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Klimt - Delphi Complete Paintings of Gustav Klimt

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Klimt Delphi Complete Paintings of Gustav Klimt
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    Delphi Complete Paintings of Gustav Klimt
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Delphi Complete Paintings of Gustav Klimt: summary, description and annotation

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The Austrian symbolist painter Gustav Klimt was a founding member of the Vienna Secession, whose celebrated paintings and murals are widely regarded as modern masterpieces of twentieth century art. The Masters of Art Series presents the worlds first digital e-Art books, allowing digital readers to explore the works of the worlds greatest artists in comprehensive detail. This volume presents Klimts complete paintings in beautiful detail, with concise introductions and hundreds of high quality images. (Version 1)

  • The complete paintings of Gustav Klimt over 250 images, fully indexed and arranged in chronological and alphabetical order
    • Includes reproductions of rare lost works
    • Features a special Highlights section, with concise introductions to the masterpieces, giving valuable contextual information
    • Enlarged Detail images, allowing you to explore Klimts celebrated works in detail, as featured in traditional art books
    • Hundreds of...
  • Klimt: author's other books


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    Gustav Klimt 1862-1918 Contents Delphi Classics 2014 - photo 1Gustav Klimt 1862-1918 Contents Delphi Classics 2014 Version 1 - photo 2 Gustav Klimt (1862-1918) Contents Delphi Classics 2014 Version 1 Masters of Art Series - photo 3 Contents Delphi Classics 2014 Version 1 Masters of Art Series Gustav Klimt - photo 4 Delphi Classics 2014 Version 1 Masters of Art Series Gustav Klimt By Delphi Classics 2014 The - photo 5 Masters of Art Series Gustav Klimt By Delphi Classics 2014 The Highlights Gustav Klimts birthplace in - photo 6 By Delphi Classics, 2014

    The Highlights
    Gustav Klimts birthplace in Baumgarten near Vienna in Austria-Hungary Klimt - photo 7 Gustav Klimts birthplace in Baumgarten, near Vienna, in Austria-Hungary. Klimt was the second of seven children. His mother, Anna Klimt (ne Finster), had an unrealised ambition to be a musical performer and his father, Ernst Klimt the Elder, was a gold engraver. Vienna 1862 Klimt c 1905 THE HIGHLIGHTS In this section a - photo 8 Vienna, 1862 Klimt c 1905 THE HIGHLIGHTS In this section a sample of some of - photo 9 Klimt, c. 1905 THE HIGHLIGHTS In this section a sample of some of Klimts most celebrated works are provided - photo 10 In this section, a sample of some of Klimts most celebrated works are provided, with concise introductions, special detail reproductions and additional biographical images.
    THE THEATRE IN TAORMINA
    Painted between 1886 and 1888 for the Burgtheater Vienna the Austrian - photo 11 Painted between 1886 and 1888 for the Burgtheater, Vienna, the Austrian National Theatre and one of the most important German language theatres in the world, this image demonstrates how Klimt, working together with his brother Ernst and their friend Franz Matsch, had successfully established a reputation for producing large scale decorative works for theatres in cities across Austria.

    In 1886 Klimt had won the prestigious commission to decorate the ceilings in the two monumental staircases that led to the boxes in the newly constructed Burgtheater on Viennas Ringstrasse, as part of an ambitious scheme of urban renewal in the late nineteenth century. Klimts contributions to the project chart the history of theatre from ancient times to the modern era. The Theatre in Taormina reveals Klimts inspiration from the works of Hans Makart, the master of Vienna historicists, who had died two years before. Klimt was a great admirer of Makarts baroque style of lavish design, as demonstrated in this sumptuous, though decadent scene of the ancient theatre at Taormina, on the east coast of Sicily. However, unlike Makarts more traditional methods, Klimt adopted a more Parisian palette, delineating the subjects with bright colours, whilst depicting the classical buildings with a meticulous clarity that is reminiscent of the works of the Dutch artist Sir Lawrence Alma-Tadema. Detail Detail Detail - photo 12Detail Detail Detail The ancient theatre at Taormina is - photo 13 Detail Detail Detail The ancient theatre at Taormina is one of the most - photo 14 Detail Detail The ancient theatre at Taormina is one of the most celebrated ruins - photo 15 Detail The ancient theatre at Taormina is one of the most celebrated ruins in Sicily - photo 16 The ancient theatre at Taormina is one of the most celebrated ruins in Sicily, due to both its remarkable preservation and its beautiful location. Detail Detail Detail - photo 12Detail Detail Detail The ancient theatre at Taormina is - photo 13 Detail Detail Detail The ancient theatre at Taormina is one of the most - photo 14 Detail Detail The ancient theatre at Taormina is one of the most celebrated ruins - photo 15 Detail The ancient theatre at Taormina is one of the most celebrated ruins in Sicily - photo 16 The ancient theatre at Taormina is one of the most celebrated ruins in Sicily, due to both its remarkable preservation and its beautiful location.

    It is built for the most part of brick and is probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman theatres. The Burgtheater in Vienna just after its construction in 1888 THE OLD - photo 17 The Burgtheater in Vienna, just after its construction in 1888

    THE OLD BURGTHEATER IN VIENNA
    This 1888 canvas represents the old theatre in Vienna detailing the faces of - photo 18 This 1888 canvas represents the old theatre in Vienna, detailing the faces of many recognisable personalities in high Austrian society, as they attend an evening performance. Due to its photographic realism the painting was awarded a prize of 4,000 guilders by the Emperor himself, illustrating Klimts versatile talent. During the initial planning of the composition, the artist was reportedly inundated by requests from Viennas socialites, as his fellow citizens were desperate to appear in the much talked about painting. Klimt is believed to have made over a thousand preparatory drawings, whilst arranging the composition. As an exercise in publicity, the painting was a great success and Klimt quickly became a famous figure in Vienna.

    However, in spite of the realism of the individual figures, the overall effect of this picture has been criticised by some for being stilted and artificial, appearing as an elaborate collage, as the individual subjects fail to interact with each other in the canvas. Nevertheless, the meticulous skills demonstrated in the piece found favour in high circles in Vienna, winning for the young artist many more prestigious commissions. Detail Detail Detail PORTRAIT OF PIANIST JO - photo 19Detail Detail Detail PORTRAIT OF PIANIST JOSEPH PEMBAUER - photo 20 Detail Detail Detail PORTRAIT OF PIANIST JOSEPH PEMBAUER This portrait was - photo 21 Detail Detail PORTRAIT OF PIANIST JOSEPH PEMBAUER This portrait was completed in - photo 22

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