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Morrison Harriet R. - The Coppolas: a family business

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Morrison Harriet R. The Coppolas: a family business

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Acknowledgments

We would like to thank many individuals who helped us bring this project to fruition in various ways.

To Alex Morrison, San Franciscan, sommelier, and wine specialist, much appreciation for your insights into Francis Ford Coppola's industry outside of film. Our respect and gratitude to Dr. Wendy Doniger, Mircea Eliade Distinguished Service Professor of Religions in the Divinity School of the University of Chicago, for her knowledge about Youth without Youth and other Francis Coppola projects.

We especially thank Daniel Harmon, the first editor of this project, for his warmth, compassion, and professionalism. To Jane Messah, we are grateful for her patience and perseverance in working with us to shepherd this book to completion.

To Susan Stodolsky for her assistance; to Harry Northup and Holly Prado, and to Randy Weinstein, we are indebted to you for your friendship. As always, our affection to Rebecca Roes for her unconditional support. Vincent LoBrutto acknowledges: at the School of Visual Arts (SVA), thanks to Reeves Lehmann, chair of the Department of Film, Video and Animation for his constant support; and to Sal Petrosino, director of operations, for his friendship and encouragement. And to all SVA studentspast and presentthanks for their motivation. To Edgar Burcksen, former editor-in-chief of American CinemaEditor, to Jenni McCormick, American Cinema Editors production manager; and to President Randy Roberts and Vice President Alan Heim of the ACE Board, my gratitude for keeping me in the fold.

To all interview subjects: Richard Marks, Walter Murch, Gordon Willis, the late William Reynolds, and the late Rudi Fehrmuch gratitude for your expertise and contribution to the world of film.

We would like to acknowledge the following authors whose works on Francis Ford Coppola preceded this book: Gene D. Phillips, Rodney Hill, Peter Cowie, Michael Goodwin and Naomi Wise, Michael Schumacher, and Jon Lewis. Their books are listed in the Bibliography, and where citations have been used they are in the notes.

Finally, with warm appreciation we acknowledge the passion and enthusiasm of film director, screenwriter, and producer Francis Ford Coppola. We were privileged to be part of the audience at a sold-out viewing of Apocalypse Now at New York City's Ziegfeld Theater before its official opening. We watched in amazement the Francis Ford Coppola Presents Hans-Jrgen Syberberg's Our Hitler event at Hunter College auditorium in New York City and witnessed Abel Gance's Napoleon with live orchestra conducted by Carmine Coppola at Radio City Music Hall. These experiences and so many more cinematic gifts have enriched our lives.

We are grateful to have had the opportunity to delve into the artistry of the Coppola dynasty and to apply the belief of President John F. Kennedy to them: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.

About the Authors

VINCENT LOBRUTTO is a film instructor in the Department of Film, Video and Animation at the School of Visual Arts in Manhattan. He is the author of numerous books on filmmaking and received the 2011 Robert Wise Award for journalistic excellence from the American Cinema Editors Society. LoBrutto has written biographies of filmmakers Stanley Kubrick, Martin Scorsese, and Gus Van Sant.

HARRIET R. MORRISON is a graduate of the Masters of Fine Arts program at Sarah Lawrence College in Bronxville, New York. She has written film criticism and profiles about outstanding women in the workplace for women's publications. Morrison is a management consultant dealing with issues of work equity for women.

Bibliography

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Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock n Roll Generation Saved Hollywood. New York: Simon & Schuster, 1998.

Boorman, John, and Walter Donohue, eds. Projections 6: Filmmakers on Film-making. London: Faber and Faber, 1996

Boorman, John, and Walter Donohue, eds. Projections 7: Filmmakers on Film-making. London: Faber and Faber, 1997.

Bosworth, Patricia. Marlon Brando. New York: Lipper/Viking, 2001.

Brando, Marlon, with Robert Lindsey. Brando: Songs My Mother Taught Me. New York: Random House, 1994.

Brownlow, Kevin. The Parade's Gone ByNew York: Knopf, 1968.

Callan, Michael Feeney. Anthony Hopkins: The Unauthorized Biography. New York: Charles Scribner's Sons, 1993.

Chaillet, Jean-Paul, and Elizabeth Vincent. Francis Ford Coppola. New York: St. Martin's Press, 1984.

Clarens, Carlos. Crime Movies. New York: Da Capo Press, 1997.

Cook, David A. History of the American Cinema, Volume 9 19701979: Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam. Berkeley: University of California Press, 2000.

Coppola, Eleanor. Notes. New York: Simon and Schuster, 1979.

Cowie, Peter. The Apocalypse Now Book. New York: Da Capo Press, 2000, 2001.

Cowie, Peter. Coppola. New York: Da Capo Press, 1994.

Dearborn, Mary V. Mailer. Boston: Houghton Mifflin Company, 1999.

Delorme, Stphane. Cahiers du Cinema: Masters of Cinema: Francis Ford Coppola. Paris: Cahiers du cinma Sarl, 2010.

Dougan, Andy. Untouchable: A Biography of Robert De Niro, 2nd ed. New York: Thunder's Mouth Press. 1996.

Ebert, Roger. The Great Movies. New York: Broadway Books, 2002.

Faber, Stephen, and Marc Green. Hollywood Dynasties. New York: Fawcett Crest, 1984.

Gabler, Neal. An Empire of Their Own: How the Jews Invented Hollywood. New York: Crown, 1988.

Goodwin, Michael, and Naomi Wise. On the Edge: The Life and Times of Francis Coppola. New York: William Morrow and Company, Inc., 1989.

Kennedy, William, Francis Coppola, and Mario Puzo. The Cotton Club: The Complete Script in Its Original Form. New York: St. Martin's Press, 1986.

Lebo, Harlan. The Godfather Legacy. New York: Fireside, 1997.

Lewis, Jon. Whom God Wishes to Destroy: Francis Coppola and the New Hollywood. Durham, NC, and London: Duke University Press, 1995.

LoBrutto, Vincent. Becoming Film Literate: The Art and Craft of Motion Pictures. Westport, CT: Praeger, 2005.

LoBrutto, Vincent. Principal Photography: Interviews with Feature Film Cinematographers. Westport, CT: Praeger, 1992.

LoBrutto, Vincent. Selected Takes: Film Editors on Editing. New York: Praeger, 1991.

LoBrutto, Vincent. Sound-on-Film: Interviews with Creators of Film Sound. Westport, CT: Praeger, 1994.

Manso, Peter. Brando: The Biography. New York: Hyperion, 1994.

McKay, Keith. Robert De Niro: The Hero behind the Masks. New York: St. Martin's Press, 1986.

Monaco, James. American Film Now: The People, The Power, The Money, The Movies. New York: Oxford University Press, 1979.

Mordden, Ethan. The Hollywood Studios: House Style in the Golden Age of the Movies. New York: Simon & Schuster, 1989.

Ondaatje, Michael. The Conversations: Walter Murch and the Art of Editing Film. New York: Knopf, 2002.

Phillips, Gene D. Godfather: The Intimate Francis Ford Coppola. Lexington: The University Press of Kentucky, 2004.

Phillips, Gene D., and Rodney Hill, eds. Francis Ford Coppola Interviews

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