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Lucy O’Brien - Madonna: Like an Icon, Fully Revised and Updated Edition

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Lucy O’Brien Madonna: Like an Icon, Fully Revised and Updated Edition
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Madonna: Like an Icon, Fully Revised and Updated Edition: summary, description and annotation

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The definitive biography of one of the worlds most famous women.Madonna is the biggest-selling female recording artist in the world and one of our greatest living pop stars. With each pioneering album she has consistently reinvented her music and her image, transcending the world of pop to become a global cultural icon. In 2018, unbelievably, she is hitting her 60th birthday - yet she still remains as relevant as ever.Lucy OBriens extensive and well-researched biography looks at Madonna the artist, offering a detailed analysis of her music with input from acclaimed musicians and producers, as well revealing interviews from her intimate inner circle. She follows Madonna from her difficult childhood and those frenetic early years in New York, through the shocks and scandals of the 1990s Sex era to her twenty-first-century incarnation as an outspoken activist.Providing a fascinating insight into her life, relationships and what motivates her as a woman and an artist, Madonna: Like an Icon is the definitive biography of one of the biggest stars in the world.

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Notes Unless annotated all interviews for this book were conducted by the - photo 1
Notes

Unless annotated, all interviews for this book were conducted by the author in the UK and US between 2004 and 2018.

Introduction

, 2016.

People say I am today: ibid.

1 The Death of Madonna

My grandparents to do with: Denise Worrell, Madonna: Why Shes Hot, Time, 27 May 1985.

She was facial structure: ibid.

I was considered my father: ibid.

She was my mother: ibid.

I remember get better: ibid.

Sometimes dark beyond: Bill Zehme, Madonna: The Rolling Stone Interview, Rolling Stone, 23 March 1989.

The most frightening moving: John Bowlby, Attachment and Loss, Volume 3, Loss (Pimlico, London, 1998), p. 371.

For five years strangle me: Truth or Dare/In Bed with Madonna film, 1991.

compulsive care-giver: Bowlby, op. cit., p. 368.

I think regulations: Douglas Thompson, Madonna: Queen of the World (John Blake, London, 2001), pp. 1617.

Mother stands martyr: quoted in Luise Eichenbaum and Susie Orbach, Understanding Women (Pelican Books, London, 1985), p. 60.

It promoted Jansenist influence: Richard P. McBrien, Catholicism: Third Edition (Geoffrey Chapman, London, 1994), pp. 63940.

My mother in common: Jeanne Marie Laskas, Immaterial Girl, Harpers & Queen, November 2005.

Until Christ beautiful: Madonna, Madonnas Private Diaries, Vanity Fair, November 1996.

Its a central act the movies: Joseph Chinnici, O.F.M., The Catholic Community at Prayer, 19261976, from James OToole (ed.), Habits of Devotion (Cornell University Press, Ithaca and London, 2004), p. 185.

When a woman second-class citizen: Eichenbaum and Orbach, op. cit., p. 40.

the link need to do: ibid., p. 62.

2 A Magical Place

Im a star: Christopher Ciccone, Oh Brother!, Attitude, July 2006.

I resented Cinderella: Denise Worrell, Madonna: Why Shes Hot, Time, 27 May 1985.

I wouldnt investment: Madonna: The Unauthorized Biography, M.I.A. Video, 1993.

Bitch next phase: ibid.

Madonna not be denied: J. Randy Taraborrelli, Madonna: An Intimate Biography (Sidgwick & Jackson, London, 2001), p. 28.

None of their group: Interviewer not named, Madonna: Virgin Pop, Island magazine, September 1983.

In school sense of myself: Don Shewey, Madonna: The Saint, the Slut, the Sensation, The Advocate, 7 and 21 May 1991.

Look at women tragic: Taraborrelli, op. cit., p. 29.

He was my everything: Worrell, op. cit.

I knew told me: ibid.

I feel a warrior: Mark Bego, Madonna: Blonde Ambition (Cooper Square Press, New York, 2000), p. 45.

It was a punk look attention: Andrew Morton, Madonna (Michael OMara, London, 2001), p. 60.

brilliant thin: Taraborrelli, op. cit., p. 31.

Im sure anorexic: Morton, op. cit., p. 60.

a force human: Naked Ambition, UK Channel 4, December 2000.

I played dancing: ibid.

She embarked friend: Taraborrelli, op. cit., p. 31.

, 2005.

, 2005.

