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Matthew Polly - Bruce Lee: A Life

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Bruce Lee: A Life: summary, description and annotation

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The most authoritative biographyfeaturing dozens of rarely seen photographsof film legend Bruce Lee, who made martial arts a global phenomenon, bridged the divide between Eastern and Western cultures, and smashed long-held stereotypes of Asians and Asian-Americans.
Forty-five years after Bruce Lees sudden death at age thirty-two, journalist and bestselling author Matthew Polly has written the definitive account of Lees life. Its also one of the only accounts; incredibly, there has never been an authoritative biography of Lee. Following a decade of research that included conducting more than one hundred interviews with Lees family, friends, business associates, and even the actress in whose bed Lee died, Polly has constructed a complex, humane portrait of the icon.
Polly explores Lees early years as a child star in Hong Kong cinema; his actor fathers struggles with opium addiction and how that turned Bruce into a troublemaking teenager who was kicked out of high school and eventually sent to America to shape up; his beginnings as a martial arts teacher, eventually becoming personal instructor to movie stars like James Coburn and Steve McQueen; his struggles as an Asian-American actor in Hollywood and frustration seeing role after role he auditioned for go to a white actors in eye makeup; his eventual triumph as a leading man; his challenges juggling a sky-rocketing career with his duties as a father and husband; and his shocking end that to this day is still shrouded in mystery.
Polly breaks down the myths surrounding Bruce Lee and argues that, contrary to popular belief, he was an ambitious actor who was obsessed with the martial artsnot a kung-fu guru who just so happened to make a couple of movies. This is an honest, revealing look at an impressive yet imperfect man whose personal story was even more entertaining and inspiring than any fictional role he played onscreen.

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also by matthew polly tapped out american shaolin First published in the - photo 1
also by matthew polly tapped out american shaolin First published in the - photo 2

also by matthew polly

tapped out

american shaolin

First published in the United States by Simon Schuster Inc 2018 First - photo 3

First published in the United States by Simon & Schuster, Inc., 2018

First published in Great Britain by Simon & Schuster UK Ltd, 2018

A CBS COMPANY

Copyright Matthew Polly, 2018

The right of Matthew Polly to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.

Simon & Schuster UK Ltd

1st Floor

222 Grays Inn Road

London WC1X 8HB

www.simonandschuster.co.uk

www.simonandschuster.com.au

www.simonandschuster.co.in

Simon & Schuster Australia, Sydney

Simon & Schuster India, New Delhi

The author and publishers have made all reasonable efforts to contact copyright-holders for permission, and apologise for any omissions or errors in the form of credits given. Corrections may be made to future printings.

A CIP catalogue record for this book is available from the British Library.

Hardback ISBN: 978-1-4711-7569-5

Trade Paperback ISBN: 978-1-4711-7570-1

eBook ISBN: 978-1-4711-7571-8

Interior design by Ruth Lee-Mui

Jacket design by Jackie Seow

Jacket photographs by (front) Michael Ochs Archives/Stringer/Getty Images; (back) Everett Collection

: On the set of Game of Death , 1979. Kareem Abdul-Jabbar and Bruce Lee on the set of Game of Death . Photo from Sunset Boulevard/Corbis Historical/Getty Images

: Bruce Lee fights Bob Wall in a scene from the Kung Fu classic Enter The Dragon in 1973 in Hong Kong, China. Photo from Michael Ochs Archives/Handout/Getty Images

For M.C.

May you dream big.

And in memory of my father,

Dr. Richard Polly,

19422017

Knowing others is Wisdom,

Knowing yourself is Enlightenment.

