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Vincent Sherman - Studio affairs: my life as a film director

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As a young Jewish boy growing up in Vienna, Georgia, Abe Orovitz could never have predicted the twists and turns his life would take. Many years later, as retired film director with more than thirty movies to his credit, Vincent Sherman is no less surprised when he looks back on that life. In Studio A ffairs he retraces his life with candor and enthusiasm. Sherman discusses the details of his three-year relationship with Joan Crawford, his inadvertent connection with the death of Bette Daviss second husband, and his poignant romantic involvement with Rita Hayworth. Providing counterpoint to these liaisons is the love and devotion of Shermans wife, Hedda, who accepted her husbands occasional infidelities as part and parcel of his career. Studio Affairs provides an inside look at the motion picture industry during the heyday of the studio system by one who worked his way from nearly starving actor and playwright to respected director. In effect, the book serves as a primer on the art of film directing. Sherman quickly developed a reputation of being a consummate rewrite artist, able to take whatever assignment given him and turn it into a first rate motion picture. His skill at reworked scripts led him to bigger and bigger projects, even as the salary set by his long-term contract with Warner Brothers remained below that of most of his colleagues. Though not originally signed to direct, when asked to do so he drew on his experience putting together productions at summer camps across the borscht circuit in upstate New York. Like so many talented individuals in Hollywood during the 1950s, Sherman was targeted by the House Un-American Activities Committee, owing in part to his active support of the WPA Theatre project in New York two decades previous. Time spent on the lesser known gray list kept him out of work for several years. Eventually, he again enjoyed some critical success, but after the demise of the studio system life was never quite the same. The quintessential studio director ended his career directing for television. Vincent Shermans path from Georgia to southern California is compelling, and his legendary talent for good storytelling makes the book impossible to put down.

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title Studio Affairs My Life As a Film Director author Sherman - photo 1

title:Studio Affairs : My Life As a Film Director
author:Sherman, Vincent.
publisher:University Press of Kentucky
isbn10 | asin:0813119758
print isbn13:9780813119755
ebook isbn13:9780813171005
language:English
subjectSherman, Vincent, Motion pictures--Catalogs, Motion picture producers and directors--United States--Autobiography.
publication date:1996
lcc:PN1998.3.S4A3 1996eb
ddc:791.43
subject:Sherman, Vincent, Motion pictures--Catalogs, Motion picture producers and directors--United States--Autobiography.
Page iii
Studio Affairs
My Life as a Film Director
Vincent Sherman
Page iv Copyright 1996 by Vincent Sherman Published by The University - photo 2
Page iv
Copyright 1996 by Vincent Sherman
Published by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University.
Editorial and Sales Offices: The University Press of Kentucky
663 South Limestone Street, Lexington, Kentucky 40508-4008
96 97 98 99 00 5 4 3 2 1
Library of Congress Cataloging-in-publication Data
Sherman, Vincent.
Studio affairs : my life as a film director / Vincent Sherman.
p. cm.
Includes index.
ISBN 0-8131-1975-8 (cloth : alk. paper)
1. Sherman, Vincent. 2. Motion picture producers and directors
United StatesBiography. I. Title.
PN1998.3.S453A3 1996
791.43'0233'092dc20 96-14263
[B]
This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence of Paper for Printed Library Materials.
Picture 3
Manufactured in the United States of America
Page v
To Hedda,
whose loyalty, devotion, and wisdom
were far greater than I deserved
Page vii
Contents
Foreword by Eric Sherman
ix
Acknowledgments
xi
Raison D'Etre
xiii
1
Moment of Desicion
1
2
Unknown Territory
9
3
Meeting Hedda
22
4
Hollywoodfirst Time
37
5
Moving Left
47
6
HollywoodSecond Time
67
7
Moving up
85
8
The Hard Way
106
9
Bette Davis
119
10
In Our Time
134
11
Midway
151
12
Errol Flynn
163
13
London
176
14
Joan Crawford
195
15
Freelancing
219
16
Red Scare
243
17
Back to Warner's
267
18
Twilight Years
289
Postscript
298
Filmography
306
Index
315
Illustrations follow pages
114 and 210

Page ix
Foreword
I grew up in Hollywood, the son of a well-known and well-respected movie director. I spent Saturdays "on the lot," watching my father direct the likes of Clark Gable, Ava Gardner, Paul Newman, and Richard Burton. I had no concept that this was a special or privileged life. "Dad makes movies for a living." That was all. Much later, when I was in college in the late 60s, I came to understand that the business and professional environment in which I grew up was indeed specialthat it was the subject of much admiration, devotion, and study by others. I suddenly became envious of my own childhood and wished that I had paid more attention! but something did rub off on me during those early years, something that I came to appreciate much later when I started making my own films. It was a kind of ease on the setthe sense that it was an acceptable and appropriate activity for men and women to be creating universes of light and color and motion for others to watch and live through and, hopefully, to learn from.
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