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Larrington - Women and Writing in Medieval Europe: a Sourcebook

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Larrington Women and Writing in Medieval Europe: a Sourcebook
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Carolyne Larrington has gathered together a uniquely comprehensive collection of writing by, for and about medieval women, spanning one thousand years and Europe from Iceland to Byzantiu. The extracts are arranged thematically, dealing with the central areas of medieval womens lives and their relation to social and cultural institutions. Each section is contextualised with a brief historical introduction, and the materials span literary, historical, theological and other narrative and imaginative writing. The writings here uncover and confound the stereotype of the medieval woman as lady or virgin by demonstrating the different roles and meanings that the sign of woman occupied in the imaginative space of the medieval period. Larringtons clear and accessible editorial material and the modern English translations of all the extracts mean this work is ideally suited for students. Women and Writing in Early Europe: A Sourcebook also contains an extensive and fully up-to-date bibliography, making it not only essential reading for undergraduates and post graduates but also a valuable tool for scholars.;BOOK COVER -- HALF-TITLE -- TITLE -- COPYRIGHT -- DEDICATION -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 MARRIAGE -- INTRODUCTION -- Marriage as institution -- Making a marriage -- Marriage and property -- Widows and second marriages -- Being a wife -- 1 THE GOOD WIVES -- 2 THE MALMARIE -- (a) Marie de Frances Lastic -- (b) A malmarie song -- 3 MARRIAGES IN ROMANCE -- 4 A RASH WOOING: UNUSUAL EVENTS AT A WEDDING FEAST -- 5 THE DISOBEDIENT WIFE -- 6 A FORWARD YOUNG WOMAN -- 7 DUTIES OF THE BOURGEOIS HOUSEWIFE -- 8 CARING FOR A SICK HUSBAND -- 9 A CLANDESTINE MARRIAGE -- Letter from Margaret Paston to John Paston II, 1469 c. 10 September -- 2 LOVE, SEX AND FRIENDSHIP -- INTRODUCTION -- Courtly love -- Women as poets of courtly love -- The code of courtly love and Andreas Capellanus -- Pastoral -- Women and sex -- Friendship -- The romance and romance -- 1 AN EARLY WOMANS SONG -- 2 SEXUAL PASSION RECALLED -- 3 TWO LATER LOVE-LYRICS -- Unter den Linden -- 4 THE TROBAIRITZ -- Estat ai en greu cossirier -- Mout avetz faich long estatge -- Vos que.m semblatz dels corals amadors -- 5 ABOUT LOVE -- (a) What love is -- (b) Where love gets its name -- (c) What the effect of love is -- 6 THE WRITING OF LOVE LETTERS -- (a) The commendation of women -- (b) An awkward situation -- 7 LOVE BETWEEN WOMEN -- 8 THE ARCHPRIEST OF HITA -- (a) The Archpriest and the Mooress -- (b) The Archpriest and the mountain girl -- 9 IL DOLCE STIL NUOVO -- (a) Petrarch: Rime -- (b) Dante: from La Vita Nuova -- 10 AN ALBA (DAWN-SONG) -- Parting at dawn (Y wawr) -- 11 A WOMAN POET CELEBRATES THE FEMALE GENITALS -- The female genitals (Cywydd y cedor) -- 12 THE DANGERS OF COURTLY LOVE -- 13 A THWARTED AFFAIR -- 14 A VALENTINE LETTER -- 15 A SPANISH WOMAN POET -- Song by Florenca Pinar -- 3 MOTHERHOOD AND WORK -- INTRODUCTION.

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WOMEN AND WRITING IN MEDIEVAL EUROPE

Carolyne Larrington has gathered together a uniquely comprehensive collection of writing by, for and about medieval women, spanning one thousand years and Europe from Iceland to Byzantium. The extracts are arranged thematically, dealing with the central areas of medieval womens lives and their relation to social and cultural institutions. Each section is contextualized with a brief historical introduction, and the materials span literary, historical, theological and other narrative and imaginative writing. The writings here uncover and confound the stereotype of the medieval woman as lady or virgin by demonstrating the different roles and meanings that the sign of woman occupied in the imaginative space of the medieval period.

Larringtons clear and accessible editorial material and the modern English translations of all the extracts mean this work is ideally suited for students. Women and Writing in Medieval Europe: A Sourcebook also contains an extensive and fully up-to-date bibliography, making it not only essential reading for undergraduates and postgraduates but also a valuable research tool for scholars.

Carolyne Larrington is Lecturer in Medieval English at Lady Margaret Hall, Oxford. Her main research interests are in Old Icelandic literature and mythology, and in womens history and writing. Previous publications include The Feminist Companion to Mythology and A Store of Common Sense.

WOMEN AND WRITING IN MEDIEVAL EUROPE
A sourcebook
Carolyne Larrington

First published 1995 by Routledge 11 New Fetter Lane London EC4P 4EE This - photo 1

First published 1995
by Routledge
11 New Fetter Lane, London EC4P 4EE

This edition published in the Taylor & Francis e-Library, 2005.

To purchase your own copy of this or any of Taylor & Francis or Routledges collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.

