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Jean Guerrero - Crux: A Cross-Border Memoir

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Crux: A Cross-Border Memoir: summary, description and annotation

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A daughters quest to find, understand, and save her charismatic, troubled, and elusive father, a self-mythologizing Mexican immigrant who travels across continents--and across the borders between imagination and reality; and spirituality and insanity--fleeing real and invented persecutors.
In the tradition of parent-child memoirs,Enriques JourneymeetsThe Glass Castle, here is the haunting story of a daughters quest to understand her father, to save him from his own demons and to save herself from following his self-destructive path. Marco Antonio was born in Mexico but as a teenager migrated with his large family north to California, where he met Jeans mother, a young Puerto Rican woman just out of med school. Marco was a self-taught genius at fixing and creating things--including a mythology about himself as a shaman, a dreamcaster, and an animal whisperer, rather than the failed father, husband, and son he feared he was. Before long Marco goes on the run from his family and responsibilities--to Asia, to Europe, and eventually back to Mexico--with long crack and whiskey binges, suffering from what he claimed were CIA mind control experiments. As soon as shes old enough, Jean follows.
Using her skills as a journalist, and her lifelong obsessions with the fuzzy lines between truth and fantasy, Jean searches for explanations for her fathers behavior other than schizophrenia, the diagnosis her mother whispered to Jean when she was still a child. She takes his wildest claims seriously and investigates them. She interviews cousins and grandparents and discovers a chain of fabulists and mystics, going back to her great great grandmother, a clairvoyant curandera who was paid to summon forth voices and visions from the afterlife. She begins mirroring her fathers self-destructive behavior in her own wild experiements with sex and drugs and her flirtations with death in jungles and the middle of the sea. She risks everything in her quest to understand and redeem her father from the underworld of his obsessions and delusions and self-destruction -- to bring him back to the world of the living.
This is the story of a childs search for an elusive parent--through exploration, analysis, and embodiment--but also a penetrating journey into the idea of borders and crossings: between sanity and madness, cultures and languages, scientific worlds and mystical, spiritual impulses, life and death.Cruxis both a riveting adventure story driven by desire and a profoundly original exploration of the mysteries of our world, our most intimate relationships, and ourselves.

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Copyright 2018 by Jean Guerrero Map copyright 2018 by David Lindr - photo 1
Copyright 2018 by Jean Guerrero Map copyright 2018 by David Lindroth Inc All - photo 2
Copyright 2018 by Jean Guerrero Map copyright 2018 by David Lindroth Inc All - photo 3

Copyright 2018 by Jean Guerrero

Map copyright 2018 by David Lindroth Inc.

All rights reserved.

Published in the United States by One World, an imprint of Random House, a division of Penguin Random House LLC, New York.

O NE W ORLD is a registered trademark and its colophon is a trademark of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Guerrero, Jean, author.

Title: Crux : a cross-border memoir / By Jean Guerrero.

Description: First edition. | New York : One World, [2018]

Identifiers: LCCN 2017035196 | ISBN 9780399592393 | ISBN 0399592393 | ISBN 9780399592409 (ebook)

Subjects: LCSH: Adult children of drug addictsBiography. | Adult children of immigrantsBiography. | Adult children of alcoholicsBiography. | SchizophrenicsBiography. Classification: LCC HV5132 .G84 2018 | DDC 362.29/13092 [B]dc23 LC record available at https://lccn.loc.gov/2017035196

Ebook ISBN9780399592409

oneworldlit.com

randomhousebooks.com

Book design by Jo Anne Metsch, adapted for ebook

Cover design: Anna Kochman

Cover photograph: Jean Guerrero and her father on the coast of La Misin, Baja California, 1989 (authors collection)

FRONTISPIECE: My father tosses me in the suburbs of San Diego, California, in May 1989.

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Contents

I heard my blood, singing in its prison,

and the sea sang with a murmur of light,

one by one the walls gave way.

OCTAVIO PAZ , Piedra de Sol

They shall worship you first. Your name shall not be forgotten. Thus be it so, they said to their father when they comforted his heart. We are merely the avengers of your death and your loss, for the affliction and misfortune that were done to you. Thus was their counsel when they had defeated all Xibalba.

Popol Vuh, ALLEN J. CHRISTENSON translation

It is important to be on the lookout for the occurrence of positive synchronicities, for they are the signals that power is working to produce effects far beyond the normal bounds of probability.

