• Complain

Maggie MacKellar - When It Rains: A Memoir

Here you can read online Maggie MacKellar - When It Rains: A Memoir full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Random House Australia, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Maggie MacKellar When It Rains: A Memoir
  • Book:
    When It Rains: A Memoir
  • Author:
  • Publisher:
    Random House Australia
  • Genre:
  • Year:
    2011
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

When It Rains: A Memoir: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "When It Rains: A Memoir" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

When Maggies vibrant young husband, father to a five-year-old daughter and an unborn son, dies tragically, Maggie is left widowed and due to give birth three months later to their second child. Then her beloved mother, backbone of the family, mother to three children, grandmother to two, dies suddenly of aggressive cancer. In two short years, Maggies life has shattered. After a year, she gives up trying to juggle single motherhood and the demands of an academic career and returns with her children to the family farm in central western New South Wales to take stock and catch a breath. The farm becomes a redemptive, healing place for Maggie and her children as they battle the heat and drought that only the Australian landscape can offer. She throws herself into the horses, sheep, ducks, and chickens and slowly, finally, realizes she has found a new shape for herself. Written by a brilliant new talent, When It Rains is a meditation on grief and the vagaries of the human condition, and a stunning memoir about piecing back together a life, and moving forward, one step at a time.

Maggie MacKellar: author's other books


Who wrote When It Rains: A Memoir? Find out the surname, the name of the author of the book and a list of all author's works by series.

When It Rains: A Memoir — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "When It Rains: A Memoir" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Cover Also by Maggie MacKellar Core of My Heart My Country Strangers in a - photo 1

Cover

Also by Maggie MacKellar
Core of My Heart, My Country
Strangers in a Foreign Land
Title Page All rights reserved No part of this book may be reproduced or - photo 2

Title Page

All rights reserved. No part of this book may be reproduced or transmitted by any person or entity, including internet search engines or retailers, in any form or by any means, electronic or mechanical, including printing, photocopying (except under the statutory exceptions provisions of the Australian Copyright Act 1968 ), recording, scanning or by any information storage and retrieval system without the prior written permission of Random House Australia. Any unauthorised distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.
When It Rains: A Memoir
ePub ISBN 9781742741062
Kindle ISBN 9781742741079
A Vintage bookPublished by Random House Australia Pty LtdLevel 3, 100 Pacific Highway, North Sydney NSW 2060 www.randomhouse.com.au First published by Vintage in 2010 Copyright Maggie MacKellar 2010 The moral right of the author has been asserted. All rights reserved. No part of this book may be reproduced or transmitted by any person or entity, including internet search engines or retailers, in any form or by any means, electronic or mechanical, including photocopying (except under the statutory exceptions provisions of the Australian Copyright Act 1968 ), recording, scanning or by any information storage and retrieval system without the prior written permission of Random House Australia. Addresses for companies within the Random House Group can be found at www.randomhouse.com.au/offices Extracts from Simone de Beauvoirs A Very Easy Death Simone de Beauvoir, 1969, 1997. Reproduced by kind permission of Editions Gallimard, Paris and the Estate of Simone de Beauvoir c/o Rosica Colin Ltd, London. National Library of AustraliaCataloguing-in-Publication EntryMacKellar, Maggie, 1973When it rains: a memoir.ISBN 9781741669602 (pbk.)MacKellar, Maggie, 1973College teachers Australia Biography.Widows Australia Biography.Loss (Psychology).Bereavement.Adjustment (Psychology).Life-change events Australia.378.120994092Typeset in 12/17 Sabon by Midland Typesetters, AustraliaPrinted in Australia by Griffi n Press, an accredited ISO AS/NZS 14001:2004 Environmental Management System printer Copyright Return Return often and take me,
beloved sensation, return and take me
when the memory of the body awakens,
and an old desire runs again through the blood;
when the lips and the skin remember,
and the hands feel as if they touch again.
Return often and take me at night,
When the lips and the skin remember...
Constantine P. Cavafy (1912)For A. and C.

