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Gabrielle Hamilton - Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef

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Blood Asparagus 11 x 11 human blood on paper towel 2000 Gabrielle - photo 1
Blood Asparagus 11 x 11 human blood on paper towel 2000 Gabrielle - photo 2

Blood Asparagus
11 x 11
human blood on paper towel
2000
Gabrielle Hamilton

Copyright 2011 by Gabrielle Hamilton

Reading group guide copyright 2012 by Random House, Inc.

All rights reserved.

Published in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

R ANDOM H OUSE and colophon are registered trademarks of Random House, Inc.

R ANDOM H OUSE R EADER s Circle & Design is a registered trademark of Random House, Inc.

Portions of this work were originally published in different form in Food & Wine and The New Yorker.

The essay by Gabrielle Hamilton contained within the Readers Guide was originally published in different form in Bon Appetit as Blood, Bones & Baked Eggplant. (January 2011).

Grateful acknowledgment is made to the following for permission to reprint previously published material:

The New York Times: The Summer Cook: Ode to Joy: A Trip to Aldas Kitchen by Gabrielle Hamilton, The New York Times, 17 Aug. 2005: F1, copyright 2005 by The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution or retransmission of the Material without express written permission is prohibited.

Trustees of Hampshire College: The Pantry Game by Gabrielle Hamilton, copyright 1984 by Gabrielle Hamilton. Originally appeared in Norwottuck, Fall 1984. Reprinted courtesy of the Trustees of Hampshire College.

Library of Congress Cataloging-in-Publication Data
Hamilton, Gabrielle.
Blood, bones & butter / Gabrielle Hamilton.
p. cm.
eISBN: 978-1-58836-931-4
1. Hamilton, Gabrielle. 2. ChefsNew York (State)New YorkBiography. 3. RestaurateursNew York (State)New YorkBiography. I. Title.
TX649.H345A3 2011
641.5092dc22
[B]
2010017518

www.atrandom.com

Cover design: Milan Bozic.

v3.1_r12

Contents
1

W E THREW A PARTY . T HE SAME PARTY, EVERY YEAR, WHEN I WAS a kid. It was a spring lamb roast, and we roasted four or five whole little guys who each weighed only about forty pounds over an open fire and invited more than a hundred people. Our house was in a rural part of Pennsylvania and was not really a house at all but a wild castle built into the burnt-out ruins of a nineteenth-century silk mill, and our backyard was not a regular yard but a meandering meadow, with a creek running through it and wild geese living in it and a Death Slide cable that ran from high on an oak to the bank of the stream and deposited you, shrieking, into the shallow water. Our town shared a border so closely with New Jersey that we could and did walk back and forth between the two states several times in a day by crossing the Delaware River. On weekend mornings we had breakfast at Smutzies in Lambertville, on the Jersey side, but then we got gas for the car at Sam Williamss Mobil on the New Hope side. In the afternoons after school on the Pennsylvania side, I walked over to the Jersey side and got guitar lessons at Les Parsons guitar shop.

That part of the world, heavily touristed as it was, was an important location of many events in the American Revolutionary War. George Washington crossed the Delaware here, to victory at the Battle of Trenton, trudging through the snowy woods and surprising the British in spite of some of his troops missing proper shoes, their feet instead wrapped in newspaper and burlap. But now my hometown has become, mostly, a sprawl of developments and subdivisions, gated communities of small mansions that look somewhat like movie sets that will be taken down at the end of the shoot. Each housing development has a country nameSquirrel Valley, Pine Ridge, Eagle Crossing, Deer Pathwhich has an unkind way of invoking and recalling the very things demolished when building them. There is now a McDonalds and a Kmartbut when I was growing up, you had to ride your bike about a mile down a very dark country road thick with night insects stinging your face to even find a plugged-in Coke machine where you could buy a vended soda for thirty-five cents. Outside Cals Collision Repair in the middle of the night that machine glowed like something almost religious. You can now buy a Coke twenty-four hours a day at half a dozen places.

But when I was young, where I lived was mostly farmland, rolling fields, rushing creeks when it rained, thick woods, and hundred-year-old stone barns. It was a beautiful, rough, but lush setting for the backyard party my parents threw with jug wine and spit-roasted lambs and glow-inthe-dark Frisbees. The creek dividing the meadow meandered and, at its deepest bend, was lined with small weeping willows that grew as we grew and bent their long, willowy, tearful branches down over the water. We would braid a bunch of the branches together to make a Tarzan kind of vine rope that we could swing on, out over the stream in our laceless sneakers and bathing suits, and land in the creek. That is where we chilled all of the wines and beers and sodas for the party.

We were five kids in my family, and I am the youngest. We ran in a packto school, home from school, and after dinner at dusklike wild dogs. If the Mellman kids were allowed out and the Bentley boys, the Drevers, and the Shanks across the street as well, our pack numbered fifteen. We spent all of our time out of doors in mud suits, snowsuits, or bare feet, depending on the weather. Even in nature, running around in the benign woods and hedges and streams, diving in and out of tall grasses and brambles, playing a nighttime game that involved dodging the oncoming headlights of an approaching occasional car, bombing the red shale rocks down into the stream from the narrow bridge near our driveway to watch them shatterwe found rough and not innocent pastimes. We trespassed, drag raced, smoked, burgled, and vandalized. We got ringworm, broken bones, tetanus, concussions, stitches, and ivy poisoning.

My parents seemed incredibly special and outrageously handsome to me then. I could not have boasted of them more or said my name, first and last together, more proudly, to show how it directly linked me to them. I loved that our mother was French and that she had given me that heritage in my very name. I loved telling people that she had been a ballet dancer at the Met in New York City when she married my father. I loved being able to spell her long French name, M-A-D-E-L-E-I-N-E, which had exactly as many letters in it as my own. My mother wore the sexy black cat-eye eyeliner of the era, like Audrey Hepburn and Sophia Loren, and I remember the smell of the sulphur every morning as she lit a match to warm the tip of her black wax pencil. She pinned her dark hair back into a tight, neat twist every morning and then spent the day in a good skirt, high heels, and an apron that I have never seen her without in forty years. She lived in our kitchen, ruled the house with an oily wooden spoon in her hand, and forced us all to eat dark, briny, wrinkled olives, small birds we would have liked as pets, and cheeses that looked like they might well bear Legionnaires Disease.

Her kitchen, over thirty years ago, long before it was common, had a two-bin stainless steel restaurant sink and a six-burner Garland stove. Her burnt orange Le Creuset pots and casseroles, scuffed and blackened, were constantly at work on the back three burners cooking things with tails, claws, and marrow-filled boneswhatever was budgeted from our dads sporadic and mercurial artists incomethat she was stewing and braising and simmering to feed our family of seven. Our kitchen table was a big round piece of butcher block where we both ate and prepared casual meals.

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