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Paretsky - Writing in an Age of Silence

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Writing in an Age of Silence: summary, description and annotation

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A revealing look at the power of speaking out, Writing in an Age of SilenceWriting in an Age of Silence chronicles the social changes that have shaped contemporary America, and mirrors a desire for freedom, both personal and political, that many Americans will relate to today.

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WRITING IN AN AGE OF SILENCE This eBook is licensed to John Loughlin - photo 1
WRITING IN AN AGE OF SILENCE This eBook is licensed to John Loughlin - photo 2

WRITING IN AN
AGE OF SILENCE

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

WRITING IN AN
AGE OF SILENCE

SARA PARETSKY

Picture 3

VERSO
London New York

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

First published by Verso 2007

Sara Paretsky 2007

This paperback edition published by Verso 2009

All rights reserved

The moral rights of the author have been asserted

1 3 5 7 9 10 8 6 4 2

Verso

UK: 6 Meard Street, London W1F 0EG

US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201

www.versobooks.com

Verso is the imprint of New Left Books

ISBN: 978-1-84467-469-5

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

A catalog record for this book is available from the Library of Congress

Typeset in Bodoni by Hewer Text UK Ltd, Edinburgh

Printed and bound by Maple Vail in the US

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

For Tom Phillips

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

Though much is taken, much abides; and though We are not now that Strength which in old days Moved Heaven and Earth, that which we are, we are One equal temper of heroic hearts Made weak by time and fate, but strong in will Born to strive, to seek, to find, and not to yield

Tennyson, Ulysses

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

Contents

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

Introduction

One of my favorite books is Caught in the Web of Words, Elizabeth Murrays loving memoir of her grandfather, James A. H. Murray, who created the Oxford English Dictionary. Id like to steal her title for a memoir of my own life. Among my earliest memories, besides proudly displaying a bleeding toe when I was threeproof in my mind that I belonged with the big childrenor enraging my mother by washing off my first beloved pair of red shoes under the garden hoseare books, words, the smell of new books, which to me still heralds the excitement of the first day of school.

My older brother Jeremy taught me to read when he started school. I was about four, but I dont remember learning. I dont remember a time when I couldnt read. Jeremy was my first and always my best teacher, patient beyond belief (until the time came when I couldnt understand his explanation of fractions). He taught me to write, as well. When I was five and he was eight, we wrote plays that we put on for the other kids on our street.

I kept writing, all through my childhood and adolescence, stories, the occasional poem. Somehow I never wrote any other plays.

Jeremy and I read aloud to each other when we were teenagers. One summer we covered all of Shaws plays; another time, we sang all of Gilbert & Sullivan to each other.

When Jeremy and I were responsible for washing all the dishes for our family of seven, we played word games or sang duets while we cleaned up. Hes smarter than me and has always had a bigger vocabulary, so I started making up words to even the gap; he could never be certain whether to challenge me or notif the word was in Websters, I won, if not, he did. Creating uncertainty was my only weapon, and perhaps that sharpened my powers of invention.

My brother is a gifted linguist (he speaks eleven languages and reads fifteen); one year he added French lessons to the dishwashing hour. I used to look forward to washing up. After he left for college, the chore became just that, a dull chore. I hate it to this day.

While my older brother and I read together, my next brother, Dan, and I acted out dramas. Sometimes we emulated our three military uncles by acting out the Korean or Second World Wars; at other times we were Scotland Yard Detectives. My two youngest brothers, Jonathan and Nicholas, were so very much younger than I that we didnt often play together, but our time together was very important; I was to all intents their surrogate mother when our mothers life became too difficult for her to deal with and she withdrew into a private hell (when they started school, they didnt know I was their sisterthey thought they had two mothers).

Before that time, our mother was an inventive storyteller. She had two long-running serials that she created for my younger brothers while she ironed. As a child, she had adored the Tom Mix movies, and she spun those into new versions, starring my brothers. I sometimes eavesdropped, spellbound by her tales.

Perhaps it doesnt seem surprising that I became a writer, but it was, in fact, a difficult journey. This memoir traces the long path I followed from silence to speech, and the ways in which my speech has been shaped by what Ive witnessed along the way. The book deals with the dominant question of my own life, the effort to find a voice, the effort to help others on the margins find a voice, the effort to understand and come to terms with questions of power and powerlessness. My husband says I am a pit dog, that I will go into the ring against anyone, as long as they are at least five times my size. I will turn sixty soon, but I still havent figured out when its time to walk away from a Goliath.

I have four brothers in all, three younger than I. We had a childhood together that was rich in many aspects, but was also marred by the serious violence in our household. Like many violent families, we imploded on ourselves; it was hard for most of us to reach out and become connected to the larger world. My brothers are all interesting people, gifted in many ways, but it would be wrong of me to tell their stories for them, so as much as possible I have tried not to present anecdotes in which they were the key players.

I was born in Ames, Iowa, where my father was completing his PhD in bacteriology. He was a New Yorker, a City College man, but for a time in the thirties and forties, Iowa State College became home to some of the most gifted biochemists of the twentieth century as Jewish refugees from Hitlers Europe found a home there. My fathers City College professors sent him to Iowa to study with these brilliant scientists. My mother had also gone to Iowa for graduate study; she and my father met there as students.

My father was drafted shortly after they married. He spent the Second World War in the Pacific theater; she worked for a short time in New York, living with his family, then spent the rest of the war years with her mother and her new baby, my brother Jeremy, in downstate Illinois. In 1951, my father took a position in the Bacteriology Department at the University of Kansas. My mother did not finish her advanced degree in science, nor did she work outside the home until much later in her life, when she became the childrens librarian in Lawrence, Kansas.

Harriet Martineau wrote of a southern politician that he was born old. This is how I often feel on looking back on my childhood.

When my parents decreed that I had to attend the University of Kansas if I was going to go to university at all, I made a private vow that I would spend my summers away from home. The first year, I earned a scholarship to Vienna to study German; the second summer, in 1966, I went to Chicago to do community service work on the citys South Side.

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