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C. J. Watson - The Everything Songwriting Book: All You Need to Create and Market Hit Songs

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C. J. Watson The Everything Songwriting Book: All You Need to Create and Market Hit Songs
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Simple techniques for creating catchy lyrics and memorable melodies! Nearly everyone can hum the melody or remember the words to a hit song. Clever word play, catchy melodies, and thoughtful imagery can create an impression that lasts long after a song has ended. The Everything Songwriting Book provides amateurs and seasoned professionals alike all they need to create, perform, and sell hit songs. Learn how to develop an idea, formulate a rhyme scheme, incorporate unique phrasing, and follow through to the final note. Professional songwriter and consultant C.J. Watson packs this book with clever tips and tricks for overcoming writers block, creating a hook, and recording and selling a song to a recording company or performer. This user-friendly guide also shows how to: Tap into the common elements of hit songs Incorporate instruments into songwriting Understand music theory Spot songwriting trends and write for a specific market Produce a song Know essential copyright law and other legal basics Get compositions into the right hands Complete with expert advice and practical pointers, The Everything Songwriting Book is sure to guide and inspire burgeoning songwriters at any level.

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THE SONGWRITING BOOK All you need to create and market hit songs - photo 1

THE

SONGWRITING BOOK All you need to create and market hit songs CJ Watson - photo 2

SONGWRITING

BOOK

All you need to create
and market hit songs

C.J. Watson

The EverythingSongwritting Series Dear Reader When I read a songwriting book - photo 3

The EverythingSongwritting Series

Dear Reader:

When I read a songwriting book, my first question is, Can the person who wrote this book write a great song? In case youre asking the same question, the answer is I dont know. Ive had some cuts, Indies and major, and more holds than I can count (which isnt very high or Id be a drummer), but any success Ive had has more to do with other people than with me.

My folks helped keep me in Ramen and believed when I didnt. Mentors like Chris Wallin, Anthony Smith, and Scott Gunter helped me write songs at a level I never knew was possible. Co-writers like Camille Wallin, Al DeTrolio, and Roxie Rogers brought out the best in me and waited patiently while this book was being written. The members of Tunesmith.net taught me how much can be learned by teaching.

If The Everything Songwriting Book gets you where youre going, yo u have them to thank more than me, and if you have half as much fun reading it as Ive had writing it, well all be very happy.

The EVERYTHING Series Editorial Publishing Director Gary M Krebs - photo 4

The EVERYTHING Series

Editorial

Publishing DirectorGary M. Krebs
Managing EditorKate McBride
Copy ChiefLaura MacLaughlin
Acquisitions EditorEric Hall
Development EditorJulie Gutin
Production EditorKhrysti Nazzaro

Production

Production DirectorSusan Beale
Production ManagerMichelle Roy Kelly
Series DesignersDaria Perreault
Colleen Cunningham
Cover DesignPaul Beatrice
Frank Rivera
Layout and GraphicsColleen Cunningham
Rachael Eiben
Michelle Roy Kelly
Daria Perreault
Erin Ring
Series Cover ArtistBarry Littmann

Visit the entire Everything Series at everything.com

To the Girl Who Puts Dill on Her Eggs

Copyright 2003, F+W Media, Inc.
All rights reserved. This book, or parts thereof, may not be reproduced
in any form without permission from the publisher; exceptions
are made for brief excerpts used in published reviews.

An Everything Series Book.
Everything and everything.com are registered trademarks of F+W Media, Inc.

Published by Adams Media, a division of F+W Media, Inc.
57 Littlefield Street, Avon, MA 02322 U.S.A.
www.adamsmedia.com

ISBN 10: 1-58062-956-3
ISBN 13: 978-1-58062-956-0
Printed in the United States of America.

10 9 8 7 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data
Watson, C. J.
The everything songwriting book / C.J. Watson.
p. cm.
(An everything series book)
ISBN 1-58062-956-3

I. Popular musicWriting and publishing. I. Title: Songwriting book.
II. Title: Everything song writing book. III. Title: Song writing book.
IV. Title. V. Series: Everything series.
MT67.W27 2003
782.4213dc21 2003008263

This publication is designed to provide accurate and authoritative information with regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional advice. If legal advice or other expert assistance is required, the services of a competent professional person should be sought.

From a Declaration of Principles jointly adopted by a Committee of the
American Bar Association and a Committee of Publishers and Associations

Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book and Adams Media was aware of a trademark claim, the designations have been printed with initial capital letters.

This book is available at quantity discounts for bulk purchases.
For information, call 1-800-289-0963
.

Contents
Acknowledgments

This book wouldnt have happened without Eric Hall (Editorius Rex), Julie Gutin, Carol Smith (interviews), Al DeTrolio (research), Elizabeth Marlowe (legal), Candy Paull, Jacky Sach, Scott Gunter, Don Wayne, Steve Fox, Jimmy Payne, and Bart Herbison.

Top Ten Characteristicsof a Great Song

An idea that has an original element; if its been done, its not great.

A common thread, musical and/or lyrical, that people react to on a gut level; if they dont relate, its not great.

A killer hook. You need one line that sums it all up and concentrates the message and the emotion into one climactic moment; if theres no payoff, its not great.

A well-reinforced hook. The story should create a tension that peaks or resolves itself in the hook. Also, people have to be able to remember what your song is called when they go to the record store to buy it or call up the radio station to request it; if theres no build and release, its not great.

A great story, even if its a simple emotional snapshot, needs to have something interesting to draw the listener in; if its boring, its not great.

Real feelings; if its fake, its not great.

Well-crafted lyrics that get the story and the feelings across in a clear, accessible manner; if nobody understands it, its not great.

A catchy melody, one that is not only memorable, but also has prosody to complement the lyrics; if it doesnt sing, its not great.

A performance and production that captures the essence of the song; even Stardust sounds like a bad song when some tone-deaf tequila chugger tries it at karaoke night; if it sounds awful, it cant be great.

A great publisher or plugger to get it cut; a song isnt great until its out there doing its job, touching lives, and earning money.

Introduction

Picture 5 SONGS ARE A MULTIBILLION-DOLLAR BUSINESS. Unfortunately, only one in every several thousand songwriters will see any significant income for his or her efforts. Why is this? In part, it may be because there are several million songwriters on the planet competing for a couple thousand jobs. Lack of true desire also plays a role; songwriting is a great hobby, but few want to put in the amount of effort it requires to become a professional tunesmith.

Of those who have the talent and desire, the main reason for failure is lack of information. Songwriting as a profession encompasses multiple disciplines and areas of expertise. Its not enough to know how to write a great song; you must also be able to shape and develop the song to reach the intended audience and make sure that it gets properly demo-ed, heard by the right people, marketed, cut, produced, and marketed some more. Competition within the songwriting world is friendly but fierce, and a weakness or lack of knowledge in just one area has been the downfall of countless good writers.

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