Table of Contents

IM STANDING AT THE END OF LANE FOUR at the Cudal memorial pool. Its just after lunch on club championship day and the kids are about to swim their butterfly races. The pool pulses with the sounds of summer, and in the distance the trees and rocks on the town common shimmer in the heat. Im timekeeping. I have been all morning. Im surprisingly good at it. Over the antiquated PA system, participants for the Fathers Race are called. This is not a revelation, Ive known about it since Thursday. Im prepared for it Ive warned the kids that its happening and offered to swim in it. They laughed: a mother in the Fathers Race! In front of me, four kids line up for the fifty-metre butterfly. The starter says, Take your marks, he presses the button and the kids hurl themselves up the pool. I watch as they turn at the twenty-five-metre mark and, arms madly circling, head back for a close finish. I glance at my stopwatch out of interest it looks like a fast race but I havent pressed the button. Im sure I pressed the button, yet the screen is blank. Its four years since he died. I knew there was going to be a race for fathers today. Id carefully schooled my heart against his beating absence. Yet in an instant Im stripped and the present is sucked away. Ive come to see that sorrow moves in endless circularity, yet always manages to shock in the most ordinary moments. Standing by the pool and looking at the blank screen of the stopwatch, I feel again the lurch and pull of that place where past and present collide. The hard ground radiates heat and I cannot escape the chasms in the earth. I slip in between as the rushing horror swallows me once more. Just over two years ago, I packed the kids in the car, put my furniture in storage, took a leave of absence from Sydney University, left my house on the Northern Beaches of the city and returned to the farm in Central Western New South Wales where Id grown up. It felt like the riskiest thing in the world to turn my back on a secure wage, and yet the only possible solution to the difficult juggle of single motherhood and a career. I told myself I was coming for just a moment, a break, a few months in the country to allow me to catch my breath. It would be a short pause in my career, a time with my kids when we didnt have to worry about schedules, child care, late nights marking essays or writing lectures. I could put a bit of the country into them, give them a love of open spaces, imbue them with an independence that the cloistered city life steals from childhood. It would be a time when I would regain control of my emotions, catch up on some sleep, impose some sort of discipline on my increasingly out-of-control two-year-old son and ground my ethereal seven-year-old daughter in something solid and real. I wrote to my uncle and aunt to ask if they would have us to stay for three months in the cottage at the bottom of the garden. By way of reply, they drove their ute 350 kilometres over the mountains to collect everything that wouldnt fit in the back of my car. Standing on the side of the road, we surveyed the scattered belongings spread along the footpath. Bikes, boxes of books, pot plants, some kitchen essentials, a babys cot, a high chair, a fridge and a rocking horse all piled into a tottering load for the trip. Kids rode bikes up and down the street. A young, handsome couple pushed their new baby in a pram worth more than my uncles ute to the park at the end of the street. Teenagers walked between my possessions on their way down the hill, surfboards under their arms. This was a nice street in a nice suburb filled with nice people. Lapping at my feet was the debris of my life. Yet, when I look back now, all I can hear is the poet Anne Carsons warning: Sometimes a journey makes itself essential. I couldnt tell you the exact moment I knew I had to go home to the farm, but once the thought embedded itself, it was like a grass seed. At first I ignored it, then it was in so deep the irritation was all-consuming. Quite simply, after coping for so long, I couldnt cope for another day. I had to leave that city street, pack my small family into the car, travel over the mountains and hope for some redemption on the other side. Picture 3
My body, suddenly, carries two stories of loss. Im heavy with them, made cumbersome and slow. One is easy for people to recognise. My mother died of cancer. I watched her age twenty-five years in eight weeks. In the night, when she was already a long way away, I would climb onto her bed, curl my body round hers and shake with the intensity of my desire for her not to go. I want my mother and I rage that she was taken from me. Yet, amid this devastation, there was companionship. People know what to say when your mother dies. They instinctively feel your loss, recognise their own fear in the marks on your face, the tremor in your voice, the dark lake of your eye. People know about cancer they know it kills, they know someone it has killed. They fear it may kill them. People know and in their knowing you are not so alone. My other story marks me as different. It is more silent and more savage, it is not pure and no one knows how to approach it. Not even me. This I also carry in my body, but its hidden deep below the surface. It is a subterranean