Simultaneously published in the USA and Canada
by Routledge
29 West 35th Street, New York, NY 10001

1995 Carolyne Larrington

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloguing in Publication Data
Larrington, Carolyne
Women and Writing in Medieval Europe: A sourcebook/Carolyne Larrington.
p. cm.
Includes bibliographical references (p.) and index.
1. Literature, MedievalHistory and criticism. 2. Women in literature. I. Title.
PN682.W6L37 1995
809.892870902dc20 9430485

ISBN 0-203-35824-4 Master e-book ISBN


ISBN 0-203-26657-9 (Adobe eReader Format)
ISBN 0-415-10684-2 (hbk)
ISBN 0-415-10685-0 (pbk)

For Vicky Licorish and for Louise Elkins

ILLUSTRATIONS

Cover: Dido writing to Aeneas

A bride, accompanied by her male kin, maidens, musicians, and a 11 married woman at the rear approach the church door, where the priest, the bridegroom, his kin (one of whom is listening out for the musicians) wait

A detail from the Malterer Tapestry c. 131020, illustrating the story of 18 Iwein (Yvain)

Ivory writing tablets in diptych form, depicting a pair of lovers hawking 43 and exchanging roses for a wreath

Shield of Parade: a knight kneeling in homage to his lady

Devils lurk near gossiping women, waiting to carry off their idle words 52 to weigh against them on Judgement Day

A pregnant woman undergoing treatment with coriander

Woman selling fish from a basket

A Franciscan nun has her hair shorn

The enclosure of an anchoress by the bishop

The seal of the Queens College, Oxford, depicting the founder Queen 163 Philippa, wife of Edward III

Aldhelm presents his work Carmen de Virginitate to Abbess Hildelith 189 of Barking, for whose nuns the poem was written

St Anne teaches the Virgin to read 192

Guta, a nun, on the Virgins left and Sintram the priest and canon, on the 219 Virgins right, collaborators on the Codex SintramGuta c. 1154

Thamar, an illustrious classical figure, paints the Virgin Mary while her 220 male assistant grinds the colours

ACKNOWLEDGEMENTS

Thanks are owed to very many people who have contributed ideas, suggested texts, discussed the difficulties of reading medieval literary texts and their relation to history. John Blair, Katy Cubitt, Julia Smith and Frdrique Lachaud have all shown the historians tolerance for the bizarre questions asked by someone trained in a different discipline. John and Sarah Blair, Suzanne Bobzien and Frdrique Lachaud have also been of great assistance in the pursuit of illustrations, while Ivona Ilic and Oliver Gutman have kindly provided translations.

A great debt of gratitude is owed to St Johns College, Oxford which has supported me throughout this project and granted me valuable writing time in the form of a sabbatical term in Michaelmas 1993. Thanks are due to all at the Gender and Medieval Studies Conference in Leeds in January 1994, in particular Mark Chinca, Simon Gaunt, Jane Taylor, Ivona Ilic, Ruth Evans, Rosalynn Voaden and Lesley Johnson.

Talia Rodgers at Routledge, and Tricia Dever, her indefatigable assistant, have made the process of publication extraordinarily painless. Sarah-Jane Woolley was a wonderfully efficient Desk Editor. Maureen Pemberton at the Department of Western Manuscripts, Bodleian Library gave generously of her time and enthusiasm in finding illustrations. San Williams indexed with her usual enthusiasm.

The students of the Advanced Studies in England Program in Bathespecially Hue Le, Annette Thompson and Sarah Thumm, the first guineapigs on whom this book was testedhave been enthusiastic and inventive in their responses, and I thank all of them for the suggestions, reactions and ideas which they have contributed during the Women in Pre-Renaissance Europe courses. Thanks are due also to Don Nunes and Barbara White of ASE for their encouragement in the development of the course.

And thanks to John Davis, as usual, for everything.


PERMISSIONS

The author and publishers gratefully acknowledge permission from the following to quote from copyright material: Elspeth Benton and the Medieval Academy of America for material from J.F.Benton, Self and Society in Medieval France: The Memoirs of Abbot Guibert of Nogent, Medieval Academy Reprints for Teaching, published by the University of Toronto Press in association with the Medieval Academy of America, 1984; Boydell and Brewer Ltd for Aldhelm, The Prose Works, transl. M.Lapidge and M.Herren, Cambridge, D.S.Brewer, 1989, Saxo Grammaticus, A History of the Danish People, transl. P.Fisher and H.Ellis-Davidson, Woodbridge, Suffolk, Boydell Press, 1980 and J.Jesch, Women in the Viking Age, Woodbridge, Suffolk, Boydell Press, 1991; Professor Peter Dronke for Medieval Latin and the Rise of European Love Lyric, Oxford University Press, 2nd edn 1968; Professor Peter Dronke and Cambridge University Press for extracts from Women Writers of the Middle Ages, 1984; The Council of the Early English Text Society for material from The Book of the Tour Landry, EETS SS 2, and The Book of Margery Kempe, EETS OS 212; Everymans Library Ltd for William Langland, The Vision of Piers Plowman: A Complete Edition of the B-Text,

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