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Giles Tremlett - Catherine of Aragon: Henry’s Spanish Queen

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Giles Tremlett Catherine of Aragon: Henry’s Spanish Queen
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The image of Catherine of Aragon has always suffered in comparison to the heir-providing Jane Seymour or the vivacious eroticism of Anne Boleyn. But when Henry VIII married Catherine, she was an auburn-haired beauty in her twenties with a passion she had inherited from her parents, Isabella and Ferdinand, the joint-rulers of Spain who had driven the Moors from their country.This daughter of conquistadors showed the same steel and sense of command when organising the defeat of the Scots at the Battle of Flodden and Henry was to learn, to his cost, that he had not met a tougher opponent on or off the battlefield when he tried to divorce her.Henry VIII introduced four remarkable women into the tumultuous flow of Englands history: Catherine of Aragon and her daughter Bloody Queen Mary; and Anne Boleyn and her daughter, the Virgin Queen Elizabeth. From this contest, between two mothers and two daughters, was born the religious passion and violence that inflamed England for centuries, says David Starkey. Reformation, revolution and Tudor history would all have been vastly different without Catherine of Aragon.Giles Tremletts new biography is the first in more than four decades to be dedicated entirely and uniquely to the tenacious woman whose marriage lasted twice as long as those of Henrys five other wives put together. It draws on fresh material from Spain to trace the dramatic events of her life through Catherine of Aragons own eyes.

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CATHERINE OF ARAGON

Henrys Spanish Queen

A Biography

GILES TREMLETT

Catherine of Aragon Henrys Spanish Queen - image 1

For Edward and Berenice Tremlett, my parents

Contents
List of Illustrations

Portrait of an Infanta. Catherine of Aragon? c .1496. by Juan de Flandes. Thyssen-Bornemisza Museum, Madrid. Photo: Album/Oronoz/akg-images.

Portrait of Arthur, Prince of Wales, c .1499 by English School, (15th century). Private Collection, Courtesy of Philip Mould/Philip Mould Ltd, London/The Bridgeman Art Library.

Queen Isabel I, the Catholic. Portrait by Juan de Flandes. Patrimonio Nacional, Madrid. Copyright Patrimonio Nacional.

King Ferdinand V of Spain, King of Aragon (14521516). Spanish School, 15th century. c .14701520. The Royal Collection 2010 Her Majesty Queen Elizabeth II.

King Henry VII by Unknown artist National Portrait Gallery, London.

Elizabeth of York by Unknown artist National Portrait Gallery, London.

Portrait of a woman, possibly Catherine of Aragon (14851536), c .1503/4 by Michel Sittow (14691525). Kunsthistorisches Museum, Vienna, Austria/The Bridgeman Art Library.

Catherine of Aragon as the Magdalene by Michel Sittow (14691525). Detroit Institute of Arts, USA/Founders Society purchase, General Membership Fund/The Bridgeman Art Library.

Laughing child, possibly Henry VIII, c .1498. Painted and gilded terracotta by Guido Mazzoni. The Royal Collection 2010 Her Majesty Queen Elizabeth II.

Portrait of Henry VIII (14911547), c .1509 by English School, (16th century). The Berger Collection at the Denver Art Museum, USA/The Bridgeman Art Library.

Portrait of Cardinal Thomas Wolsey ( c .14751530) by English School, (16th century). National Portrait Gallery, London, UK/The Bridgeman Art Library.

Lord Cromwell, Wearing the Order of St George by Hans Holbein (1497/81543) (school of) The Trustees of the Weston Park Foundation, UK/The Bridgeman Art Library.

Portrait of John Fisher, Bishop of Rochester, mid-16th century by Hans Holbein the Younger (1497/81543) (follower of). Private Collection/ Philip Mould Ltd, London/The Bridgeman Art Library.

Juan Luis Vives. Spanish humanist and philsosopher (14921540.) Portrait. Photo: Album/Oronoz/akg-images.

Emperor Charles V (150058) c .1515 by Flemish School, (16th century) Fitzwilliam Museum, University of Cambridge, UK/The Bridgeman Art Library.

Queen Mary I attributed to Lucas Horenbout National Portrait Gallery, London.

Catherine of Aragon attributed to Lucas Horenbout National Portrait Gallery, London.

Henry VIII, c .152527 by Lucas Horenbout ( fl .153444). Fitzwilliam Museum, University of Cambridge, UK/The Bridgeman Art Library.

Catherine of Aragon (with marmoset) by Lucas Horenbout. Duke of Buccleuch and Queensberry Collection.