It was not 180 degrees: Deborah Jowitt, Time and the Dancing Image (University of California Press, Berkeley and Los Angeles, 1988), p. 173.

I dont believe people: UK LWT South Bank Show documentary: The Alvin Ailey American Dance Theater, 1987.

In the nightclub free: Simon Garfield, Looks Good on the Dancefloor, Observer Music Monthly, November 2005.

The dance floor through music: Danny Eccleston, Power Is an Aphrodisiac, Q magazine, June 1998.

didnt get good advice: Morton, op. cit., p. 64.

Stop me!: Taraborrelli, op. cit., p. 35.

3 The Arrogance and the Nerve!

Im pissed off from Viv: Helen Reddington, The Lost Women of Rock Music: Women Musicians of the Punk Era (Ashgate Press, London, 2007), p. 144.

Wed be dressed coming or going: Lucy OBrien, She Bop II (Continuum, London and New York, 2002), p. 146.

I got her a job meal she was getting: Naked Ambition, UK Channel 4, December 2000.

The other way compromising: Madonna: The Unauthorized Biography, M.I.A. Video, 1993.

I have been rapid glamorize: Andrew Morton, Madonna (Michael OMara, London, 2001), p. 69.

It was a very heavy story: ibid.

sensual made of light: Naked Ambition, op. cit.

Im a beats in my place: The Truth about Madonnas Men, UK Channel 5, September 2005.

Youre all naked no talent: J. Randy Taraborrelli, Madonna: An Intimate Biography (Sidgwick & Jackson, London, 2001), p. 54.

She had a set working together: Naked Ambition, op. cit.

Some people about you: ibid.

My role models courage: Mick St Michael, Madonna Talking (Omnibus Press, London, 2004), p. 40.

An aggressive groundbreaker: Gillian G. Gaar, Shes a Rebel: The History of Women in Rock and Roll (Blandford Press, London, 1993), p. 107.

I was hugely influenced reference: Cathay Che, Deborah Harry: Platinum Blonde (Andr Deutsch, London, 1999), quoted on cover.

That made a huge clicked there: Naked Ambition, op. cit.

, 2017.

Honest-to-goodness lipgloss: Julie Burchill, Time Out, 23 January 1986.

4 Jam Hot

I saw her straight: Naked Ambition, UK Channel 4, December 2000.

She seemed know yet: ibid.

You can dance excitement: Simon Garfield, Looks Good on the Dancefloor, Observer Music Monthly, November 2005.

We had no money programmers: The Truth about Madonnas Men, UK Channel 5, September 2005.

I think that much: Madonna: The Unauthorized Biography, M.I.A. Video, 1993.

, 2006.

SAMO playing art: ibid.

Jean was arranged marriage: Phoebe Hoban, Basquiat: A Quick Killing in Art (Viking Penguin, New York, 2004), p. 163.

Madonna turned everywhere: ibid.

never emotionless: ibid., p. 165.

I told her coupla grand: Phil Sutcliffe, Lucky Star, At Home and In Bed with Madonna, Q Special Edition, 2003, p. 13.

Rika lets do it: Hoban, op. cit., p. 160.

Reggie like them: Barney Hoskyns, Cheek to Cheat, NME, 5 November 1983.

commercial song refrain: Luiz Tatit, Analysing Popular Songs, in David Hesmondhalgh and Keith Negus (eds), Popular Music Studies (Arnold, London, 2002), pp. 3349.

a search melody: ibid.

, 2006.

The music cool!: ibid.

The vibe heartbreak: Peter Shapiro, Turn the Beat Around: The Secret History of Disco (Faber & Faber, London, 2005), p. 266.

.

So she decided singing a pop song: Sutcliffe, op. cit.

I now know category: Hoskyns, op. cit.

Shes vile everything: The Madness of Boy George, UK Channel 4, 2006.

She was in turned up: Johnny Black, Dancing Queen, Q Special Edition, 2003, p. 14.

God! her: Kathryn Flett, A Box of Madges, Observer, 4 December 2005.

cocking their legs groin: Black, op. cit.

Whereas black music: Hoskyns, op. cit.

Maripol happen: Glenn OBrien, introduction to Maripolarama: Polaroids by Maripol (powerHouse Books, New York, 2005).

5 Sick and Perverted

Not everyone bringing it back: Howard Johnson, Do You Remember the First Time?, Q Special Edition, 2003, p. 24.

I told her artist: ibid.

She was convinced nuts?: ibid., p. 25.

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