river. It haunts my dreams with a hollow, hoary roar. In the daylight I hear its echo in the emptiness of my laughter. Somewhere I lost my husband. He slipped away from me in a whirl of fear and confusion. I tried to hold on, but he was too heavy and the water was too strong. There are so many ways to tell his story. Each has its own particular truth. Each is difficult to contain, slippery in meaning, in time. After he died, I sought clarity by writing in strict chronological order the events that led to his death. I took each day, sketched its beginning and end, recalled each mood, read into every silence some sort of message. I wanted to trace the trajectory of his breakdown, to look for clues about spaces into which I could have stepped and saved him. I wanted his past to speak to me. As I wrote, what emerged was not clarity, nor understanding, nor peace; what was left was a chaotic scrawl filled with pain and, looking back, an inevitable end. So which strand of truth deserves to be told first? My closest companion of eleven years, father of my five-year-old daughter and an unborn son, died with intent. He was in hospital, in a supposed safe ward, a place he couldnt voluntarily leave. He was in a session with a doctor and his parents; he walked out of this session, scaled a twelve-foot wall, ran to a cliff and placed himself in an impossible position from which to be saved. In the end, despite the efforts of rescue workers, he fell to his death. This was not a new thing; this was something he had attempted before in the preceding few months. And yet this was such a new thing that I, his wife of more than a decade, still cannot quite accept it was my husband at the centre of an inevitable drama played out upon a cliff top in the wind and rain of a squally July afternoon. WHEN I CAME BACK TO THIS COUNTRY, I lay down. Dust covered me, grasses dipped seeded heads and whispered their secrets, ants marched their pattern across my skin. My wounds give off their own light. I glint and shimmer, pinned upon the ground. Pressed between earth and sky, I think, be careful, dont say home, dont say safe, dont say anything. Fragments rise up. Words in straggling sentences trail their half meanings through the air. I find myself straining to hear, to capture a trace, a sense of where the words would take me if I allowed myself to follow. When we were young, my husband and I spent three months kayaking and climbing in the Alaskan wilderness. We then spent another three months living in a tiny shack outside a small town. Lucerne flats, no electricity, no running water, no car, no phone, no one knowing where we were somewhere in Alaska, somewhere in the year 1996. I was twenty-three years old, unexpectedly pregnant, unemployed and happy. He was chopping wood, carting water, cooking dinner, running the ten-mile round trip into town for milk, happy. Wed walk in the evenings, through lucerne that waved at our waists, and talk of the future, of study, of life with a small child. Our time in the mountains was a shape-altering experience. We lived in fear of falling off the edge, of drowning in icy seas, of being swept away by swollen rivers, and over the three months I gradually got to know my body its boundaries, its needs and, perhaps most challengingly, its insignificance. I stood on top of a forest on a windswept tundra and watched as a mountain of rock simply fell away. There was no warning, no wind, no clap of thunder, just one moment a mountain, the next not. I was humbled and appalled. The land, the ground I stood on, warned me and I didnt listen. When we came back inside, that is we returned to a place of settlement buildings, shops, homes I realised that I understood my body differently. I now knew I could command it to go beyond what Id thought possible to paddle harder, walk further, climb higher all in extreme weather conditions. My body was stripped of surplus, it wasnt carrying anything more than it needed to survive and when I asked it to make a leap, to place a hand or foot in a particular place, it just did it. Before this Id enjoyed my body, had fun with sport, with love, but Id never taken it seriously like I took my mind; Id taken it for granted. The unplanned pregnancy scared me at first. Climbing with the beginnings of a new life within me made me acutely aware of my femaleness, my vulnerability, but mysteriously it also strengthened my determination. After Alaska I looked on my body with a little bit of awe. When we returned, I stood on the earth differently, I felt connected to subtle changes in wind direction, in temperature, in light. I reacted to the space around me almost without thinking. My body had become a powerful thing. Now, after these two deaths and a birth, I once again occupy a foreign place, but I cant feel anything through my body. I roll over in bed and the movement is ponderous. I know how my breasts fitted perfectly in his hand; now they are some shape I dont recognise. Picture 4Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «When It Rains: A Memoir»

Look at similar books to When It Rains: A Memoir. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «When It Rains: A Memoir»

Discussion, reviews of the book When It Rains: A Memoir and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.