Lao-tzu

Crowds outside Kowloon Funeral Parlour for Bruce Lees Hong Kong funeral July - photo 4

Crowds outside Kowloon Funeral Parlour for Bruce Lees Hong Kong funeral, July 25, 1973. (David Tadman)

Steve McQueen places his gloves on Bruces casket James Coburn on the left - photo 5

Steve McQueen places his gloves on Bruces casket. James Coburn on the left; Linda, Shannon, and Brandon Lee sitting on the right. Seattle funeral, July 30, 1973. ( Bettmann/Getty Images )

prologue
tale of two funerals

The crowd of mourners began gathering on the evening of July 24, 1973, outside the Kowloon Funeral Parlour in anticipation of the ceremony the next morning. As the appointed hour of 10 a.m. drew closer, their numbers swelled and multiplied until over fifteen thousand Hong Kong residents stood behind police barricades, looked down from balconies, or perched precariously on the citys famous neon signs to catch a final glimpse of their idols coffin. Five days earlier Bruce Lee had died at the age of thirty-two. Several hundred extra police officers were detailed to control the crowd. Wearing lime green shorts and short-sleeved shirts, black shoes, knee socks, and billed caps, the cops looked like overgrown Boy Scouts on a summer trip.

The South China Morning Post described the scene as a carnival. When the crowd spotted one of Bruces celebrity friends entering the funeral home, they clapped and cheered. Wearing sunglasses to hide tears, the famous arrived one after another to pay their respects to the man who had put Hong Kong cinema on the world map: Shih Kien, the villain in Enter the Dragon ; Nancy Kwan, the star of The World of Suzie Wong ; Nora Miao, Lees longtime costar; pop singer Samuel Hui, a childhood friend; even Lo Wei, who directed two of Bruces films. One of the few famous faces to skip the event was Betty Ting Pei in whose apartment Lee had died. Much to the disappointment of the throng, Betty chose to stay home where she was reported to be under heavy sedation. She sent a wreath instead with a note, To Bruce from Ting Pei. Next to it a tearful six-year-old boy dropped a spray of flowers with a simple message, From a little fan.

For the scores of fans who had stayed the night, the saddest moment was the arrival of Lees wife Linda, reported The China Mail . A black Mercedes pulled to the curb, and Raymond Chow, Bruces business partner and the head of Golden Harvest studios, opened Lindas door and gave her a hand. Linda was dressed in all whitethe Chinese color for mourninga white double-breasted long coat down to her knees, white slacks, and a white turtleneck. Her light brown hair was cut short. Big round sunglasses covered her red eyes. She appeared dangerously thin as if she hadnt eaten for days. Leaning on Raymonds arm, Linda was surrounded by a group of Golden Harvest employees who helped push her through the crowd surrounding the front door. Outside the crush was tremendous, Linda later said. I recalled the old newsreel shots of the funeral of Rudolph Valentino.

The five hundred VIP mourners inside the cramped funeral home fell silent as the twenty-eight-year-old widow entered. At the front of the parlor was an altar with a movie-poster-sized photo of Bruce wearing sunglasses surrounded by a display of ribbons, flowers, and a Chinese banner saying, A Star Sinks in the Sea of Art. Three joss sticks and two candles burned in front of his picture. The walls were covered with thousands of tributesChinese calligraphy on strips of white silk.

Raymond and Linda bowed before the altar three times before Chow escorted her over to the section reserved for family. Bruces older brother, Peter, and his wife, Eunice Lam, stood solemnly. Linda was helped out of her fashionable long coat and into a white, hooded, burlap mourning gown per Chinese custom. Her two children, eight-year-old Brandon and four-year-old Shannon, were brought in from a side entrance and dressed in white burlap as well. A white bandanna was tied around Brandons head. Shannon, too young to understand what was happening, played happily while Brandon glared angrily.

A Chinese band struck up a traditional funeral song, which sounded like Auld Lang Syne. Bruces HK$40,000 bronze casket was brought into the room. The top half of the coffin was opened. Inside was a protective enclosure of glass covering Bruces body to prevent anyone from touching him. Linda had dressed her husband in the blue Chinese outfit he had worn in Enter the Dragon and liked to wear around the house because it was comfortable. Beneath the glass, Bruces face looked gray and distorted despite heavy makeup. Friends filed past the open casket to see him one last time. Press photographers jostled with the invited guests to get a better angle; many simply raised their cameras above their heads and snapped away furiously. As Linda made her way to her husbands side, she looked heartbreakingly close to collapse. Covering her face with a trembling hand, Linda burst into tears. It was a frightful time, she later confessed to friends.

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