Route of All Evil tour, Hollywood Bowl, Hollywood, California, November 7, 2006. ALL KEVIN ESTRADA/KEVINESTRADA.COM
Chapter 1
Movin Out
August 12, 2010. Jones Beach Theater, Long Island, New York. Another year, another tour, another full house. Nine p.m., the shed goes dark to match the sky above. Cue drum count-off; cue Joe Perry Toys in the Attic intro lick; cue curtain drop. In a flash, night becomes day, and its Lights!/Voices scream/nothins seen/reals the dream
Onstage, the cast remains the same: Joey Kramer and Tom Hamilton clustered in back; Brad Whitford, shades on and ball cap pulled low, riffing stage right; Joe Perry, head down, leg cocked, black hair in face, planted stage left. Perched on a catwalk dead center, like ripe fruit dangling off the end of a branch, all mouth, hair, and multicolored scarves, Steven Tylerthe last (or is it the eternal?) child.
They hated us at the clubs. Because we did our own songs and the owners would go, Ooh, but the kids cant dance to it, they dont know those things. The problem was they would just stand there in awe!
Steven Tyler, quoted by Sylvie Simmons in Sounds, July 1979
Leavin the things that are real behind
Toys wraps with Tyler and Perry, forever the dual eye of this enduring hurricane, at close range around one microphone, voices and, practically, bodies entwined. Then its on to and through a set list that doubles as a primer on several decades worth of classic American rock n roll. Cue smoke; cue Perry guitar smash, cue crowd cheersGood night!
Aerosmiths first publicity photo, 1972. GEMS/REDFERNS/GETTY IMAGES
Some forty years into their career, and firmly ensconced as rock elder statesmen, Aerosmith remain as thrilling and combustible as everonstage and off. Just months prior to embarking on this recent round of live dates, the five men otherwise known as the Bad Boys of Bostonand, hyperbole be damned, Americas Greatest Rock n Roll Bandstood on the precipice, hardly for the first time in their long history, of ripping apart at the seams. Before 2010 came to a close they threatened the very same once more.
But Aerosmith has weathered this particular storm, and dozens others, time and again. Credit to anyone, in fact, who can identify another band that ascended to such dizzying heights and then plummeted to equally profound depths, only to rise anew, transcending time, trend, and age for a second (is it now a third? fourth?) act filled with still vaster, if not wholly unimagined, raves and rewards. Americas Greatest Rock n Roll Band? Quite likely (know one thats done it better, and for longer?). The Bad Boys of Boston? Absolutely, though Aerosmiths story begins in earnest in the sleepy resort region of Lake Sunapee, New Hampshire, and, years earlier, New York City.
Harlem, to be exact
Steven Tyler, 1973. RON POWNALL/ROCKROLLPHOTO.COM
Steven Victor Tallarico was born March 26, 1948, with music in his blood. Giovanni, his paternal grandfather and an accomplished cellist, emigrated from southern Italy to the United States in the late 1800s. He and his three brothers formed a classical quartet that worked in ballrooms and hotels across the country. Father Victor was a Julliard-trained pianist who also played professionally, later finding employ as a music teacher in the New York City public school system. He and wife Susan were residing in Harlem, not far from the Apollo Theater, when Steven arrived. The family, including older sister Lynda, eventually settled in Yonkers, just north of New York City. Speaking to Musician magazine in 1990, Steven summarized his formative years by saying that he grew up under [his] fathers piano . My father talked to me playing Debussy and Beethoven. Thats where my emotion comes from.
Chain Reaction, New York City, circa 1967. MICHAEL OCHS ARCHIVES/GETTY IMAGES
Preternaturally hyperactive and a self-described problem child, music was just one of many life-shaping forces in young Stevens life. Summers were spent at Trow-Rico Lodge, a 250-acre family-owned musical retreat on Lake Sunapee, in New Hampshire. Ensconced in the creative environs of Trow-Rico, Steven got an early taste of the performers lifehe performed skits at Friday-night parties and, when the adults turned their backs, got drunk on homemade hard cider. Back in Yonkers, he began getting into trouble at school, fought with older kids who called him nigger lips for his prodigious mouth (My mom said, All the better to kiss the girls with, Tyler told MTV), and, along with his friend Ray Tabano, joined a street gang called the Green Mountain Boys. Tyler also tried his hand at piano, but when his fathers instruction didnt hold, he switched to drums. At fifteen, he joined Victors big band, Vic Tallaricos Orchestra, playing for the society set around Sunapee. Like Johnny Carsons theme song, Begin the Beguine, that type of shit, Tyler told Rock Scene in 1986.
But with his teenage years came drugs, liquor, girls, and rock n roll. When the British Invasion hit U.S. shores, Tyler was a goner. I remember the first Stones album, the Who, the Rats from England, the Pretty Things, he told Spin magazine in 1988. Mick Jagger, the baddest boy on the block, my idol. I said, Fuck, I can do that too. He was well on his way. At eighteen, Tyler was making regular pilgrimages to Greenwich Village, where he and his friends spent long nights hopped up on booze, acid, and amyl nitrates, engaging in myriad carnal delights and taking in lots of rock showseveryone from the Lovin Spoonful and the Fugs to the Animals and the Rolling Stones.