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Martin J. Power - Nailed to History: The Story of Manic Street Preachers

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Martin J. Power Nailed to History: The Story of Manic Street Preachers
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    Nailed to History: The Story of Manic Street Preachers
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Nailed to History: The Story of Manic Street Preachers: summary, description and annotation

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In the last two decades, Manic Street Preachers have established themselves as one the UKs enduring, intelligent and credible rocks groups, but that quest for greatness has seen the band follow a difficult, sometimes torturous path, with one of their number - the gifted yet troubled Richley Edwards - abandon that that quest altogether for destinations still unknown.
Nailed To History traces the slow yet inexorable climb of the South Wales band from their late 1980s origins as glam punk inspired, though critically derided Generation Terrorists to their current position as respected art rock intellectuals - a fact underlined by 2009s award-winning A Journal For Plague Lovers.
It also examines the life and complex personality of Edwards, whose highly politicised, morally disquieting wordplay defined much of the manics early appeal - his personal demons writ large across 1994s dark masterwork, The Holy Bible. Edwards evermore extreme behaviour culminated in his sad, strange disappearance in February, 1995 and forced the colleagues he left behind to re-examine thier motives before making a triumphal return with 1996s best-selling Everything Must Go.
A story of honour and enduring friendship, marked with tales of culture, alienation, boredom and occasional dispaire, Nailed To History also includes full album reviews and an up-to-date discongraphy.

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Contents Children find everything in nothing Men find nothing in - photo 1
Contents

Children find everything in nothing. Men find nothing in everything.

Giacomo Leopardi, Zibaldone Scelto

B eing children and knowing no better, they loved it at first. Then, as they grew, they came to understand its limitations and began to resent it. That resentment led to boredom, crushing boredom, and the need to escape its confines became overpowering. And with the advent of adulthood, escape they did. When asked questions by others, they were quick to pick at its every fault, bury it in insults, even disown it. But as time went by, they became more forgiving, and their words became kinder. One of their number, if not quite the prodigal son, soon returned to live beside it and might berate you for speaking badly of it at all.

The It in question is Blackwood, South Wales, and Blackwood gave birth to the Manic Street Preachers as much as their parents ever did.

Perched on a hillside at the edge of the Sirhowy Valley, Blackwood lies just far enough from major roads to enjoy some clean air, though not quite the pure stuff that city types form hiking groups to breathe. A busy road cutting right through the high street makes sure of that. Since 1996, it has been a part of the county borough of Caerphilly, though before Wales began unifying its local authorities, Blackwood fell within the auspices of Islwyn and Gwent County Council.

At its centre lies the Miners Institute, or The Stute. Originally built in 1925 as a snooker hall for local colliery workers, the Institute fell into disrepair during the Eighties, its fate mirroring that of the ailing mining industry. Re-opened as a multi-entertainment centre in 1992, Blackwood Miners Institute now serves the local community for comedy, music and drama, its name a gentle reminder of harder times. Approximately 14 miles from the city of Newport and a little further to Cardiff, Blackwood or Coed Duon, as it is known in Welsh is a small town, the total population tipping 20,000 or so. That number has grown rapidly in recent years with local regeneration projects, new bridges and better link roads to bigger places putting Blackwood up there with other commuter-friendly locations in the area. However, it wasnt always that way.

The records have it that Blackwood started life as a model village founded by local colliery owner John Hodder Moggridge in the early 1800s. An enlightened man for his time, Moggridge was concerned by the poor living conditions available to his mine workers and built a series of small, but surprisingly sturdy cottages with accompanying allotments that he duly leased back to them at a modest profit, of course. The Blackwood experiment proved such a success that he repeated the formula in nearby Ynysddu and The Ranks, some four or so miles away. By the 1830s, the village had extended its boundaries and even found a political voice, with one of its residents, Zephaniah Williams, a major activist within the growing nationwide Chartist movement. Now regarded as the first real example of the working class banding together to effect political reform, Chartists represented fair wages, a better standard of living and a vote for all men over the age of 21, regardless of origin or social position.

