• Complain

Leonie Charlton - Marram: memories of sea and spider-silk

Here you can read online Leonie Charlton - Marram: memories of sea and spider-silk full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Leonie Charlton Marram: memories of sea and spider-silk

Marram: memories of sea and spider-silk: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Marram: memories of sea and spider-silk" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Leonie Charlton: author's other books


Who wrote Marram: memories of sea and spider-silk? Find out the surname, the name of the author of the book and a list of all author's works by series.

Marram: memories of sea and spider-silk — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Marram: memories of sea and spider-silk" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Leonie Charlton lives in Glen Lonan Argyll She writes poetry fiction and - photo 1

Leonie Charlton lives in Glen Lonan, Argyll. She writes poetry, fiction and creative non-fiction and is a graduate of the MLitt in Creative Writing at University of Stirling. Her work is informed by a deep attachment to the West Coast of Scotland where she spends most of her time. She enjoys walking and time with horses as ways to feel her way into landscape, to explore whatever reveals itself through quiet attentive travel. She also loves to sleep on the hill, to experience, over and over again, the privilege of re-entering that world when she wakes.

www.leoniecharlton.co.uk

First published in Great Britain in 2020 Sandstone Press Ltd Suite 1 Willow - photo 2

First published in Great Britain in 2020

Sandstone Press Ltd

Suite 1, Willow House

Stoneyfield Business Park

Inverness

IV2 7PA

Scotland

www.sandstonepress.com

All rights reserved.

No part of this publication may be reproduced, stored or

transmitted in any form without the express written permission of the publisher.

Copyright Leonie Charlton

Editor: Robert Davidson

Contains Ordnance Survey Data.

Crown copyright and database right 2019

The moral right of Leonie Charlton to be recognised as the

author of this work has been asserted in accordance with the

Copyright, Designs and Patents Act 1988.

The publisher acknowledges support from Creative Scotland

towards publication of this volume.

Marram memories of sea and spider-silk - image 3

Sandstone Press is committed to a sustainable future This book is made from - photo 4

Sandstone Press is committed to a sustainable future. This book is made from Forest Stewardship Council certified paper.

ISBN: 978-1-913207-10-6

ISBNe: 978-1-913207-11-3

Cover design by Two Associates

Ebook compilation by Iolaire, Newtonmore

For my mother, Kathryn Ade,

for her inimitable joie de vivre.

So many people supported me on this journey through the Outer Isles. Too many to mention here, but I extend my heartfelt thanks to them all, to those who helped us during our travels with their warmth and hospitality and advice, to those who so generously shared their stories. Lasting gratitude to my three companions on the trip: Shuna Shaw, her wise, good-humoured and treasured company we have travelled many paths together and I look forward to many more; the Highland ponies, Ross and Chief, who have taught me, and brought me, so much their hearts are vast, their level of presence endlessly inspiring. Thanks also to writer and activist Alastair McIntosh whose book Poachers Pilgrimage broadened my vision and enriched my experience.

Deepest thanks to my husband Martin without whom this journey wouldnt have been possible, his generosity and unstinting support constantly amaze me thank you from the furthest reaches of my heart. Thanks also to our three children, Bragha, Finn and Oran, who put up with my absences, both while away, and then at home when I dont answer questions, burn the dinner, am utterly lost to my internal worlds; their patience means the world to me.

On my writing journey I would like to thank in particular the Creative Writing Department at University of Stirling, to the tutors Liam Bell, Meaghan Delahunt, Chris Powici and Kathleen Jamie, who opened up new worlds of words to me, ones founded on integrity and possibility. Sophy Dale for her support during the writing of the first draft of Marram , I honestly dont know if it would ever have happened without her help with time management and her generous encouragement. Frances Ainslie for her writerly sisterhood and eagle-sharp editing eye. To Island Review who published an extract from an earlier version of this book. Finally, thanks to Robert Davidson and the whole Sandstone Press team.

I inherited a love of wildlife and landscape from my parents. My feeling of interconnectedness with the natural world defines and sustains my existence. Throughout this book I have taken the poetic licence of capitalising plant and animal names; not on every occasion, but in the moments that call for particular emphasis on a plant or animals presence. It feels crucial, in these times of climate crisis and mass species extinction, that we bring our full awareness and appreciation to the diversity around us. I have been inspired by writers such as Glennie Kindred who capitalises all tree names in her book Walking with Trees , and Robin Wall Kimmerer, who in Braiding Sweetgrass breaks with grammatical convention to write freely of Maple and Heron.

Leonie Charlton

Taynuilt, Argyll

2020

Contents

Im sitting in my writing box in Glen Lonan, Argyll. Its early September, and three months since I got back from riding through the Outer Hebrides with my friend Shuna and our two Highland ponies, Ross and Chief. I can see Ross now, grazing on grass that has lost its summer sheen. The forested hillside rises up behind him, a single Rowan in full bright-berry stands out amongst the Birch and Oak. Beyond the soft shrug of these trees, half hidden in cloud, is Ben Cruachan. The writing box is the back of a refrigerated van that my father converted. He took out the steel meat hooks, put in windows and a door. Despite his attention to detail it relies on a dehumidifier to stay dry. Today is my first time in here for a while and Im aware of its particular smell; a combination of damp emulsion and plywood, metal and mould. I push the window open wide and breathe in the cuspy autumn air.

Bracken has grown up past the windowsill. Coppery tones seep upwards from the ground and colour the under-fronds. There are Thistles too purple flowers long gone but the heads are still holding onto tufts of down, silver turned to peaks of grey after weeks of rain. A single Foxglove folds across, its leaves riddled with rust-edged holes, empty flower cups darkening to a loam brown. On the inside of the windowsill is a stem of Marram Grass I found in my saddlebags after the trip. It is sharp and lucent. It reminds me of how Id felt coming home, bright and still after all those slow-spent hours in the marram and cotton grass.

My mother passed to me a passion for horses which has been a lifeline, a source of love and grounding throughout my life. My relationship with her was fraught with pain and misunderstanding, at times Id wondered if life would be better without her. Then she died and I was broken. Almost seven years after her death, long enough for nearly every cell in my body to have renewed itself, it felt like the grief and regret were intensifying. I was bone-weary of the guilt, a redundant emotion Mum herself had always said. Shed been a jeweller and a passionate collector of beads. During the months of planning for the Hebrides trip an idea had formed to leave a trail of beads for Mum. Where better than through this archipelago that shed loved, itself a necklace of granite and sand, schist and gneiss, strung on streams of salt and fresh water.

I have loved the Hebrides for decades, ever since travelling to some of the islands on work-trips with my father, Max Bonniwell, who was a vet in Oban. One summer Dad took my younger brother and me on a camping trip through the Outer Hebrides, memories of that fortnight remain amongst the most luminous of my life. I associated the islands with him and everything he embodied, which was the opposite of the emotional, cultural and physical chaos of life with Mum. Dad represented safety and stability. He smelt of veterinary disinfectant. He knew the names of all the seabirds and of all the sailing boats. Mum had also travelled widely in the Hebrides, but Id never been out there with her, and now, in this unexpected way, was my chance.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Marram: memories of sea and spider-silk»

Look at similar books to Marram: memories of sea and spider-silk. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Marram: memories of sea and spider-silk»

Discussion, reviews of the book Marram: memories of sea and spider-silk and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.