• Complain

Richard Handy Deirdre Kelleghan Thomas McCague Erika Rix - Sketching the moon : an astronomical artists guide

Here you can read online Richard Handy Deirdre Kelleghan Thomas McCague Erika Rix - Sketching the moon : an astronomical artists guide full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, Moon, Moon, year: 2012, publisher: Springer Science+Business Media, LLC, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Richard Handy Deirdre Kelleghan Thomas McCague Erika Rix Sketching the moon : an astronomical artists guide

Sketching the moon : an astronomical artists guide: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Sketching the moon : an astronomical artists guide" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

For anyone artistically inclined, observing the Moon and attempting to sketch or paint it can easily become a passion. The Moon presents a broad array of tone, texture, and form. Capturing this in a painting or sketch at the eyepiece of a telescope or even with binoculars develops observational skills, leaves a record of the observation, and can also be a delightful and rewarding pastime. However, the choice of media available is extensive (acrylic paint, oils, pen, charcoal, etc., and even computer art programs), and there is no existing text that fully explains all lunar sketching and painting techniques in each respective medium. This beautiful and graphically rich book fulfills this requirement. It presents detailed step-by-step instructions, in the form of illustrated tutorials for every major medium employed to represent the Moon. It also provides practical advice on how to sketch outdoors at night (not ideal conditions for an artist!).

This is easily the most extensive book on the subject of lunar art for amateur astronomers, particularly those observing through a telescope. The diverse features of the lunar surface will attract and entice readers to review the number of different media presented, exciting and inspiring them with the possibilities of learning to depict all of the fascinating aspects of Earths very own satellite.

Richard Handy Deirdre Kelleghan Thomas McCague Erika Rix: author's other books


Who wrote Sketching the moon : an astronomical artists guide? Find out the surname, the name of the author of the book and a list of all author's works by series.