Anne Boleyn, 1534 by English School, (16th century). Hever Castle, Kent, UK/The Bridgeman Art Library.

King Henry VIII by Hans Holbein the Younger (1497/81543). Thyssen-Bornemisza Collection, Madrid, Spain/The Bridgeman Art Library.

Iberia: kingdoms and territories, late fifteenth century
THE TUDORS Dates refer to years of birth and death SPAINS ROYAL FAMILY - photo 2
THE TUDORS
Dates refer to years of birth and death SPAINS ROYAL FAMILY CASTILE AND - photo 3

Dates refer to years of birth and death

SPAINS ROYAL FAMILY, CASTILE AND ARAGON
Dates refer to years of rule The poetry of history lies in the - photo 4

Dates refer to years of rule

The poetry of history lies in the quasi-miraculous fact that once, on this earth, once, on this familiar spot of ground, walked other men and women, as actual as we are today, thinking their own thoughts, swayed by their own passions, but now all gone, one generation vanishing into another, gone as utterly as we ourselves shall shortly be gone, like ghosts at cockcrow.

G. M. TREVELYAN , An Autobiography and Other Essays (1949)

Introduction

Zaragoza, the Cathedral. 11 June 1531

Salvador Felipe stood at the doors of the great cathedral in Zaragoza and began to read aloud. It was mid-June, 1531, and the infernal summer heat that replaces the biting winter winds of Spains central Ebro Plain must have been settling in. The cathedral had been packed for Sunday morning mass and Felipe should have had a good crowd when he raised his voice to name the king of England, Henry VIII. The English king, Felipe announced, was being summoned before a tribunal in the city. If he wanted to hear what others were saying about him, then Henry must appear at the cathedral cloisters on the following Wednesday. If the king did not wish to come himself, he could send a legal representative.

The summons was extraordinary. Monarchs were not the kind of people to be dragged against their will before the ecclesiastical courts. Even this far away, though, many people would have known that Englands king was proving to be anything but ordinary. His name was already well known to people here in the capital city of the kingdom of Aragon. He was, after all, married to the woman who introduced the kingdoms name into English history Catherine of Aragon. She had left her native land long ago, but people had not forgotten she was the daughter of two great Spanish monarchs Ferdinand of Aragon and Isabel of Castile.

Catherine was now at the centre of one of the greatest scandals being gossiped about across Europe. Henry no longer wanted his wife of twenty-two years. He wanted, instead, a clever and ambitious young Englishwoman called Anne Boleyn. Henry was doing all he could to get rid of Catherine, but his wife was proving a formidable opponent. Catherine had dug in her heels. She was fighting for her marital rights with intelligence and, above all, rock-like obstinacy.

This was why Miguel Jimnez de Embum, abbot of the powerful Cistercian abbey at Veruela, fifty miles away at the foot of the imposing Mount Moncayo, had called the tribunal. He was acting at the request of Paulo di Capisuchi dean of the Vatican appeal court of the Rota and, so, ultimately, of the pope. His task was to gather evidence for and give his opinion on what in England was already known as the great matter. This was not a divorce, as it is understood today, though many people used that word to describe it. It was, rather, an attempt to have the pope declare Catherines marriage illegitimate from the very beginning. Henrys determination to wriggle out of a marriage that was as much about European politics as anything else was felt keenly by some proud Spaniards. She had, after all, been a model wife and queen consort. Her husband had even left his kingdom in her hands while he fought in France. As queen regent in his absence, she had inflicted an historic defeat on his Scottish enemies.

Few people would have felt more deeply for Catherine than those listening to Felipe, who was the tribunals herald, in Zaragoza. The cathedrals handsomely decorated walls, with their blue, turquoise and green ceramic tiling inlaid into elaborate patterns of mudjar brickwork, were proof of the citys wealth and importance. Zaragoza sat on the bank of the broad, fast-running River Ebro and at the heart of the kingdom once ruled by her father. Catherine was of the most illustrious Spanish stock. Her mother, the mighty and pious Queen Isabel, had been ruler in her own right of the even greater kingdom of Castile. Her parents had conquered the last remnants of Moorish Spain and brought their kingdoms together to form a new and powerful country. Ferdinand and Isabel having died, this was now ruled by Catherines nephew Charles, the grandly titled Holy Roman Emperor whose lands stretched across swathes of Europe. With this pedigree, Catherine was not a woman who could be cast aside lightly. Nor was she the kind to allow herself to be unceremoniously dumped onto the matrimonial rubbish heap. Her tenacious defence had already seen the case moved from a court in England to the Rota. She had, in fact, kept Henry from getting his divorce for the past four years.

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