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Francis OGorman - John Ruskin

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Francis OGorman John Ruskin
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John Ruskin was one of the greatest Victorian critics of art and society, but he was also preoccupied with politics, economics and education. This pocket-sized biography explores his influence on his own age and ours, examining his work, his relationahips and his creative life.

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John Ruskin POCKET BIOGRAPHIES Series Editor CS Nicholls Highly readable - photo 1
John Ruskin
POCKET BIOGRAPHIES

Series Editor C.S. Nicholls

Highly readable brief lives of those who have played a significant part in history, and whose contributions still influence contemporary culture.

POCKET BIOGRAPHIES
John Ruskin

FRANCIS OGORMAN

John Ruskin - image 2

First published in 1999

The History Press

The Mill, Brimscombe Port

Stroud, Gloucestershire, GL5 2QG

www.thehistorypress.co.uk

This ebook edition first published in 2011

All rights reserved

Francis OGorman, 1999, 2011

The right of Francis OGorman, to be identified as the Author of this
work has been asserted in accordance with the Copyrights, Designs and
Patents Act 1988.

This ebook is copyright material and must not be copied,
reproduced, transferred, distributed, leased, licensed or publicly
performed or used in any way except as specifically permitted
in writing by the publishers, as allowed under the terms and
conditions under which it was purchased or as strictly permitted by
applicable copyright law. Any unauthorised distribution or use of this
text may be a direct infringement of the authors and publishers rights,
and those responsible may be liable in law accordingly.

EPUB ISBN 978 0 7524 7492 2

MOBI ISBN 978 0 7524 7491 5

Original typesetting by The History Press

For the rest, I ate and drank, and slept, loved, and hated, like another

Ruskin, Of Kings Treasuries (1864)

CONTENTS
ACKNOWLEDGEMENTS

It is a pleasure to thank friends and colleagues past and present who have, in many ways, helped me with work on Ruskin. Helen Barr, Dinah Birch, Elleke Boehmer, Daniel Bone, Sandie Byrne, Elizabeth Clarke, Simon Dentith, Robert Hewison, Elisabeth Jay, Juliet John, Alison Kitson, Steven Matthews, Anthony Mellors, Helen Moore, Clare Morgan, Lynda Mugglestone, Clare Palmer, Clare Pettitt, Fiona Robertson, Corinne Saunders, Helen Small, Eric and Mary Stanley, Matthew Stiff, Katherine Turner, Angeli Vaid, Julia Wahnsiedler, Michael Wheeler and Peter Widdowson in particular. Thanks to my brother Chris and my parents for their continued interest and support. This book has profited from the careful reading and advice of James S. Dearden and Catherine Dille: I am grateful. Remaining errors and infelicities are mine.

This book is for Kathie Adare and Clark Lawlor, with love.

CHRONOLOGY

1819

8 February. Born at 54 Hunter Street, Brunswick Square

1823

Family moves to Herne Hill

1829

Derwent Water published in Spiritual Times

1830

Family tour of Lake District

1832

Receives copy of Samuel Rogerss Italy

1834

Begins attending Thomas Dales school

1837

Goes up to Christ Church, Oxford

1839

Wins Newdigate Prize

1840

Temporarily withdraws from Oxford due to illness; embarks on a long continental journey until June 1841

1841

At Leamington writes The King of the Golden River for Effie Gray

1842

Takes BA; dates his conversion to naturalism in art

1843

Modern Painters I published; takes MA

1845

Unaccompanied by parents, sees tomb of Ilaria in Lucca; is appalled by building work in Venice; visits Scuola di San Rocco

1846

Modern Painters II published

1848

10 April. Marries Effie Gray

1849

The Seven Lamps of Architecture published; with Effie in Venice (until March 1850)

1851

The Stones of Venice I published; with Effie in Venice again; marriage under serious strain; learns of Turners death

1853

Millais paints Ruskin at Glenfinlas; The Stones of Venice II and III published

1854

Annulment of marriage; Oxford Museum project begins

1856

Modern Painters III and IV published

1858

Dates final loss of Evangelical faith; meets Rose La Touche; works on Turner Bequest

1859

Visits Winnington Hall School for first time

1860

Modern Painters V published; Unto this Last published

1862

La Touches forbid him to meet Rose

1864

March. John James Ruskin dies

1865

Sesame and Lilies published

1866

January. Proposes marriage to Rose; she responds inconclusively

1869

The Queen of the Air published; elected Slade Professor of Fine Art at Oxford

1871

Starts Fors Clavigera; seriously ill at Matlock; December. Margaret Ruskin dies

1874

Hinksey Road project

1875

25 May. Rose La Touche dies aged twenty-seven; interest in spiritualism revives; Mornings in Florence, Proserpina and Deucalion are begun

1877

Whistler sues him for libel over July Fors

1878

FebruaryApril. Serious mental illness; legal constitution of Guild of St George; Whistler trial

1880

Fiction, Fair and Foul is published; The Bible of Amiens is begun

1884

The Storm-Cloud of the Nineteenth Century published

1885

Resigns professorship; begins Praeterita

1888

Last continental journey, collapses in Paris

1889

Writes last chapter of Praeterita; withdraws permanently to Brantwood, Coniston

1900

20 January. Dies of influenza aged eighty; buried in Coniston churchyard

RUSKINS
EUROPE

ONE THIS BOOK SEEMS TO GIVE ME EYES 181943 J ohn Ruskin is Englands greatest - photo 3

ONE
THIS BOOK
SEEMS TO GIVE
ME EYES,
181943

J ohn Ruskin is Englands greatest writer on European visual arts and architecture. He writes luminously about paintings and buildings with a power and passion unmatched by any other English author. He is a social critic of seminal importance whose ideas influenced both his own age and ours. Among other things, he is also an educationalist, architect of the welfare state, literary critic, historian, theologian, scientist, student of Greek myth, watercolourist, autobiographer, university professor and a practical builder of roads. His life is closely linked with some of the most stirring and beautiful places in Europe, such as the Alps, the English Lakes and the city Ruskin called the ghost upon the sands of the sea,1 Venice, though it is also a life, as this book will show, of intense personal anguish and disappointment. What Ruskin so triumphantly accomplished, he achieved often by overcoming pain and disillusionment. He is a great and compelling writer and, though he left no children behind him, he fathered many books, and they continue to live, vividly, and to exert a powerful and enduring influence on those who read them today.

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