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Fraser-Cavassoni Natasha - After Andy: adventures in Warhol land

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Fraser-Cavassoni Natasha After Andy: adventures in Warhol land
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After Andy: adventures in Warhol land: summary, description and annotation

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A memoir of the influence that Andy Warhol exerted throughout his life and beyond. Fraser-Cavassoni met the artist when she was sixteen, and then on and off over the years before landing in New York City at the Andy Warhol Studio, or as she calls it, Adventures in Warhol Land. In this witty, page-turning account, she takes readers deep into the Pop artists world--as well as miles into the stratosphere of the socialites, fashion icons, film stars, rock legends, and art world powerhouses who could be found in his orbit--where she worked with Fred Hughes, Brigid Berlin, Vincent Fremont, and others who were once part of the Factory clan. As the last person hired to work at the studio before Warhol died in 1987, Fraser-Cavassoni saw firsthand the end of an era and the establishment of a global phenomenon. From the behind-the-scenes disagreements and the assessment of his estate, which included Interview magazine and his art inventory, to the record-breaking auction of his belongings and the publication of his diaries, Fraser- Cavassoni examines the immediate aftermath of Warhols death and his ever-growing impact, which ranged from New York to Los Angeles and throughout Europe. Interviews with key figures of the art world and dozens of Andy intimates make After Andy and its subject more relevant than ever today.--Jacket.;Natasha Fraser-Cavassoni recounts her experience working in Andy Warhols studio, and explores Warhols influence--during his life and forever after--on the art world, pop culture, society, and fashion, and how his iconic status gave rise to some of our most influential tastemakers today. Spanning her own childhood through her late twenties, Natasha Fraser-Cavassonis After Andy is a memoir and social exploration of the influence that artist Andy Warhol exerted throughout his lifetime and beyond.--Provided by publisher.

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ALSO BY NATASHA FRASER-CAVASSONI Sam Spiegel The Incredible Life and Times of - photo 1
ALSO BY NATASHA FRASER-CAVASSONI

Sam Spiegel: The Incredible Life and Times of Hollywoods Most Iconoclastic Producer, the Miracle Worker Who Went from Penniless Refugee to Show Biz Legend, and Made Possible The African Queen, On the Waterfront, The Bridge on the River Kwai, and Lawrence of Arabia

Tino Zervudachi: A Portfolio

Dior Glamour

Monsieur Dior: Once Upon a Time

Loulou de la Falaise

BiYan

Vogue on Yves Saint Laurent

Vogue on Calvin Klein

After Andy adventures in Warhol land - image 2

After Andy adventures in Warhol land - image 3

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

After Andy adventures in Warhol land - image 4

Copyright 2017 by Natasha Fraser-Cavassoni

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Photography credits can be found .

Blue Rider Press is a registered trademark and its colophon is a trademark of Penguin Random House LLC

Library of Congress Cataloging-in-Publication Data

Names: Fraser-Cavassoni, Natasha, author.

Title: After Andy : adventures in Warhol Land / Natasha Fraser-Cavassoni.

Description: New York : Blue Rider Press, 2017.

Identifiers: LCCN 2017012299 (print) | LCCN 2017013244 (ebook) | ISBN 9780399183553 (ebook) | ISBN 9780399183539 (hardback)

Subjects: LCSH: Warhol, Andy, 19281987Influence. | Fraser-Cavassoni, NatashaTravelNew York (State)New York. | Warhol, Andy, 19281987Friends and associates. | Artists studiosNew York (State)New York. | Pop artNew York (State)New York. | New York (N.Y.)Intellectual life20th century. | New York (N.Y.)Social life and customs20th century. | SocialitesNew York (State)New YorkBiography. | BritishNew York (State)New YorkBiography. | Young womenNew York (State)New YorkBiography. | BISAC: BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs. | BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers. | ART / History / Contemporary (1945 ).

Classification: LCC N6537.W28 (ebook) | LCC N6537.W28 F73 2017 (print) | DDC 700.92dc23

LC record available at https://lccn.loc.gov/2017012299

p. cm.

Penguin is committed to publishing works of quality and integrity. In that spirit, we are proud to offer this book to our readers; however, the story, the experiences, and the words are the authors alone.

Version_1

FOR REBECCA, FLORA, BENJIE, DAMIAN & ORLANDO

Andys Memorial

When I moved to Manhattan, Andy Warhols memorial was my first New York society event. It took place on April 1, 1987. TheNew York Times Grace Glueck described the attendees as a glittering crowd and some of the worlds most droppable names in art, fashion, society and entertainment. In many ways, it was the perfect way to start my adventures in Warhol Land.

