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Michael Mitchell - Final fire: a photographers tales from a very small island: a memoir

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Michael Mitchell Final fire: a photographers tales from a very small island: a memoir
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See the world through a photographers eyes

Final Fire is a companion piece to Mitchells much-praised 2004 memoir, The Molly Fire, a finalist for both the Writers Trust Drainie-Taylor Biography Prize and the Governor Generals Award for Non-fiction, and a Globe and Mail Best Book of the Year.

Nearly a half century ago, Mitchell abandoned a safe and secure academic career to become a cowboy with a camera and a keyboard. While he has always kept one foot planted firmly in the arts, as a working photographer his search for adventure took him through the Americas, into the High Arctic, across Europe, on to the Middle East, India, and the Far East. He photographed famous athletes, musicians, actors, politicians, revolutionaries, and more than a few criminals. The sum of these scary, strange, heartrending, and funny episodes is one mans prescription for how to live in a bizarre and, best of all, never boring world.

It is also a book about loss....

Michael Mitchell: author's other books


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Final Fire A Memoir Michael Mitchell Contents For Sheila Jake and Ben - photo 1
Final Fire
A Memoir

Michael Mitchell

Contents For Sheila Jake and Ben Memories are not carved in stone but - photo 2
Contents

For Sheila, Jake and Ben

Memories are not carved in stone but scratched in sand.

There are three sides to every story, yours, mine and the truth. No one is lying. Memories shared serve each differently.

Robert Evans

We cant resist this rifling around in the past, sifting untrustworthy evidence, linking stray names and questionable dates and anecdotes together, hanging on to threads, insisting on being joined to dead people and therefore to life.

Alice Munro

Though nothing truly escapes us, memory and mind from the moment of our birth are notoriously, almost hopelessly, selective, elliptical, and inventive. And memory and mind, for expression, perhaps for their very existence, depend upon language than which, of course, there is no more evasive and deceptive a medium.

Russell Banks

Copying the truth may be a good thing, but inventing the truth is better, much better.

Giuseppe Verdi

We are the guests of life.

Martin Heidegger

The blues, the blues aint nothing but a cold gray day, and all night long it stays that way... the blues is a one-way ticket from your love to nowhere; the blues aint nothin but a black crepe veil ready to wear.

Duke Ellington

The big question is: how to live? We all take our own paths. This book is about mine. Several times in my life I arrived at a doorstep leading to a secure and predictable future. Each time I hesitated on the threshold but didnt enter. I chose, instead, to be a cowboy with a camera and a keyboard. It has been a rough road for decades but I survived and, best of all, I was never bored.

This is also a book about the corollary: how to die. Most of my friends have made wise and patient exits but a few have destroyed the quality of their last months or years by being irritable, angry and fearful. They left a mess.

While this is a book about being a photographer, a worker in a medium with an important role in memory, it is also a book about losses lost times, lost landscapes, lost animals and, above all, lost people.

I would have liked to have written a book that runs like a Swiss watch but life and death are really messy and much of that mess has spilled onto these pages. I wrestled with them for several years and cant really claim victory. However the great thing about attempting to write a book like this is that it gives you a chance to try to be bigger than you are.

There is no answer.

There never has been an answer.

There never will be an answer.

Thats the answer.

Gertrude Stein

The place in which Ill fit will not exist until I make it.

James Baldwin

It was exciting, confusing and scary. It was all the good things in life.

Melissa Franklin

1984

Canadian photographer, were coming in the dark to cut off your head.

A slash of static from Contra Radio, some broken martial music and then the return: Canadian photographer. were coming in the dark... Cut to martial music and repeat. The three Sandinistas sleeping beside me on a rooftop, a mere mile from the Honduran border, are fast up and wide-eyed. They roll for the roof edge with our radio and vanish over the eave while waving me back. Gone. My Jeep drivers face reappears and he skids a hex-barreled pistol toward me. Sleep well corazoncito little heart He smirks before vanishing again. Im alone for another long, dark Nicaraguan night. The gun he leaves is pitted with rust.

5 am A teenaged Sandinista fighter prepares for the days combat on the - photo 3

5 a.m. A teenaged Sandinista fighter prepares for the days combat on the Honduras border

***

A quarter century has passed. I stand by a small northern Ontario river that descends to Georgian Bay not far from the French. Its in full melt-water flood, glassily snaking over a pair of abandoned bridge piers on its race to the Sweet Sea. A big hemlock torpedoes out of one fork and vanishes around a curve. A white pine soon follows. The spring rivers big shoulders cant be contained it bullies whole trees out of the banks. I skid my aluminum skiff into the current, secure it to a tree and begin to load.

In Nicaragua, far to the south, Daniel Ortega, once a sleek revolutionary in designer sunglasses, is now a balding, middle-aged social democrat, reconfirmed Catholic, accused estate embezzler and pervert. Hes now struggling to hold onto power. We met several times but circled like strays. Now were both tired and dogged by time but still alive.

I ease the boat into the current and drop it into gear. Eddies work the hull making it torque and twist while gathering speed on the run down to the Bay. Weve all made it through another winter. An illusion of hope and promise lies ahead.

A mixed forest of leafy scrub and small conifers slowly unrolls and shifts along the banks as I descend. Three miles down the first great pines thrust above the bush a small Temagami. In time I will watch them burn.

Liar, liar, pants on fire!

Your nose is longer than a telephone wire.

Childrens chant

It aint braggin if you really done it.

Dizzy Dean

1955

Our little gang slouches home from school, circling around the girls, torturing and teasing, laughing. At the top of the hill descending beside the towns buckle factory, Ronny peels off from the group to enter his house, a shabby old red-brick tragedy on the corner. He runs in the open front door and climbs the stairs to his parents second-floor apartment. His dad slumps in a press-back wooden chair at the kitchen table with a gun barrel in his mouth. We are in grade five.

School 1958

I pull a wide plank of clear white pine from stock at the end of my high schools wood shop. While the girls across the hall bake cupcakes in home ec. the boys are each charged with building a fireside bench. Wood shop followed a drafting class that was easy. There, in collective secret, wed combined our shabby skills to produce a single technical drawing of the Arts and Crafts bench we were each now building. One by one wed go to the head of the class to present the same drawing and get our grade. Brecky, our short fat shop teacher chain-smoked, so his teeth were baby-shit yellow and his breath stank. He made each of us sit on his knee. Now Mikey, what nice little picture do we have from you today? Both of us were looking at the name box on the sheet of drafting paper. It was not only now smudged gray like a November day I was already the tenth person to erase a classmates name and block-letter in my own but it was getting flocked, like fancy wallpaper, from so many erasures.

As Brecky bounces me on his knee I glance back into the shop classroom. The left wall is a row of full-height industrial lockers. While I undergo this ritual humiliation my classmates have retreated into those narrow cabinets. By folding the doors back against each other they had created a series of little triangular hideouts. Their feet poked out the bottoms while columns of smoke rose from the tops we were all hooked on Exports or Players Plain. We and Brecky were caught in an ageless game. We cheat. He knows we cheat. We know that he knows that we cheat. He knows that we know that he knows. Its our collective dance of pretend the real-life lesson of the classroom. We will all eventually be future small emperors in our gotchies bravely, or not so, faking our way through grown-up lifes many performances.

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