Sketching the moon : an astronomical artists guide — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Sketching the moon : an astronomical artists guide" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Richard Handy , Deirdre Kelleghan , Thomas McCague , Erika Rix and Sally Russell Patrick Moore's Practical Astronomy Series Sketching the Moon An Astronomical Artist's Guide 10.1007/978-1-4614-0941-0_1 Springer Science+Business Media, LLC 2012
1. Sketching Craters
Richard Handy 1
(1)
Poway, CA, USA
(2)
Bray, County Wicklow, Ireland
(3)
Oak Forests, IL, USA
(4)
Zanesville, OH, USA
(5)
Berkshire, UK
Richard Handy (Corresponding author)
Email:
Deirdre Kelleghan
Email:
Thomas McCague
Email:
Erika Rix
Email:
Sally Russell
Email:
Abstract
There is no spot on the Moons surface that has not been impacted by an asteroid, comet, meteorite, or the ejecta created by these lunar collisions. Craters range in size from the huge mare-flooded basins thousands of kilometers wide, to large terraced craters with towering central peaks (like Pythagoras, Tycho, and Copernicus), all the way down to small, simple bowl or conical-shaped craters. They possess morphological differences, based on the size, mass, and velocity of the impactor that can help us understand the creation and erosion of these ubiquitous and much-loved lunar forms.
There is no spot on the Moons surface that has not been impacted by an asteroid, comet, meteorite, or the ejecta created by these lunar collisions. Craters range in size from the huge mare-flooded basins thousands of kilometers wide, to large terraced craters with towering central peaks (like Pythagoras, Tycho, and Copernicus), all the way down to small, simple bowl or conical-shaped craters. They possess morphological differences, based on the size, mass, and velocity of the impactor that can help us understand the creation and erosion of these ubiquitous and much-loved lunar forms.
1.1 Charcoal Geminus (by Erika Rix)
I enjoy sketching craters away from the terminator in order to grab as much detail as I can from within the crater walls. By doing this, I have the added advantage of relaxing without the worry of the shadows changing too quickly, or worse, my target being swallowed up by shadows during the waning phase before I have time to complete the sketch. The downside of sketching further away from the terminator is that the view lacks the vast dramatic blackness of the shadows as they play against ridges and crevices. The different shadow effects have their own advantages; therefore, how close your target is to the terminator will depend on your observing goal on any given night.
Geminus and Bernoulli are featured in this tutorial and were approximately 11 away from the terminator during the waning Moon.
Suggested Materials
  • 8 11 sheet of white sketching paper on a clipboard (Rite in the Rain paper was used for this tutorial)
  • Assorted blending stumps and tortillons
  • Chamois for blending large areas (I used my fingertips instead for this tutorial)
  • Charcoal pencil (6B soft was used in this tutorial)
  • Charcoal vine in a wooden holder
  • Flat piece of compressed charcoal
  • Exacto knife for sharpening charcoal vine and pencil sharpener for the charcoal pencil
  • Sandpaper for sharpening blending stumps and tortillons
  • Cloth rag to wipe your fingertips
Step 1
Lightly create a rough outline of the main crater with your charcoal pencil. Concentrate on shape and proportion. By creating a light outline, you will be able to sketch over the original markings without the need to erase.
Add the shaded areas of the crater as shown in Fig.. The shadows can change rapidly, especially closer to the terminator. Because of this, its important to capture their shapes straight away and then concentrate on the other features; otherwise, you will find yourself chasing the shadow changes, making it nearly impossible to complete the sketch. Another advantage of adding the shadows at the beginning of the sketch is that it helps to provide an anchor in which to add the rest of the markings.
The charcoal vine is a nice in-between size for adding thicker markings that still need to have a sharp, detailed edge. Compared to a narrow-pointed charcoal pencil, the charcoal vine reduces the time needed for filling in shaded areas in and around the craters. On the other hand, a regular piece of compressed charcoal would be cumbersome for these areas unless your sketch area is large enough to accommodate its size.
Fig 111 Step 2 Add subtle shadings inside the crater using the charcoal - photo 1
Fig. 1.1.1
Step 2
Add subtle shadings inside the crater using the charcoal pencil (Fig. ). These shadings may include finer details such as craterlets, texture on the crater floor, central peaks, or the terraced crater wall. Increase the magnification if seeing conditions will allow.
Fig 112 Step 3 There are several tools used for applying charcoal to - photo 2
Fig. 1.1.2
Step 3
There are several tools used for applying charcoal to your paper and each has pros and cons. Although your fingertips will ultimately leave oily residue on your sketch, using your fingertips may give you better control for an even, light layer of charcoal.
Ensure your fingertip is clean, brush it across the compressed piece of charcoal, and then fill in the crater floor with your loaded fingertip as shown in Fig.. Try not to smudge the dark shadowed areas; however, it can be rubbed out later with a clean blending stump if you do. Use of an eraser with Rite in Rain paper may result in altering the papers tooth. When that happens, it is difficult to apply a smooth layer of charcoal over it as the sketch progresses. If you do wish to use an eraser, I would recommend a clean vinyl or kneaded eraser.
Fig 113 Step 4 Blend the crater floor with a large clean blending - photo 3
Fig. 1.1.3
Step 4
Blend the crater floor with a large, clean blending stump (you can clean your blending stump with sandpaper). A blending stump will create a smooth finish and give you better blending control along the edges of the crater floor. Blend the lighter areas first and then the medium-shaded areas. Lastly, blend the darkest shaded areas (Fig. ). If you smudge any of the areas into each other, you can rub out the smudges with a clean blending stump.
Fig 114 Step 5 Study the crater floor You will notice an uneven - photo 4
Fig. 1.1.4
Step 5
Study the crater floor. You will notice an uneven contrast in the crater floor that was used for this tutorial. If you observe any darkened areas, add more charcoal and then blend. Next, add more of the finer details along the crater wall with your charcoal pencil and blend where needed with a fine-tipped blending stump or tortillon. If you blended too much, go back over those areas with a sharpened charcoal pencil so that the sharper details stand out in the sketch.
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Sketching the moon : an astronomical artists guide»

Look at similar books to Sketching the moon : an astronomical artists guide. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Sketching the moon : an astronomical artists guide»

Discussion, reviews of the book Sketching the moon : an astronomical artists guide and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.