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Gail de Vos - New Tales for Old: Folktales As Literary Fictions for Young Adults

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The timeless themes and versatility of folk tales have helped them survive and flourish over centuries, taking on myriad forms-short story, picture book, film, poem, and novel. This book gathers together a number of popular folktale reworkings (not just simple retellings) in a variety of genres that appeal to young adults. After discussing the nature of folktales, their cultural context, and the characteristics that make them attractive to young adults, de Vos and Altmann interpret specific tales (e.g., The Frog Prince, Cinderella, Rumpelstiltskin), describing their many reworkings and offering suggestions for using the material with young adults.

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title New Tales for Old Folktales As Literary Fictions for Young Adults - photo 1

title:New Tales for Old : Folktales As Literary Fictions for Young Adults
author:De Vos, Gail.; Altmann, Anna E.
publisher:Libraries Unlimited
isbn10 | asin:1563084473
print isbn13:9781563084478
ebook isbn13:9780585080338
language:English
subjectLiterature and folklore, Young adult fiction--History and criticism, Tales--Adaptations--History and criticism, Young adult fiction--Themes, motives, Young adults--Books and reading, Folklore in literature.
publication date:1999
lcc:PN56.F58D48 1999eb
ddc:398.2/083
subject:Literature and folklore, Young adult fiction--History and criticism, Tales--Adaptations--History and criticism, Young adult fiction--Themes, motives, Young adults--Books and reading, Folklore in literature.
Page iii
New Tales for Old
Folktales as Literary Fictions for Young Adults
Gail de Vos
Anna E. Altmann
1999
Libraries Unlimited, Inc.
and Its Division
Teacher Ideas Press
Englewood, Colorado
Page iv
To Peter, for his support and love.
GdV
To my mother, who told us the stories,
and to the memory of my father, who lived them.
AEA
Copyright 1999 Gail de Vos and Anna E. Altmann
All Rights Reserved
Printed in the United States of America
No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.
LIBRARIES UNLIMITED, INC.
and Its Division
Teacher Ideas Press
P.O. Box 6633
Englewood, CO 80155-6633
1-800-237-6124
www.lu.com
Library of Congress Cataloging-in-Publication Data
De Vos, Gail, 1949
New tales for old : folktales as literary fictions for young adults / Gail de Vos, Anna E. Altmann.
xxi, 408 p. 1926 cm.
Includes bibliographical references and indexes.
ISBN 1-56308-447-3
1. Literature and folklore. 2. Young adult fictionHistory and
criticism. 3. TalesAdaptationsHistory and criticism. 4. Young
adult fictionThemes, motives. 5. Young adultsBooks and reading.
6. Folklore in literature. I. Altmann, Anna E. II. Title.
PN56.F58D48 1999
398.2'083dc21 99-33150
CIP
Page v
Epigraph
Picture 2
It is the particular beauty of fairy tales that no one interpretation is the true one, no one version is correct. The ingredients of the tale can be simmered and stirred, flavored and served up in a thousand different ways. Each author begins with common fairy-tale characters, dilemmas, dangers, riddles, and enchantments. Yet with this common straw they make gold, and language is the wheel on which they spin. It is through the language of the tales, and not the plot, that each retelling becomes unique, adding the voices of a new generation of storytellers to the voices of centuries past
(Datlow and Windling, Ruby Slippers, Golden Tears, 6).
Picture 3
But a close look at the stories reveals much more than a simple formula of abuse and retribution. The trials our heroes encounter in their quests illustrate the process of transformation: from youth to adulthood, from victim to hero, from a maimed state into wholeness, from passivity to action. As centuries of artists have known, this gives fairy tales a particular power: not as a quaint escape from the harsh realities of modern life, but in their symbolic portrayal of all the dark and bright life has to offer
(Datlow and Windling, Black Swan, White Raven, 4).
Page vii
Contents
Acknowledgments
xv
Introduction
xvii
1Folktales and Literary Fictions
1
Picture 4
Folktales as Oral Narrative
1
Picture 5
Is a Folktale a Fairy Tale?
7
Picture 6
The Art of the Folktale
8
Picture 7
The Interpretation of Folktales
14
Picture 8
The Folktale Audience
21
Picture 9
Filling the Oral Folktale's Sponge
25
Picture 10
Folktales in Postmodern Times
27
Picture 11
Endnotes
30
Picture 12
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