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Arkady Vaksberg - The Murder of Maxim Gorky

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Arkady Vaksberg The Murder of Maxim Gorky
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Enigma Books

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T he last twenty years of Gorkys life are filled with riddles, contradictions, and many unanswered questions, but mostly with sorrow and high drama. Soviet propaganda was more than successful in its attempts to hide the truth about the life and death of the great writer. There is hardly another figure of equal renown in the past century whose life was steeped to such a degree in lies, falsifications, and suppression of the facts.

Since those most directly involved in the falsifications were connected in one way or another to Gorkys spiritual and physical destruction, and the dissemination of lies was promoted by official, state-sanctioned Gorky scholars, it was not easy to shed the ingrained stereotypes. Fortunately, the archives were opened slightly (then partially closed again) and this, along with a lifting of secrecy from many sources and documents, helped me get at least somewhat closer to the truth. The most difficult aspect was comparing what was previously known against what has been newly revealed. The resulting book presents to the reader a different Gorky, not quite similar to, yet not completely unlike, the one known by several generations of deceived readers.

The archives of the Federal Security Service (the FSB, the former KGB), the Russian Center for Preservation and Study of Records of Modern History (RTsKhIDNI, which includes the former archive of the Communist Party of the CPSS), as well as secret collections of the Gorky Archive provided the most useful sources. I consider it my duty to point out that the employees of this last archive are carrying out a very important mission, bringing to light extremely valuable documents, the suppression of which over decades can only be described as a crime perpetrated by the Communist regime against the whole world, for Gorky belongs to humanity and not to the Kremlin. Although I differ on many points with current Gorky biographers, it would be unfair not to recognize the service of those who reject the idea of a monopoly on the truth and instead help introduce previously unknown Gorky documents into the scholarly discourse.

This book is a documentary narrative concentrated on the last twenty years of an historical personality unlike any other. In many ways a book by one writer about another is necessarily subjective. But what else can any work by a writer be? In this book there is not one single fact that cannot be supported by a document or the carefully checked testimony of contemporaries. But the interpretation of these facts belongs, naturally, to the author.

All rights reserved under the International
and Pan-American Copyright Conventions.

Published in the United States by

Enigma Books

580 Eighth Avenue, New York, NY 10018

www.enigmabooks.com

Copyright 2007 by Enigma Books

ISBN-13: 978-1-929631-62-9

ISBN-10: 1-929631-62-6

Translated from the Russian by Todd Bludeau

All photos courtesy of the David King Collection.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the written permission of Enigma Books.

Library of Congress Cataloging-in-Publication Data

Vaksberg, Arkadii.

The murder of Maxim Gorky : a secret execution / Arkady Vaksberg ; translated by Todd Bludeau.

p. : ill. ; cm.

ISBN-13: 978-1-929631-62-9

ISBN-10: 1-929631-62-6

Includes index.

1. Gorky, Maksim, 1868-1936--Death and burial. 2. Authors, Russian--20th century--Biography. I. Bludeau, Todd. II. Title.

PG3465.Z9 D43 2007

891.78/309

Contents

T he entire life of this infinitely talented and enigmatic man, woven from blatant contradictions, consists of a chain of incredible chance happenings and mysterious coincidences, too improbable to reflect reality. If the word chance must be placed in quotation marks, then the same cannot be said about coincidences: their abundance makes the life of the hero of this book read like drama with a boldly convoluted, even improbable, plot. This was especially clear when his life came to an end and the final note had sounded.

The former Nizhny Novgorod petit-bourgeois Aleksei Maksimovich Peshkov, famous throughout the world as the writer Maxim Gorky, died on the morning of June 18, 1936, not far from Moscow in an old estate that once belonged to the nobility that Stalin made available for him. This was that very same residence in which Lenin had passed away twelve years earlier. Was this some kind of stunt drummed up by the most masterly and malevolent of all playwrights that history has ever known? What kind of coincidence was this? The mustachioed leader was well aware of the relationship between the first Bolshevik tyrant and the founder of Socialist Realism. In sending the writer to the next world in that very same estate, where Vladimir Ilyich, who had banned him from Soviet Russia, died twelve years previously, Stalin clearly demonstrated the strange love he had for both of them, as well as that undying passion for sinister metaphors.

Along with this came another played by Lady Luck. By deeply symbolic coincidence, the place where Gorky spent his final days had long since seemingly borne his name, except without the soft sign in the middle. not just seemingly but in reality: absolutely literally. Thus Stalin, who had conferred the name of the great proletarian writer on hundreds of schools, institutes, theaters, clubs, factories, libraries, streets, squares, and even the city of Gorkys birth, had no need to add to the interminably long list the location where Gorky finished out his life: his wise ancestors had done this for him.

There is still one more coincidence which, naturally, does not have any scientific explanation, but is also profoundly symbolic and sticks in the accounts of all the memoirists who subsequently talked about that unusually hot June morning: as soon as the heart of the writer stopped beating, several of the strongest peals of thunder were heard, followed by one flashing bolt of lightning after another, and a lashing, violent downpour; there is not a soul alive who would not have taken that as a cry from the heavens on the passing of the great son of Russia.

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