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Hermann Hesse - Hymn to Old Age

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Hermann Hesse Hymn to Old Age

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A single volume of the most beautiful texts by Herman Hesse including intimate memories of his final years. Hesse collected life sketches, poems, aphorisms and short essays dedicated to the ultimate challenge of a writer who had already accomplished a celebrated body of work -- that of accepting his final years and the approach of death with grace.

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  1. The titles in square brackets denote passages taken from longer texts.

O NCE MORE THE LITTLE teardrops stand shining on the resinous leaf buds, the first peacock butterflies open and close their fine velvet cloaks, and boys play with spinning tops and marbles. Its Holy Week, filled to overflowing with sounds, charged with memories of dazzling coloured Easter eggs, Jesus in the Garden of Gethsemane, Jesus on Golgotha, the St Matthew Passion, youthful enthusiasms, first loves, first young taste of melancholy. Anemones nod in the moss, and buttercups glow warmly on the banks of streams.

On my lonely wanderings, I do not distinguish between the instincts and urges within me and the concert of growing things whose thousand voices encompass me from without. I have come from the city, where after a long absence I was once more among people, and I have sat in a train, seen pictures and sculptures and heard wonderful new songs by Othmar Schoeck. Now the joyful breeze brushes my face just as it caresses the nodding anemones, but as it whirls up a swarm of memories in me like a dust cloud, a reminder of pain and transience rises from my blood into my conscious mind. Stone on the path, you are stronger than me! Tree in the meadow, you will outlast me, and perhaps so will you, little raspberry bush, and perhaps even you, rose-scented anemone.

For a single breath I sense more profoundly than ever the transience of my form, and I feel drawn into transformationto the stone, the earth, the raspberry bush, the tree root. My thirst is for the signs of passing, for the earth, the water and the withering of the leaves. Tomorrow, the day after, soon, soon I shall be you, I shall be leaves, I shall be earth, I shall be roots, I shall write no more words on paper, I shall no longer smell the regal wallflower, I shall no longer carry the dentists bill around in my pocket, I shall no longer be pestered by menacing officials demanding proof of citizenship, and soswim cloud in the blue, flow water in the brook, bud leaf on the bough, I have sunk into oblivion and into my thousand-times-longed-for transformation.

Ten and a hundred times more you will grasp me, enchant me and imprison me, world of words, world of opinions, world of people, world of increasing pleasure and feverish fear. A thousand times you will delight me and terrify me, with songs sung at the piano, with newspapers, with telegrams, with obituaries, with registration forms and with all your crazy odds and ends, you, world full of pleasure and fear, sweet opera full of melodic nonsense. But never more, may God grant, will you be completely lost to me, devotion to transience, passionate music of change, readiness for death, desire for rebirth. Easter will always return, pleasure will always become fear, fear will always become redemption, and the song of the past will accompany me on my way without grief, filled with affirmation, filled with readiness, filled with hope.

1920

A sound so sweet, a breeze so shy

Through grey of day they waft

Like birds wings fluttering in the sky

Like scents of spring so soft.

Out of lifes early morning hours

Come memories of yore

Like oceans spawning silver showers

That shine, then are no more.

Yesterday seems far from me

The long-gone past is near.

Magical prehistory

Is an open garden here.

Perhaps my ancestor awakes

From a thousand years of calm

And now with my own voice he speaks

And in my blood keeps warm.

Ill be going home.

Perhaps a messenger attends

And soon to me hell come;

Perhaps before the long day ends

I T WAS A FINE and shining summer here in the southern Alps, and for two weeks I had been feeling a secret fear that it would enda fear that I know to be the additional and most secret ingredient of all things beautiful. Especially I feared even the faintest sign of a thunderstorm, because from mid-August onwards, any thunderstorm can easily get out of control, can last for days, and that means the end of summer, even if the weather manages to recover. Particularly here in the south its almost the rule that summers neck is broken by such a storm and that, blazing and quaking, it must fade and die. Then, when the day-long, violent shudders of this storm in the sky have ended, when the thousand flashes and the endless concerts of thunder and the raging torrents of lukewarm rain have passed away, one morning or afternoon there will emerge from the seething mass of clouds a cool calm sky, of serene colour, filled with autumn, and the shadows in the landscape will become a little sharper and blacker, having lost their colours but gained in form, like a fifty-year-old man who yesterday looked fit and fresh, but suddenly after an illness, a grief, a disappointment, has a face full of little lines, and in all the wrinkles lie the tiny signs of weathering. Such a final summer storm is terrible, and the death throes of summer are horrific, with its violent struggle against the compulsion to die, its crazed and agonised rage, its threshing and heaving, all of which is in vain and after a few more convulsions must end helplessly in extinction.

This year, it seems that summer is not undergoing such a wild, dramatic end (though its still possible). This time it appears to be seeking a slow and gentle death by old age. There is nothing so characteristic of these days, and by no other signs do I sense so inwardly this special, infinitely beautiful kind of summers end, as when coming home from a late-evening walk or from a country supperbread, cheese and wine in a shaded inn somewhere in the forest. What is unique about such evenings is the dilation of warmth, the slow and imperceptible increase of coolness, the nocturnal dew and the silent, infinitely pliant retreat of summer even in its dying moments of resistance. When you walk for two or three hours after sunset, you can sense the struggle in a thousand fine waves. Then, in every dense thicket, every bush, every narrow pathway, the warmth of day has gathered itself and hidden away, holding on grimly for dear life throughout the night, clinging to any refuge, any shelter from the wind. At this hour, on the western side of the hills, the forests are great storage heaters, gnawed at from all sides by the cool night air, and not only every dip, every stream, but every woodland form, every thinness and thickness tells the wanderer with utmost clarity the changing degrees of heat. Just as a skier crossing a mountain landscape can sense each rise and fall, each lengthways and sideways ridge, simply through the bending of his knees, so that with a little practice his knees will give him a complete image of the mountain slope as he descends, I can read the image of the landscape in the darkness of a moonless night simply from the delicate waves of warmth. I enter a forest, and after just three steps I am enveloped in a rapidly increasing flow of heat, as if from a glowing stove, and I find that this heat expands and contracts according to the thickness of the vegetation; every dried-up stream, which has long since lost its water but still keeps a residue of damp in the earth, announces its presence by radiating its coolness. In every season the temperatures at different points of a landscape will vary, but only at this time when late summer turns into early autumn can one feel it so clearly and so strongly. As in winter the rose-red of the bare mountains, as in spring the teeming moistness of air and growing plants, as at the start of summer the nocturnal swarms of fireflies, so too at the end of summer this wonderful night-time walk through the changing waves of warmth is one of those sensual experiences that penetrate most deeply into ones mood and ones sense of being alive.

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