SMALL FRY
LISA BRENNAN-JOBS
Copyright 2018 by Lisa Brennan-Jobs
COVER DESIGN AND ARTWORK BY ALISON FORNER
FLOWER ILLUSTRATIONS: CHRYSANTHEMUM NICOOLAY/GETTY; ANEMONE TEOBRAGA/GETTY
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the authors rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011, or .
The names and identifying details of some of the people mentioned in this book have been changed.
FIRST EDITION
Printed in the United States of America
First Grove Atlantic hardcover edition: September 2018
This book was designed by Norman Tuttle at
Alpha Design & Composition.
This book was set in 12 pt. Adobe Caslon Pro
by Alpha Design & Composition of Pittsfield, NH.
ISBN 978-0-8021-2823-2
eISBN 978-0-8021-4651-9
Grove Press
an imprint of Grove Atlantic
154 West 14th Street
New York, NY 10011
Distributed by Publishers Group West
groveatlantic.com
18 19 20 21 10 9 8 7 6 5 4 3 2 1
for Bill
T hird F isherman . Master, I marvel how the fishes live in the sea.
F irst F isherman . Why, as men do a-land; the great ones eat up the little ones: I can compare our rich misers to nothing so fitly as to a whale; a plays and tumbles, driving the poor fry before him, and at last devours them all at a mouthful. Such whales have I heard on o th land, who never leave gaping till theyve swallowed the whole parish, church, steeple, bells, and all.
Shakespeare, Pericles
It was a curious experience to be the unrecognized source of this public attraction and to be standing in the sleetit made one feel like a phantom presence.
Saul Bellow, Humboldts Gift
Three months before he died, I began to steal things from my fathers house. I wandered around barefoot and slipped objects into my pockets. I took blush, toothpaste, two chipped finger bowls in celadon blue, a bottle of nail polish, a pair of worn patent leather ballet slippers, and four faded white pillowcases the color of old teeth.
After stealing each item, I felt sated. I promised myself that this would be the last time. But soon the urge to take something else would arrive again like thirst.
I tiptoed into my fathers room, careful to step over the creaky floorboard at the entrance. This room had been his study, when he could still climb the stairs, but he slept here now. It was cluttered with books and mail and bottles of medicine; glass apples, wooden apples; awards and magazines and stacks of papers. There were framed prints by Hasui of twilight and sunset at temples. A patch of pink light stretched out on a wall beside him.
He was propped up in bed, wearing shorts. His legs were bare and thin as arms, bent up like a grasshoppers.
Hey, Lis, he said.
Segyu Rinpoche stood beside him. Hed been around recently when I came to visit. A short Brazilian man with sparkling brown eyes, the Rinpoche was a Buddhist monk with a scratchy voice who wore brown robes over a round belly. We called him by his title. Tibetan holy men were sometimes born in the west now, in places like Brazil. To me he didnt seem holyhe wasnt distant or inscrutable. Near us, a black canvas bag of nutrients hummed with a motor and a pump, the tube disappearing somewhere under my fathers sheets.
Its a good idea to touch his feet, Rinpoche said, putting his hands around my fathers foot on the bed. Like this.
I didnt know if the foot touching was supposed to be for my father, or for me, or for both of us.
Okay, I said, and took his other foot in its thick sock, even though it was strange, watching my fathers face, because when he winced in pain or anger it looked similar to when he started to smile.
That feels good, my father said, closing his eyes. I glanced at the chest of drawers beside him and at the shelves on the other side of the room for objects I wanted, even though I knew I wouldnt dare steal something right in front of him.
While he slept, I wandered through the house, looking for I didnt know what. A nurse sat on the couch in the living room, her hands on her lap, listening for my father to call out for help. The house was quiet, the sounds muffled, the white-painted brick walls were dimpled like cushions. The terracotta floor was cool on my feet except in the places where the sun had warmed it to the temperature of skin.
In the cabinet of the half bath near the kitchen, where there used to be a tattered copy of the Bhagavad Gita, I found a bottle of expensive rose facial mist. With the door closed, the light out, sitting on the toilet seat, I sprayed it up into the air and closed my eyes. The mist fell around me, cool and holy, as in a forest or an old stone church.
There was also a silver tube of lip gloss with a brush at one end and a twisting mechanism at the other that released liquid into the center of the brush. I had to have it. I stuffed the lip gloss into my pocket to take back to the one-bedroom apartment in Greenwich Village that I shared with my boyfriend, where I knew, as much as I have ever known anything, that this tube of lip gloss would complete my life. Between avoiding the housekeeper, my brother and sisters, and my stepmother around the house so I wouldnt be caught stealing things or hurt when they didnt acknowledge me or reply to my hellos, and spraying myself in the darkened bathroom to feel less like I was disappearingbecause inside the falling mist I had a sense of having an outline againmaking efforts to see my sick father in his room began to feel like a burden, a nuisance.
For the past year Id visited for a weekend every other month or so.
Id given up on the possibility of a grand reconciliation, the kind in the movies, but I kept coming anyway.
In between visits, I saw my father all around New York. I saw him sitting in a movie theater, the exact curve of his neck to jaw to cheekbone. I saw him as I ran along the Hudson River in winter sitting on a bench looking at the docked boats; and on my subway ride to work, walking away on the platform through the crowd. Thin men, olive-skinned, fine-fingered, slim-wristed, stubble-bearded, who, at certain angles, looked just like him. Each time I had to get closer to check, my heart in my throat, even though I knew it could not possibly be him because he was sick in bed in California.
Before this, during years in which we hardly spoke, Id seen his picture everywhere. Seeing the pictures gave me a strange zing. The feeling was similar to catching a glimpse of myself in a mirror across a room and thinking it was someone else, then realizing it was my own face: there he was, peering out from magazines and newspapers and screens in whatever city I was in. That is my father and no one knows it but its true.