the paradoxes, contradictions, disappointments, cruelties and pleasures that are intimately bound up with the wedding spectacle.
Written by leading and emerging feminist scholars, the chapters range across different national and cultural contexts to explore how the gender politics of weddings are changing and adapting to a new cultural and social landscape. This in-depth analysis of the wedding spectacle will appeal to academics and researchers in the fields of gender and mass media, cultural studies, feminist studies, and intercultural communication.
Jilly Boyce Kay is Lecturer in Media and Communication at the University of Leicester. Her forthcoming book Gender, Media and Voice explores the mediation of womens voices and the concept of communicative injustice. She has also published on mediated feminist anger, newspaper representations of the womens suffrage movement in Britain and Ireland, reality television, and womens television histories. She is Editor of the Cultural Commons section in the European Journal of Cultural Studies.
Melanie Kennedy is Lecturer in Media and Communication at the University of Leicester. She is the author of Tweenhood: Femininity and Celebrity in Tween Popular Culture. Her research examines media representations of gendered, age-defined, classed, raced identities (in particular, tweens, young female celebrities and teenage mothers), and the popular culture that addresses these subjects. She is the Associate Editor of Commentary and Criticism for Feminist Media Studies.
Helen Wood is Professor of Media and Cultural Studies at Lancaster University. She has published widely on television, class and audiences, including the books Talking with Television and Reacting to Reality Television, and the edited collection Television for Women: New Directions. She is also Editor of the European Journal of Cultural Studies
First published 2020
by Routledge
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2020 Jilly Boyce Kay, Melanie Kennedy and Helen Wood
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ISBN: 978-1-138-58621-5 (hbk)
ISBN: 978-1-138-58623-9 (pbk)
ISBN: 978-0-429-50474-7 (ebk)
Feyza Aknerdem completed her PhD in cultural policy and management at City, University of London. Her academic interests lie within television studies, gender and media, politics of representation, and mediated intimacies. She currently teaches media and communication studies at Boazii University.
Laura Clancy is Lecturer in Media and Cultural Studies at Lancaster University. Her PhD research explores the ways in which the contemporary British monarchy is represented in media culture, to consider the role of the monarchy in producing consent for inequalities and class power in Britain.
Deborah Jermyn is Reader in Film & TV at the University of Roehampton, where she is Co-Director of the Centre for Research in Film and Audiovisual Cultures. Among her books, she is the author of Nancy Meyers (Bloomsbury 2017) and Sex and the City (Wayne State University Press 2009), while much of her current research examines questions of ageing femininities and the media.
Jilly Boyce Kay is Lecturer in Media and Communication at the University of Leicester. Her forthcoming book Gender, Media and Voice (Palgrave) explores the mediation of womens voices and the concept of communicative injustice. She has also published on mediated feminist anger, newspaper representations of the womens suffrage movement in Britain and Ireland, reality television, and womens television histories. She is Editor of the Cultural Commons section in the European Journal of Cultural Studies.
Melanie Kennedy is Lecturer in Media and Communication at the University of Leicester. She is the author of Tweenhood: Femininity and Celebrity in Tween Popular Culture (IB Tauris 2019). Her research examines media representations of gendered, age-defined, classed, raced identities (in particular, tweens, young female celebrities and teenage mothers), and the popular culture that addresses these subjects. She is the Associate Editor of Commentary and Criticism for Feminist Media Studies.
Suzanne Leonard is Professor of English at Simmons University in Boston. She is the author of