To that end, Williams and local Chartist leader John Frost planned what became known as The Newport Rising at Blackwoods Coach & Horses pub in November 1839. The idea was noble enough: lead a march of protesters to the nearby town, bring attention to the cause and simultaneously set free their fellow activists thought to be jailed at Newports Westgate Hotel. Sadly, their efforts to storm the Westgate armed only with pikes was soundly rebuffed by a small, but well armed military presence. When hostilities ceased, at least 20 protesters lay dead, with a further 200 men including Frost, Williams and a number of Blackwood natives sentenced to be hung, drawn and quartered for high treason.

Relative mercy was shown: the sentence was commuted from death to transportation to Tasmania. If the plan itself failed, it at least showed that the men of Blackwood had some iron in their blood, this fact eventually commemorated by the building of the Chartist Bridge: a futuristic structure unveiled just outside the town in 2005, it links the east and west sides of the Sirhowy Valley, providing quicker routes for business and an end to the traffic tailbacks that marred Blackwoods high street for many a decade. The statue of a Chartist that guards the bridge, pike in hand, body turned towards Newport remains a less practical, but perhaps stronger memento of the towns involvement with that cause.

As the 19th century turned, Blackwood left behind its village origins, and showed the first real signs of the town it would eventually become: a long wide street, with trams moving its citizens back and forth, a parade of shops, a bank and more pubs than one might describe as strictly healthy for its size. In line with the Welsh religious revival of 1905, God also moved into Blackwood, with Methodist, Baptist, Pentecostal and Catholic churches soon arriving to offer alternative routes to salvation. When the Titanic was sinking near Newfoundland in 1912, a local man named Artie Moore was one of the first to hear its cries of distress through the hiss and crackle of his amateur radio set. Sadly, the authorities paid no attention to him at the time. Moore was later given a job with the Marconi Wireless Telegraph Company, whose radio system was installed on the Titanic when Moore tuned in that night. Some seven decades later, Blackwood would become home to some of the very electronics and communications businesses that Marconi paved the way for, though their arrival in the area would be a distinctly mixed blessing.

During World War Two, children from Englands South Eastern counties were evacuated to Blackwoods surrounding areas, finding the hills some peppered with cherry trees a curious, but safe alternative to the blitz conditions plaguing their parents some 150 miles away. Not that Blackwood and its men didnt play a part in both World Wars, the names of those locals lost in battle now etched upon the towns cenotaph. By the early Seventies, Blackwood was more or less fully formed. Still on the hillside, still equally close to God, alcohol and the mining industry, it remained a place that traffic passed through when journeying to bigger conurbations such as Pontypool, Newbrigde and Ystrad Mynach. Many of its residents would also follow that traffic in search of their weekly wages, or the more earthly delights of Cardiff or Newport: In the Seventies, said one resident, Blackwood was a typical Welsh town. Still is, to a point. Good and bad habits, a bit of an in-betweener. Most people saw it from the window of a car.

Of course, the young Nicholas Allen Jones or Nicky for short didnt care about any of that. At least, not at first. All he really wanted to do was play. Born on January 20, 1969, Nicky Joness abiding love then as now was sport. Cricket, golf, athletics, boxing, Nicky loved the lot. However, he particularly excelled at soccer, following his team of choice, Tottenham Hotspur, avidly as a child. Inevitably, Jones was keen to transfer the skills he witnessed on The Big Match to the pitch, or in Blackwoods case, a large unruly playing field owned by the local Gossard factory. As workers produced corsets and girdles inside, Nicky and his teammates were kicking a ball a hundred or so yards away. The dedication paid off: as a teenager, Jones would captain Wales schoolboy team, his skills as an attacking midfielder eventually leading to a trial with Tottenhams arch north London rivals, Arsenal. Sadly, genetic predisposition in the form of a weak back curtailed Jones football aspirations for good. That said, this wasnt yet a factor as he tore around the Gossard field trying to emulate Spurs Steve Perryman and Glenn Hoddle.

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