Sara Sheridan - The world of Sanditon
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World of Sanditon 2019 Red Planet Pictures
Sanditon television series 2019 Red Planet Pictures Limited. All rights reserved.
Cover copyright 2019 by Hachette Book Group, Inc.
Cover designed by LC/Orionbooks
Cover photo: Red Planet / ITV
Author photo: Martin Melecis
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.
Grand Central Publishing
Hachette Book Group
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First published in Great Britain in 2019 by Trapeze, an imprint of The Orion Publishing Group Ltd. Carmelite House, 50 Victoria Embankment, London EC4Y 0DZ. An Hachette UK company.
First US Edition: December 2019
Grand Central Publishing is a division of Hachette Book Group, Inc. The Grand Central Publishing name and logo is a trademark of Hachette Book Group, Inc.
MASTERPIECE is a registered trademark of the WGBH Educational Foundation. Used with permission.
Sanditon is available on Blu-ray and DVD. To purchase, visit shop.pbs.org.
Sanditon is a Red Planet Pictures production for ITV co-produced with MASTERPIECE in association with BBC Studios Distribution.
Red Planet Pictures 2019
The PBS Logo is a registered trademark of the Public Broadcasting Service and used with permission. All rights reserved.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
All quotes featured are taken from the original fictional Sanditon television scripts written by Andrew Davies, Justin Young and Andrea Gibb and may differ, in places, to the words spoken on screen.
Book interior designed by Clare Sivell and Helen Ewing
Library of Congress Control Number: 2019949695
ISBNs: 978-1-5387-3471-1 (hardcover); 978-1-5387-3470-4 (ebook)
E3-20191115-JV-NF-ORI
A portrait of Jane Austen.
T HE MOST FAMOUS British female author in the world, Jane Austens work is loved by millions, with devotees across the globe. Her books have remained in print for over two centuries with her most popular novel, Pride and Prejudice, selling 20 million copies alone. Austen was feted in her own erathe playwright Richard Sheridan said Pride and Prejudice was one of the cleverest things hed ever read. Since their publication, almost all of Austens stories have been adapted for film and TV, though this ITV production is the first ever of her last novel, Sanditon.
I read the book as innocently as I can, at first. Just to see which bits I like.
Andrew Davies, screenwriter
Austens life belies her genius. Born on 16 December 1775, during the heyday of the Georgian era, Janes love of words began at a young age when she started writing to entertain her close family. She and her older sister, Cassandra, were the only daughters of the Reverend George Austen and his wife, also Cassandra. The girls had six brothers. Growing up, Jane was an avid and witty letter writer, penning an estimated 3,000 letters over the course of her lifea huge correspondence, which was heavily edited and largely destroyed after her death by successive generations of the Austen family, who wanted to protect her memory. The material that is left paints a relatively subdued picture of her as a well-behaved spinster with only a few flashes of her caustic wit. Outspoken women were not fashionable in Georgian or Victorian Britain, and it is thought that Janes correspondence with her relations was considered too frank for public consumption. Today, fewer than 200 of her letters remain and most of those have been edited, so readers mainly know Janes voice through her novels, which reveal her as a perceptive, funny and often forthright woman. A friend of Janes brother, Henry, declared her novels much too clever to have been the work of a woman, thus underestimating one of the Regency eras most brilliant minds.
Engraving of Jane Austen and her sister Cassandra doing needlework in the rectory garden.
So where did this enduring favourite come from? We know quite a bit about Austens family. Reverend George Austen, Janes father, was known as the handsome proctor during his time at St Johns College, Oxford. After he married, he became the rector of the Anglican parishes of Deane and Steventon. Jane was born and grew up in the Steventon rectory in Hampshire. The parish was located in a sleepy valley surrounded by meadows and comprised around thirty families. Reverend Austen came from a successful wool manufacturing family but, as a younger son, he did not benefit from the familys wealth and had to earn his living. The job at Steventon was given to him by his much wealthier second cousina practice common at the time to help support less well-off relations. As well as being rector, the reverend earned extra money by farming and giving lessons to local children. This brought the family a total income of around 200 a yearover six times the average annual income for a working man, which was 30. However, it was also far less than the upwards of 1,000 that members of the aristocracy had at their disposal annually. Cassandra, Janes mother, also came from a monied family, but her father was, like her husband, a rector, and although she had a small inheritance from her mother she was not a wealthy woman.
Despite the financial pressures, the Austens created a happy home where lively debate was encouraged. They got on with their wider family and, as well as writing to each other, they welcomed their relations on visits to Steventon. This brought news of foreign travel and fashionable London society into Janes orbit from an early age. Even as a child, Jane wrote stories and often read these to her family in the evenings as an amusement. She was also a keen dancerher older brother Henry said she excelled at dancing. Dances and balls would have been held in neighbouring houses and at the local assembly rooms in the town hall in Steventon.
Women were not always educated in the Georgian era. A girls chance of getting an education depended on the outlook of her parents, particularly her father. Luckily, Reverend Austen was open-minded and wanted his daughters to learn, as well as his sons. This was an additional financial commitment for himschooling was not free. Despite this, at the age of eight Jane was sent to school with Cassandra (who was ten), first to Oxford and then to Southampton. Here, both girls caught typhus and were sent home to recover. Jane almost died and stayed at Steventon for over a year before her family found her a place at the Reading Abbey Girls School, where she studied needle work, drama, French, dancing and music. However, the school fees proved too costly for the Austens finances and both Jane and Cassandra only attended for a couple of years. Thereafter, Jane was educated at home by her father and older brothers, something that could only be a successful arrange ment in a close family, like the Austens. Young Jane was an avid reader who had free access to the family library (we know that during his university days, Reverend Austen owned over 500 booksprobably more than that by the time Jane was old enough to read). Jane also had access to the library of eminent Austen family friend and neighbour, Warren Hastings, who was de facto Governor-General of India until 1785.
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