MICHAEL HARNER , The Way of the Shaman

AUTHORS NOTE This book is divided into seven segments corresponding to - photo 4
AUTHORS NOTE

This book is divided into seven segments, corresponding to different parts of the ancient Kiche Maya creation story in the Popol Vuh. The legend tells of two twins, the Sun and the Moon, who venture into the underworld, Xibalba, where their father has been trapped. They overcome several challenges and resurrect him.

This is a work of nonfiction. Parallels with the Popol Vuh are coincidences. I used memories, interviews, videotapes, diaries, immigration documents, prison records, baptismal files, history books and more to re-create the past. Dialogue with quotation marks is from audio recordings or notes; dialogue in italics comes from recollections.

LA NADA

Im sorry, Papi. Perdname. I know how much you hate to be pursued. Youve spent your whole life running. Now the footsteps chasing you are mine.

Papi, dnde ests?

I lost myself searching for you. Trees sprout from the vaulted ceiling. The sky stretches far beyond my feet. The wind sounds human when it whispers. The roads are cobblestone, conch and caracol. Everything is shape-shifting.

You say spies or spirits pursue you. My mother, a physician, blames schizophrenia. Im a journalist. I value the objective, the verifiable. In college, I minored in neuroscience. I studied the labyrinthine patterns of brain cortices, the chemical bases of hallucinations and delusions of persecution. But I am also your daughter, Papi. In Mexico, I discovered a mundo mgico: of corpses, chupacabras,curanderos. I learned that your great-grandmother was a clarividente. They called her La Adivinathe diviner. She was paid to commune with the dead.

Papi, quin eres?

A cursed curandero, a schizophrenic, a victim of the mind-control experiments you describe? I look into the mirror seeking clues. Your quests and questions consumed me, even though you were never there. The last time I saw you was the year the world was meant to end. When I close my eyes, Papi, all the clocks rewind to then.


You kick off your boots in the dark. You slip off your beanie, your leather jacket. Were in a double room at the San Francisco Grand Hyatt hotel. Im already in bed. You stretch and sigh by yours. Im twenty-four years old. Its the spring of 2012. Earlier in the day, we watched my sister graduate from San Franciscos Academy of Art University. I flew in from Mexico City, your birthplace, where Im working as a foreign correspondent and investigating your history. Months ago, a psychologist diagnosed me with post-traumatic stress disorder tied to a near-death experience south of the border.

My nervous system thunders. I cant stop thinking about the last time we shared a room. I was eleven, in Autln de Navarro, Jalisco. It was my first visit to the interior of your country. My mother told me to be carefulMexico was a perilous place, and you were not normal. As I tried to sleep, I felt the danger of your country thrusting itself through the thin walls of our rural pueblo room, into you. Your skin was clammy and see-through. Your veins were vines snaking down your neck. Your eyes were protuberant and black. You had been smoking crack.

Were in the United States, in a nice hotel. You havent smoked crack in nearly a decade. In your fifties, you have a shamanic air, with a pimienta beard and long gray-black hair. Your eyes are chameleonic, shifting between shades of ochre. Your face is strikingcheekbones high and prominent, like plump aguacates, causing your eyes to crinkle with each smile. Your skin is copper-colored. A self-taught expert in natural medicine, you cultivate curative plants such as comfrey and ashitaba in the Mexican beach town of Rosarito. Some potions you concocted eradicated your mothers arthritis and restored vision to her once-blind Chihuahua, if Abuelita is to be believed.

You are still troubled: you binge-drink, you suffer dark dreams you cant describe, you are sometimes suicidal. You wrote me an email recently, requesting that I bury you without an autopsy, wrapped in a single blanket so as to decompose more quicklyanywhere in the mountains, hidden, perhaps in the Sierra Madre de Mxico. And please dont cry. Youre convinced you have a mysterious illness no doctor can detect. Your bones feel heavier than osmium. Sometimes, you can hardly take a step. But youre a different man from the one in Autln.

I watch your shadow by your bed. You unbuckle your belt. Slither it off. Slide off your jeans, sprawl out on the squeaky mattress. I think you fall asleep. I notice your peaceful breathing. As an infant, I often dreamed in your arms. I remember the rising of your chest against my cheek. A tranquil blackness consumes my thoughts, and slowly I fall asleep.

You leap from bed with a cry. I jolt awake. You scamper toward a wall. Youre gasping. Hyperventilating. You grasp until you find a light switch. Scan the room with terrified eyes. Theres someone in here, you say. Someones in here with us.

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