• Complain

Rioux Anne Boyd - Constance Fenimore Woolson: portrait of a lady novelist

Here you can read online Rioux Anne Boyd - Constance Fenimore Woolson: portrait of a lady novelist full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, year: 2016, publisher: W. W. Norton Company, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Rioux Anne Boyd Constance Fenimore Woolson: portrait of a lady novelist

Constance Fenimore Woolson: portrait of a lady novelist: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Constance Fenimore Woolson: portrait of a lady novelist" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Constance Fenimore Woolson (18401894), who contributed to Henry Jamess conception of his heroine Isabelle Archer inThe Portrait of a Lady, was one of the most accomplished American writers of the nineteenth century. Yet today the best-known (and most-misunderstood) facts of her life are her relationship with James and her probable suicide in Venice. This first full-length biography of Woolson provides a fuller picture that reaffirms her literary stature.
Uncovering new sources, Anne Boyd Rioux evokes Woolsons dramatic life. She was a grand-niece of James Fenimore Cooper and was born in New Hampshire, but her familys ill fortunes drove them west to Cleveland. Raised to be a conventional woman, Woolson was nonetheless thrust by her fathers death into the role of breadwinner, and yet, as a writer, she reached for critical as much as monetary reward.
Known for her powerfully realistic and empathetic portraits of post CivilWar American life, Woolson created compelling and subtle portrayals of the rural Midwest, Reconstruction-era South, and the formerly Spanish Florida, to which she traveled with her invalid mother. After her mothers death, Woolson, with help from her sister, moved to Europe where expenses were lower, living mostly in England and Italy and spending several months in Egypt. While abroad, she wrote finely crafted foreign-set stories that presage Edith Whartons work of the next generation.
In this rich biography, Rioux reveals an exceptionally gifted and committed artist who pursued and received serious recognition despite the difficulties faced by female authors of her day. Throughout, Rioux goes deep into Woolsons character, her fight against depression, her sources for writing, and her intimate friendships, including with Henry James, painting an engrossing portrait of a woman and writer who deserves to be more widely known today.

Rioux Anne Boyd: author's other books


Who wrote Constance Fenimore Woolson: portrait of a lady novelist? Find out the surname, the name of the author of the book and a list of all author's works by series.

Constance Fenimore Woolson: portrait of a lady novelist — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Constance Fenimore Woolson: portrait of a lady novelist" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Constance Fenimore Woolson PORTRAIT OF A LADY NOVELIST ANNE BOYD RIOUX W - photo 1

Constance
Fenimore
Woolson

PORTRAIT OF A LADY NOVELIST

ANNE BOYD RIOUX

Picture 2

W. W. NORTON & COMPANY / NEW YORK / LONDON

INDEPENDENT PUBLISHERS SINCE 1923

T HIS BOOK would not have been possible without the groundwork laid by the scholars of the Constance Fenimore Woolson Society, especially Sharon Deans years-long effort that resulted in The Complete Letters of Constance Fenimore Woolson. I am enormously grateful for her willingness to share the manuscript before publication and for her support throughout the research and writing of this book. The work of Joan Weimer, Cheryl Torsney, Victoria Brehm, and Lyndall Gordon was also essential to providing me a gateway into Woolsons life and work.

Funding for this project came from the Office of Research at the University of New Orleans, which provided a Creative Endeavor Opportunity Grant in summer 2011; the National Endowment for the Humanities, which granted me a fellowship for the calendar year 2012; the English Department at the University of New Orleans, which supplemented the NEH fellowship; and the Louisiana Board of Regents, which provided an ATLAS (Awards to Louisiana Artists and Scholars) Grant for a teaching reduction in spring 2013 and travel funds to conduct research in Europe.

My immense thanks to the Department of English at the University of New Orleans, particularly the chair of English, Peter Schock, for providing funding for research assistants and for supporting my work in the few ways left to an underfunded department in a university suffering repeated, draconian budget cuts. The following students provided invaluable assistance in the research and production of this book: Megan Cian, Chance Sweat, Coleen Muir, Kimberly Clouse, and Erin Henley. The amazing students in two graduate seminarsHenry James and the Women Who Influenced Him and Writing Livespushed me to think further about the Woolson-James relationship and writing the lives of women of the past.

I am grateful to Sharon Dean, John Pearson, Sharon M. Harris, and Robert D. Richardson for writing letters of recommendation for grant applications; to Cheryl Torsney, Keith OBrien, Stephanie Stanley, Kate Stewart, Catherine Michna, Molly Mitchell, Patricia Henley, and Miki Pfeffer for feedback on the book proposal and/or chapters of the manuscript; and to Beverly Rude for invaluable editorial assistance throughout. Michael Gorra, Pierre Walker, and Sharon Dean graciously read and commented on the entire manuscript. Any errors that remain are my own.

