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this is a borzoi book
published by alfred a. knopf
Copyright 2022 by Harvey Fierstein
All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York, and distributed in Canada by Penguin Random House Canada Limited, Toronto.
www.aaknopf.com
Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC
Library of Congress Cataloging-in-Publication Data
Names: Fierstein, Harvey, [date] author.
Title: I was better last night : a memoir / Harvey Fierstein.
Description: First edition. | New York : Alfred A. Knopf, 2022. | Includes index.
Identifiers: LCCN 2021018554 (print) | LCCN 2021018555 (ebook) | ISBN
9780593320525 (hardcover) | ISBN 9780593320532 (ebook)
Subjects: LCSH: Fierstein, Harvey, [date] | Dramatists, AmericanBiography.
| Gay dramatistsUnited StatesBiography. | ActorsUnited
StatesBiography. | Gay actorsUnited StatesBiography.
Classification: LCC PS3556.I4213 Z46 2022 (print) | LCC PS3556.I4213
(ebook) | DDC 813/.54 [B] dc23
LC record available at https://lccn.loc.gov/2021018554
LC ebook record available at https://lccn.loc.gov/2021018555
Ebook ISBN9780593320532
Although this is a work of nonfiction some of the names and identifying details have been changed to protect my innocence. Any resulting resemblance to persons living or in hiding is entirely coincidental and unintentional. Still, Im telling you, this shit happened.
Cover photograph by Guzman
Cover design by Chip Kidd
ep_prh_6.0_139332125_c0_r0
To the radical fairies who flew before me
CONTENTS
PREFACE
LOOK BACK, BUT DONT STARE
I was his road not taken. He was retiring from an upstate white-collar job, reassessing his life choices and seeking a path forward.
I know I really messed things up between us. I never gave us the chance to be happy. Thats all going to change now. Im going to be the lover you always wanted and deserved. Okay, Harvey?
Well I stuttered. UhHow about we have dinner next time youre down here?
Harvey. Did you hear what I just said?
I think so.
And?
You sound maybe a littleAre you okay?
Are you fucking kidding me? Youve been begging me to do this for years!
Forty years ago.
I dont believe you. What are you saying? Im too old? Youre older than I am! And Im in a hell of a lot better shape than you ever were.
How about I drive up there and we can talk?
You know what? Fuck you! Youre a selfish fucking prick. You can go fuck yourself! And dont call me again.
You called meHello?Hello?
Only science and mathematics offer do-overs. History may echo but never repeats. Humans struggle to get a recipe right twice in a row. I cant count the times Ive had friends visit after a performance only to hear myself say, I was better last night. Of course I was better last night. I was younger, fresher, braver, and had one less day of life clogging my brain. But most of all, it was last night. Time upgrades survival to triumph.
So, if you cant go back, whats the harm in looking back?
Twelve Step programs counsel Look back, but dont stare. Wonder why? Because its fucking painful! Im sitting comfortably at this lovely computer in my homey home office and almost everything coming to mind is about what an asshole I was and am still capable of being. So many stupid mistakes. So much selfishness and ego-driven thoughtlessness to bathe in. Sure, I recall the victories and joys and laughs and lovers, but for reasons beyond me, those happier remembrances are cloudy, dimmed, and distanced. I have to reach for them. Whereas the miseries and hurt, every mistake, misfortune, and betrayal I endured or delivered remains conveniently at my fingertips. The guns are loaded, the knives still cut, and the adage Time heals everything makes a lovely lyric but is a fucking lie. Time heals nothing. Amnesia doesnt come in a bottle. It doesnt. Trust me. I tried that. Pain and regret are our brains legacy residents with great views and easy access to the world outside.
In Twelve Step work we look back to identify the bad stuff we are responsible for and, if its possible to do so without causing more harm, we make amends for our wrongdoing. I recommend this cleansing exercise of exorcising. Suddenly, glancing over your shoulder is less frightening. There are fewer shadowy figures following you. You are freer to move about unencumbered, knowing that the scary shit of the past has been peaceably entombed. Unfortunately, entombed is not destroyed. It waits quietly in the dark for someone to dig it up again. Bad shit is patient.
So, here I am with my work clothes on and my shovel in hand. If youre willing to listen, Im willing to dig.
1
QUEEN FOR A DAY
1959
Philomena Marano got the role of the Evil Witch and I was cast as the King. The King? Who wants to be the King? Sure, he gets a crown and cape, but the Witch gets green skin, red lips, and long black fingernails. I wanted green skin, red lips, and long black nails! Second grade was not working out the way Id hoped.
I was given the largest role in Sleeping Beauty because I was generally perceived as having the most theatrical flair in class 2-1 of P.S. 186 in Bensonhurst, Brooklyn. In 1959 they called it flair. I have never understood why, but from early childhood, seeking it or not, Ive stood out in a crowd. I remember years later when I was dead broke and begged director Tom OHorgan to put me in the chorus of this new show he was doingJesus Christ Superstar. He hugged me warmly and said, If I put you in the chorus, I have no chorus.
Theres no denying I blossom whenever Im the center of attention. My high-school painting class was invited to demonstrate life drawing in Macys Herald Square store. Thirty of us set up easels around a platform where a live model posed. I began to sketch with brightly colored pastels on an oversized pad of newsprint paper. Before long I had attracted a crowd. The more they grinned, pointed, and nodded their approval, the faster and more wildly my hands flew. Id never drawn like that beforeor since. I was on fire. People were reaching out to catch my drawings as I tore them from the pad and tossed them aside. Others begged to pose for me. I had no idea where this energy and inspiration was coming from. I was possessed. I can still feel the rush of that explosive creativity. Id somehow tapped into the positive attention of onlookers and rode their wave of excitement, not unlike when I connect with a theater audience. A rush of electricity shoots up my spine and every cell of my body vibrates with energy. I come alive. The people in the audience are attached to me. I sense my emotions molding theirs. Its an extraordinary high. Attention is nourishment.
But back in the fairy-tale play of second grade, I begrudgingly recited my lines and waved my royal scepter while never allowing my concentration to drift from Philomena awaiting her entrance in the wings. Old Lady Berlant chided me, I cant hear you, Harvey F.
I was Harvey F. because there was also a Harvey S. in my class. There were a lot of Harveys in P.S. 186. Three greatest mistakes of the fifties: Formica, thalidomide, and naming children Harvey.