I knew most of the services details in advance because I was working at the Warhol Studio. Four days before Andys death on February 22, Id been officially hired. After lunch, Fred Hughes, Andys business manager, had set my terms and salaryfive hundred dollars per weekand then we met up with the artist, whod just arrived from one of his shopping expeditions. It was about twelve hours before he checked into New York Hospital.

This made me the last employee to be hired under Andy. Or the last English Muffin, which was the term for well-born British women working in the place. It was a tradition that was put down to Freds love of Old Blighty and its customs. Still, the artist was not averse. Noticing that theres an acceptance and even veneration of the different among the English. When meeting Andy for the first time in 1980, I had no idea that his white hair was a wig. Having been brought up around eccentricity, I thought Andy looked pretty straight and normal in his jacket and jeans, actually.

Sabrina Guinness, who never worked for Warhol but was part of his extended circle, senses that Andy was surprised by the English girls confidence. The type who turned up in laddered tights, showed no fear, and chattered away, she says. The social ease was of the utmost importance. Andy liked beauties and talkers, says Bob Colacello, who ran Warhols Interview magazine for twelve years. To focus on the latter, I have yet to meet a British woman who doesnt have the gift of the gab. Or, taking it to extremesmy casecouldnt talk the ear off a donkey. There was also the lively sense of the ridiculous. Again to quote Colacello: You couldnt be around Andy for any length of time unless you had a sort of camp sensibility and Oscar Wilde approach to life.

My chat-up and charm-school skills made Fred think I was the perfect casting for Andys MTV program. Being self-effacing and energetic, I would be the ideal interviewer on-screen and foil to the enigmatic Pop artist. So imagine Freds irritation and fury when I pretended to be blas about Andys memorial when the guest list was hoppinggasp!with names like Richard Gere, Roy Lichtenstein, Calvin Klein, Yoko Ono, and Raquel Welch and actually sent me into a total tailspin. Fortunately, such behavior came to a grinding halt when Fred asked what I was going to wear. Oh, I really dont know, I said. A major case of Pinocchio because as soon as I heard about the event I knew it would be my Max Mara wool skirt suit and Manolo Blahnik suede pumps that Id worn to my fathers funeral in 1984. And I can still picture Fred turning to me, dapper as ever in his dark charcoal-gray suit, crisp white shirt, and yellow-and-orange stripy tie with gold tiepin, and saying, This doesnt happen every day, Natasha. Andys memorial was huge for Fred, and he expected enthusiasm. The artists death must have devastated Fred, just as it had everyone else. Vincent Fremont, vice president of Andy Warhol Enterprises, compared hearing the news to being punched in the stomach and thrown out the window. However, the Texan-born Fred was too stoic to voice such feelings. He behaved like Jackie Kennedy did when her husband was assassinated, recalls Peter Frankfurt, who knew Andy from childhood. He was determined to keep it all together.

Keeping it together meant focusing on appearance. Fred also reveled in women making an effort and was slightly miffed if they didnt. One of his favorite quotes about dressing up came from Loulou de la Falaise, designer Yves Saint Laurents fabled muse, who once admitted, Whenever I hear that someone has died, I always think, What am I going to wear to the funeral?

Initially, there was a plan that Zara Metcalfe, my flatmate, and all the other Manhattan-based smart Brits, like Vanity Fairs Sarah Giles, Tatlers Isabella Delves Broughton, and Miranda Guinness, who worked for Mick Jagger, would go in together. That idea didnt pan out. It was just as well, because I was much more interested in standing outside and people-watching. Even then, I sensed that we would be witnessing history. Andys memorial service was the Big Apples equivalent of a royal event like the Queens Jubilee or Charles and Dianas wedding. There was also the fact that, like Andy, I loved celebrities. Bob Colacello reckons that being the kid from the wrong side of the tracks from Pittsburgh made Andy impressed with famous people. Not quite my case. I wasnt so much a groupie craving a mosh pit as I was someone who wanted to stand and stare from a distance. Andys first autograph was Shirley Temples. Mine was George SavalassKojaks younger brother. Never has a B TV star been more thrilled to be spotted on the Fulham Road. The situation had then dramatically improved when my mother, the bestselling historian Antonia Fraser, went off with the playwright Harold Pinter. And suddenly I had Edward Fox, Steve McQueen, and Jack Nicholson in my collection of autographs.

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