In collecting the primary research materials for this book, I have incurred many debts. The greatest one I owe to Micha Grudin, who transcribed for me the twenty-two letters Woolson wrote to Francis Boott, now in possession of the descendants of Francis Boott Duveneck. My thanks as well to Carol Osborne for putting me in touch with Micha. I am grateful to the Interlibrary Loan staff at the University of New Orleans, particularly Janet Crane; Hilary Dorsch Wong at the Kroch Library at Cornell University; Dr. Richard Virr, Head and Curator of Manuscripts at McLennan Library, Rare Books and Special Collections Division, McGill University; Darla Moore and Wenxian Zhang at the Archives of Olin Library at Rollins College, Florida; Ann Sindelar and the staff of the Western Reserve Historical Society; Greg Zacharias and Rosalind Parr at the Center for Henry James Studies; Mark Boarman at the Thompson Library at Ohio State University; Jonathan Matthews, Assistant Site Director of Old Cahawba; Marylou Bradley and RuthAnne Jackson at the Kauai Historical Society; and John McClintock, archivist at The Albany Academies.

I am also grateful to the following individuals for helping me to locate important sources. Connie Anderson, great-great-niece of Constance Fenimore Woolson, scanned pages of the Mather family scrapbook. Lyndall Gordon helped me locate letters by Woolson. Gary Woolson generously donated many books related to Woolson, after Hurricane Katrina claimed my home library, and shared his genealogical research as well as the death record of Charles Woolson Jr. Edoarda Grego shared with me her translations of Venetian newspaper accounts of Woolsons death. Sharon Harris generously aided me in searching periodical databases to which I did not have access at my institution. Rosella Mamoli Zorzi provided valuable information on the Casa Semitecolo in Venice. Pierre Walker shared proofs of The Complete Letters of Henry James, 18781880, volume 2, before their publication in 2015 by the University of Nebraska Press. Wayne Franklin and Rochelle Johnson shared letters relating to the Woolson family that they found in the course of their research on James Fenimore Cooper and Susan Fenimore Cooper, respectively. Janet Crane and Jeanne Pavy helped me to scan illustrations. Stella Gray and her granddaughter Ivy Gray-Klein photographed letters written by Clare Benedict.

I am also grateful to the many who helped make my trip to Europe to follow in Woolsons footsteps a success. In Florence, Caroline Burton Michahelles, invited me for lunch at the Villa Brichieri-Colombi and delighted me with her hospitality. I am grateful to Stephanie McCoy, who is writing a novel about Woolson, for putting me in touch with Ms. Michahelles and providing travel advice generally. In Venice, Rosella Mamoli Zorzi gave me a tour of the Grand Canal and showed me landmarks important to Woolson; she also showed me some fragments of Woolson letters at the Biblioteca Nazionale Marciana. In Rome, Amanda Thursfield, director of the Non-Catholic Cemetery, was a wonderful guide and dinner companion. In Oxford, Dr. Robert Tobin, the chaplain of Oriel College, helped me identify Woolsons home outside the gates of the college and discussed the High Church movement in the Anglican Church over tea; Dr. Peter Groves, parish priest of St. Mary Magdalen, gave me a thorough tour of Woolsons home in Beaumont Street, where he now lives; and Lyndall Gordon invited me to lunch at St. Hildas College, Oxford University, where we had a wonderful talk about all things Woolson.

Family and friends also offered their assistance with childcare over the years, giving me the gift of time in which to write. I want to particularly thank my mother, Beverly Rude, and my good friend Catherine Michna, who were more than generous.

I am immensely grateful to my agent, Barbara Braun, for having faith in this project and finding such a splendid home for it. To my editor at Norton, Amy Cherry, I owe more than I can say, from her championing of the project to her invaluable advice on the manuscript, and ultimately her belief in both me and Woolson. I cant imagine a better editor to have worked with on this project so close to my heart. Remy Cawley, editorial assistant at Norton, was a dream to work with. She answered my never-ending queries about manuscript preparation and production so promptly and patiently that she deserves some kind of award. Nancy Green did a tremendous job copyediting, saving me from many errors.

Paul, Emma, Merlin, and Fritzie, you are my true country, my real home. Thank you for providing the love and ballast in my life that I wish Woolson could have had in hers.

ALSO BY ANNE BOYD RIOUX

Writing for Immortality: Women and
the Emergence of High Literary Culture in America

Wielding the Pen: Writings on Authorship
by American Women of the Nineteenth Century

Picture 3

O N MARCH 5, 1840, a healthy, plump little girl was born to Hannah and Charles Jarvis Woolson in the riverside village of Claremont, New Hampshire. They named her Constance. Before they had time to adjust to the fact that yet another girl, their sixth, had been born to them, the older ones fell ill. Ominous red rashes spread across their faces, indicating scarlet fever. Connie, as they called her, was protected by her mothers milk, and Georgiana and Emma, the oldest, recovered. But five-year-old Ann, four-year-old Gertrude, and two-year-old Julia did not. They died before Constance was a month old.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Constance Fenimore Woolson: portrait of a lady novelist»

Look at similar books to Constance Fenimore Woolson: portrait of a lady novelist. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Constance Fenimore Woolson: portrait of a lady novelist»

Discussion, reviews of the book Constance Fenimore Woolson: portrait of a lady novelist and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.