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Charles Casillo - Elizabeth and Monty: The Untold Story of Their Intimate Friendship

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Charles Casillo Elizabeth and Monty: The Untold Story of Their Intimate Friendship
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    Elizabeth and Monty: The Untold Story of Their Intimate Friendship
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Elizabeth and Monty: The Untold Story of Their Intimate Friendship: summary, description and annotation

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Violet-eyed siren Elizabeth Taylor and classically handsome Montgomery Clift were the most gorgeous screen couple of their time. Over two decades of friendship they made, separately and together, some of the eras defining moviesincluding Cat on a Hot Tin Roof, The Misfits, Suddenly, Last Summer, and Cleopatra. Yet the relationship between these two figuresone a dazzling, larger-than-life star, the other hugely talented yet fatally troubledhas never truly been explored until now.
Monty, Elizabeth likes me, but she loves you.
Richard Burton
When Elizabeth Taylor was cast opposite Montgomery Clift in A Place in the Sun, he was already a movie idol, with a natural sensitivity that set him apart. At seventeen, Elizabeth was known for her ravishing beauty rather than her talent. Directors treated her like a glamorous prop. But Monty took her seriously, inspiring and encouraging her. In her words, Thats when I began to act.
To Monty, she was Bessie Mae, a name he coined for her earthy, private side. The press clamored for a wedding, convinced this was more than friendship. The truth was even more complex. Monty was drawn to women but sexually attracted to mena fact that, if made public, would destroy his career. But he found acceptance and kinship with Elizabeth. Her devotion was never clearer than after his devastating car crash near her Hollywood home, when she crawled into the wreckage and saved him from choking.
Montys accident shattered his face and left him in constant pain. As he sank into alcoholism and addiction, Elizabeth used her power to keep him working. In turn, through scandals and multiple marriages, he was her constant. Their relationship endured until his death in 1966, right before he was to star with her in Reflections in a Golden Eye. His influence continued in her outspoken support for the gay community, especially during the AIDS crisis.
Far more than the story of two icons, this is a unique and extraordinary love story that shines new light on both stars, revealing their triumphs, demonsand the loyalty that united them to the end.
Casillo weaves an engrossing story about the intertwined lives of his subjects the parallel worlds of privilege that they came from, the personal misfortunes that each suffered and the seemingly inextricable path that led to that fateful night. The author approaches them both with sympathy and comes away with a melodrama as good as any that they ever starred in.
The New York Times
In a riveting new book that brings Hollywoods golden age to life with colorful, well-researched details and interviews with stars who knew Taylor and Clift, Casillo explores the intense bond the two shared.
People Magazine

Charles Casillo: author's other books


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Table of Contents ACKNOWLEDGMENTS I would like to thank my parents Gloria - photo 1
Table of Contents

