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Brian Raftery - Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen

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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999arguably the most groundbreaking year in American cinematic history.
In 1999, Hollywood as we know it exploded:Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Dont Cry. The Best Man. Three Kings. Magnolia.Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limitsand took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also producedThe Sopranos; Apples Airport; Wi-Fi; and Netflixs unlimited DVD rentals.
Best. Movie. Year. Ever.is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. Its the definitive account of a culture-conquering movie year none of us saw comingand that we may never see again.

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For Bill Raftery 19442018 Best dad ever AUTHORS NOTE This book is based - photo 1

For Bill Raftery, 19442018 Best dad ever

AUTHORS NOTE

This book is based upon more than 130 interviews conducted between March 2017 and January 2019. At times I also rely on archival interviews, speeches, videos, and commentary tracks. If a subject speaks in the present tense, those comments came from my own reporting. If a subject speaks in the past tense, the quotes came from an archival source.

The movies covered in BEST. MOVIE. YEAR. EVER. were released between January 1 and December 31, 1999, with a few exceptions. Rushmore and The Thin Red Line enjoyed limited awards-qualifying runs in December 1998 before expanding wide in early 1999. The Virgin Suicides , meanwhile, debuted at the Cannes Film Festival in 1999 before being released theatrically in 2000.

Finally, while The Matrix was credited in 1999 to writer-directors Andy and Larry Wachowski, the filmmakers in later years transitioned to Lilly and Lana Wachowski, respectively, and are referred to as such throughout the book.

PROLOGUE
LOSING ALL HOPE WAS FREEDOM.

DECEMBER 31, 1999

It was New Years Eve, and on a private beach resort in Mexico, a handful of couples had gathered to celebrate the end of the century. Brad Pitt and his then girlfriend, Jennifer Aniston, were there. So were director David Fincher and his partner, the film producer Cen Chaffin. For the last few months, theyd watched the world react with fury to Fight Club , Pitt and Finchers bruising new tale of chaos-loving alpha-maniacs. The movie was an assaultive big-budget takedown of late-nineties values with a catchphrase so recognizableThe first rule of fight club is: You do not talk about fight clubthat Aniston had spoofed it while hosting Saturday Night Live that fall. But although people had talked about Fight Club , often angrily, few moviegoers had actually shown up to watch it. The film had barely earned back half its budget at the box office, making it among the biggest commercial failures of the two mens careers. By the time the group arrived in Mexico, says Fight Club producer Chaffin, we were still licking our wounds.

Joining them on the getaway was Marc Gurvitz, a high-powered manager who worked with Aniston and whod come to the island with his then fiance. He remembers the early moments of their trip as being largely relaxedso much so that he felt comfortable enough to prank his companions, putting fake snakes and scorpions in their beds. But Gurvitz was also a bit nervous about the decade coming to a close. Like millions of others, hed heard the warnings: about how at midnight that nightjust as the twenty-first century was grabbing a rave whistle and starting its hundred-year partya global cataclysm would supposedly reboot civilization. Skylines would dim. Bank accounts would flatline. Things would break down. It was a save-the-date disaster with a strict deadline and a catchy name: Y2K, short for Year 2000. Everyone was afraid that the world was going to end, says Gurvitz. It was pretty scary. Even Fight Club had picked up on that premillennial tension, its final scene consisting of a series of credit card company headquarters crumbling to the grounda chance for society to start anew. As Pitt later recalled, the mood in 1999 was one of uncertainty: What was going to happen? the actor asked. People werent gonna go on trips, even, because they were afraid.

Pitt and his fellow vacationers had nonetheless braved it to their island resort, where theyd be hours away from the nearest city. No matter what went down when the clock struck twelve, theyd largely be on their own. As the moment drew closer, Gurvitz and the others assembled for margaritas near the beach. Just as the new year was about to arrive, though, the group was thrown into darkness. It was three... two... one... and then all the power in the entire place went out, says Fincher. There was nervous laughter, like, Y2K, ha-ha-ha!

The group decided to relocate to a nearby bonfire. All of a sudden, remembers Gurvitz, two jeeps in the distance come out of the dark with their lights flashing. It was a team of local federales , many traveling in a large black vehicle with the word polica on it. There were three nineteen-year-old kids with M16s in the back, says Fincher. They came over the hill, pulled in, and got out and went running into the main lobby.

Eventually the hotel concierge emerged, saying there was a problem with the plane the group had chartered to the island, and that someone needed to come with the police. The task would fall on Gurvitz, who was confusedin the dark in every way. Before he knew it, Gurvitzs hands were being pulled behind his Hawaiian-print shirt and placed in cuffs. The federales were speaking to him in Spanish, which Gurvitz couldnt understand. But he realized they were taking him to jail. Pitt walks up to the guys, Gurvitz recalls, and gets in their face: Hey! You cant come into a resort and take an American citizen! Unimpressed, the officials threw Pitt to the ground. Brads saying, This is outrageous! Youll hear from my attorneys! says Fincher, who volunteered to go with Gurvitz.

As they pulled away from the beach, Gurvitz looked back at his party, unsure of what would happen next. His fiances freaking out, in tears, Pitt said. Theyre driving off with him into the pitch blackness, and hes surrounded by guys with [guns].

Gurvitz watched as his friends grew smaller in the distance. Just as hed feared, something had gone wrong. Something had broken down.

Oh my fucking God , he thought.

In the final months of the twentieth century, millions of Americans believed we were headed toward a reckoningso much so, they spent what was left of the nineties gearing up for a meltdown. Some converted their homes into DIY fallout shelters, stocking them with canned chow mein, toilet paper, or three-hundred-gallon waterbeds (which they could pop open and drink from in the event of a drought). Others prepared by buying guns lots of guns. Less than two weeks before the arrival of the new millennium, the FBI received 67,000 gun sale background check requests in a single day, setting a new record. Many of those applicants had no doubt become obsessed with the millennium buga data hiccup that would supposedly cause thousands of computers to simultaneously collapse, unable to recognize the changeover from 12/31/99 to 01/01/00.

The US government, along with several corporations, had spent an estimated $100 billion combined to upgrade their machines in time. In Silicon Valley, Y2K worries were so pitched that Apple head Steve Jobs commissioned a Super Bowl ad featuring HAL, the creepily sentient computer system from Stanley Kubricks 1968 sci-fi trip 2001: A Space Odyssey . The commercial finds HAL speaking from the future, where he apologizes for the chaos caused by the changeover. When the new millennium arrived, HAL says coldly, we had no choice but to cause a global economic destruction. (The only computers to avoid the meltdown, according to HAL, were made by Apple.)

The famously private Kubrick would later call Jobs, telling him how much he had enjoyed the spot. Yet some in the tech industry didnt find the prospect of Y2K funny. There was a real fear that, no matter what we did to prepare, Princes famed pop prophecy was bound to come true: Two-thousand-zero-zero/party over/oops/out of time. Ive seen how fragile so many software systems arehow one bug can bring them down, a longtime programmer told Wired . Hed retreated into the California desert and built a solar-powered, fenced-off New Years Eve hideaway (he also bought his very first gun, just in case). Others saw Y2K as a potential biblical event: in Jerry Falwells home video Y2K: A Christians Survival Guide to the Millennium Bug , available for just under $30 a pop, the smug televangelistlast seen warning his flock about the gay agenda of the Teletubbiescautioned that Y2K could be Gods instrument to shake this nation, to humble this nation (he also advised loading up on ammo, just in case).

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