John Ruskin
POCKET BIOGRAPHIES
Series Editor C.S. Nicholls
Highly readable brief lives of those who have played a significant part in history, and whose contributions still influence contemporary culture.
POCKET BIOGRAPHIES
John Ruskin
FRANCIS OGORMAN
First published in 1999
The History Press
The Mill, Brimscombe Port
Stroud, Gloucestershire, GL5 2QG
www.thehistorypress.co.uk
This ebook edition first published in 2011
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EPUB ISBN 978 0 7524 7492 2
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Original typesetting by The History Press
For the rest, I ate and drank, and slept, loved, and hated, like another
Ruskin, Of Kings Treasuries (1864)
CONTENTS
ACKNOWLEDGEMENTS
It is a pleasure to thank friends and colleagues past and present who have, in many ways, helped me with work on Ruskin. Helen Barr, Dinah Birch, Elleke Boehmer, Daniel Bone, Sandie Byrne, Elizabeth Clarke, Simon Dentith, Robert Hewison, Elisabeth Jay, Juliet John, Alison Kitson, Steven Matthews, Anthony Mellors, Helen Moore, Clare Morgan, Lynda Mugglestone, Clare Palmer, Clare Pettitt, Fiona Robertson, Corinne Saunders, Helen Small, Eric and Mary Stanley, Matthew Stiff, Katherine Turner, Angeli Vaid, Julia Wahnsiedler, Michael Wheeler and Peter Widdowson in particular. Thanks to my brother Chris and my parents for their continued interest and support. This book has profited from the careful reading and advice of James S. Dearden and Catherine Dille: I am grateful. Remaining errors and infelicities are mine.
This book is for Kathie Adare and Clark Lawlor, with love.
CHRONOLOGY
1819 | 8 February. Born at 54 Hunter Street, Brunswick Square |
1823 | Family moves to Herne Hill |
1829 | Derwent Water published in Spiritual Times |
1830 | Family tour of Lake District |
1832 | Receives copy of Samuel Rogerss Italy |
1834 | Begins attending Thomas Dales school |
1837 | Goes up to Christ Church, Oxford |
1839 | Wins Newdigate Prize |
1840 | Temporarily withdraws from Oxford due to illness; embarks on a long continental journey until June 1841 |
1841 | At Leamington writes The King of the Golden River for Effie Gray |
1842 | Takes BA; dates his conversion to naturalism in art |
1843 | Modern Painters I published; takes MA |
1845 | Unaccompanied by parents, sees tomb of Ilaria in Lucca; is appalled by building work in Venice; visits Scuola di San Rocco |
1846 | Modern Painters II published |
1848 | 10 April. Marries Effie Gray |
1849 | The Seven Lamps of Architecture published; with Effie in Venice (until March 1850) |
1851 | The Stones of Venice I published; with Effie in Venice again; marriage under serious strain; learns of Turners death |
1853 | Millais paints Ruskin at Glenfinlas; The Stones of Venice II and III published |
1854 | Annulment of marriage; Oxford Museum project begins |
1856 | Modern Painters III and IV published |
1858 | Dates final loss of Evangelical faith; meets Rose La Touche; works on Turner Bequest |
1859 | Visits Winnington Hall School for first time |
1860 | Modern Painters V published; Unto this Last published |
1862 | La Touches forbid him to meet Rose |
1864 | March. John James Ruskin dies |
1865 | Sesame and Lilies published |
1866 | January. Proposes marriage to Rose; she responds inconclusively |
1869 | The Queen of the Air published; elected Slade Professor of Fine Art at Oxford |
1871 | Starts Fors Clavigera; seriously ill at Matlock; December. Margaret Ruskin dies |
1874 | Hinksey Road project |
1875 | 25 May. Rose La Touche dies aged twenty-seven; interest in spiritualism revives; Mornings in Florence, Proserpina and Deucalion are begun |
1877 | Whistler sues him for libel over July Fors |
1878 | FebruaryApril. Serious mental illness; legal constitution of Guild of St George; Whistler trial |
1880 | Fiction, Fair and Foul is published; The Bible of Amiens is begun |
1884 | The Storm-Cloud of the Nineteenth Century published |
1885 | Resigns professorship; begins Praeterita |
1888 | Last continental journey, collapses in Paris |
1889 | Writes last chapter of Praeterita; withdraws permanently to Brantwood, Coniston |
1900 | 20 January. Dies of influenza aged eighty; buried in Coniston churchyard |
RUSKINS
EUROPE
ONE
THIS BOOK
SEEMS TO GIVE
ME EYES,
181943
J ohn Ruskin is Englands greatest writer on European visual arts and architecture. He writes luminously about paintings and buildings with a power and passion unmatched by any other English author. He is a social critic of seminal importance whose ideas influenced both his own age and ours. Among other things, he is also an educationalist, architect of the welfare state, literary critic, historian, theologian, scientist, student of Greek myth, watercolourist, autobiographer, university professor and a practical builder of roads. His life is closely linked with some of the most stirring and beautiful places in Europe, such as the Alps, the English Lakes and the city Ruskin called the ghost upon the sands of the sea,1 Venice, though it is also a life, as this book will show, of intense personal anguish and disappointment. What Ruskin so triumphantly accomplished, he achieved often by overcoming pain and disillusionment. He is a great and compelling writer and, though he left no children behind him, he fathered many books, and they continue to live, vividly, and to exert a powerful and enduring influence on those who read them today.