ACKNOWLEDGMENTS
I would like to thank my parents, Gloria and Ralph, not only for their love and support but also for their friendship.
A sincere thank-you goes to my agent, Tom Miller, for his belief in me. Also, I was very lucky to have John Scognamiglio as my editor at Kensingtonhe was kind and enthusiastic during the writing of this book.
Elizabeth and Monty lived very rich, very hectic lives, and they shared a relationship that was complex and changeable. A myriad of sources and voices have to come together in order to tell their story in full. In that regard, I have been fortunate. Among the many people I interviewed for this project, I am especially grateful to Angela Allen, Diahann Carroll, Ron Chilton, Joan Collins, John Conboy, Robert Forster, Charlotte Henson, Liz Kernen, Sally Kirkland, Robin Leach, Brenda Maddox, Mark Randal, Charles Rappleye, and Susan Rogers.
I would like to express my sincere gratitude to Kimothy Cruse, who knew Elizabeth Taylor starting with The Little Foxes period and would often spend time reminiscing with Elizabeth and her personal assistant/press spokesman Chen Sam. Kimothy has wonderful Elizabeth Taylor remembrances and insights, which he tells with humor and passion.
While writing this book, I was also blessed to have the input of Denis Ferrara, who knows almost all there is to know about Elizabeth and often writes about her with wit and candor (and he also happens to be a very dear person and a valued friend).
My heartfelt thanks go to Neal Baer, whose fascinating talks added new information about Montgomery Cliftespecially regarding the time he was with Jack Larson. Ken Storer was very generous with his time and with sharing wonderful memories of Larsons relationship with Monty and friendship with Elizabethas well as of other people in Montys life. Ken is a gentleman who went above and beyond in helping me, and Im very grateful to him.
In 2002, after I completed my biography of the writer John Rechy, I began a book on Montgomery Clift, which I ultimately left unfinished for a number of reasons. But that project led me to the many important interviews that I did at the time, and I am grateful that I was able to put them to good use in this project. Among those I talked to are Ellis Amburn, William Bast, Patricia Bosworth, Michelangelo Capua, Jean Porter, Farley Granger, Don Keefer, Dr. Rex Kennamer, Martin Landau, Jack Larson, Kevin McCarthy, Franklin MacFie, Mira Rostova, Eva Marie Saint, Blaine Waller, and Shelley Winters. Not all of them are mentioned in the text, but all their insights certainly contributed to the atmosphere of the book.
There are also a number of people whom I interviewed for other projects through the years who generously shared their memories and observations about the times of Montgomery Clift and Elizabeth Taylor and contributed to my understanding. They are Don Bachardy, Leslie Caron, C. David Heymann, Gavin Lambert, Skip E. Lowe, Edward Parone, Curtice Taylor, and Mamie Van Doren. In addition, there are several sources who wished to remain anonymous, and I thank them for their input.
Once again, I would like to express my gratitude to the staff at the Margaret Herrick Library, such a pleasant and important place. I would especially like to thank Louise Hilton and Marisa Duron. The main collections I consulted there are the Edward Dmytryk Papers, the Gladys Hall Papers, the Jack Hirshberg Papers, the Hedda Hopper Papers, the John Huston Papers, the Fred Zinnemann Papers, the George Stevens Papers, the Robert LaGuardia Collection, the Joseph L. Mankiewicz Papers, and the Dennis McDougal Research Files. I also utilized the Montgomery Clift Papers in the Billy Rose Theatre Division at the New York Public Library for the Performing Arts, as well as the Patricia Bosworth Papers at that location.
The Facebook group Montgomery Clift Daily is a terrific source for all things Montyfor both fans and movie scholars alike. Likewise, The Great Elizabeth Taylor page on Facebook is a place where fans come together to share anecdotes and photos.
The relationship between Elizabeth and Monty was a multilayered one that added to both their lives in immeasurable ways. I have some Montgomery Clifts and Elizabeth Taylors in my own life whom I would like to acknowledge. I am grateful to my dearest friend Jeff Dymowski simply for being Jeff Dymowski. Indescribable but marvelous. I wish to express my eternal gratitude to Vincent Curcio, a most wonderful, bossy, generous friend, who always advises me, helps me, and pushes me a little furtheralways in the right direction. I would also like to thank several lovely souls whose friendship during the course of the writing of this book supported and comforted me and whose conversations stimulated me: Rick Brooks, Tricia Civello, and Mary Gaitskill. All always dear to me.
My thanks and affection go out to my glorious red rose, Rossana Scottodivettimo Weitekamplong of name and big of heart. And also to Cathy Smith, my first friendand a very dear one.
Mike Prestie is a one-of-a-kind friend, whom I am grateful for, and he assisted me in a variety of ways.
My relationship with journalist J. Randy Taraborrelli is a treasure that was unearthed a long time ago, and I am so thankful for his friendship and the golden times we spend together talking about classic Hollywood and everything else.
A very special thank-you goes to Lisa Santucci and Mike OConnor for the support and encouragement and good company.
While Im at it, I would like to thank these other constants in my life: John Rechy, Scott Lesko, Marcella Winn, Debra Tate, David Sloan, Stewart Penn, Frank Fisher, Jacquelyn Michelle, Cindy Negron, Tony Frere, Damian Wild and Marlene, Anthony Jr., Joe, and Adrianna. Ill use the word love for all of the above.
There are lovely others who pop in and out of my life, and you know who you are.
EPILOGUE
L OVE HAS MANY DEFINITIONS, MANY DIRECTIONS; AND IF LIFE IS A series of entwining roads in which lives cross paths and we have to choose how to proceed with each encounter, Elizabeth and Monty held on to their connection and nurtured it until it turned it into a unique kind of love.
Their relationship was one that neither really could define. It was different than the love felt for a lover and more than the love of a friend. Monty was my inspiration, Elizabeth once said. We loved each other with all our hearts. Not sexually, but maybe romantically. Monty would admit that he couldnt explain his love for Elizabeth; it was something that felt as if it had always been there, to simply feel and cherish.
They were called the most beautiful couple in cinema history, and the intense, enthralling chemistry Elizabeth and Monty generated together is immortalized forever in A Place in the Sun . Their feelings for each other were so powerful that when they appear in the love scenes, it doesnt matter that we now know they were not of the same sexual persuasionall the aching hunger and beauty of love, in all its definitions, are there.
They brought out the best in each other; they recognized that early on. It was a friendship that encouraged and supported and moved life forward. They told each other things that they never told anyone else, and they took their secrets with themas it should be. It was the kind of beautiful, encompassing relationship needed to live a full life, a fulfilling life, a life of accomplishmentin which one grows and improves and becomes more enlightened about life and, yes, love. We all need at least one friend like that. For Elizabeth and Monty, it was each other.
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