The author and publishers would like to thank the following for their kind permission to reproduce illustrations:
Plate 1, The Provost and Scholars of Kings College, Cambridge; plates 2, 4, 5, 9, 10, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 25, 26, 27, The Lewis Walpole Library, Farmington, Connecticut; 7, 11, 12, Nottingham University; 8, Private Collection; 24, Bristol University, Special Collections. Plates 3 and 6 are from the collection of the author.
My first thanks go out to Anna Malicka at the Lewis Walpole Library, Farmington, Connecticut, who answered every obscure enquiry with courteous efficiency. Together with her colleague, Joan Sussler, she made that stay in New England, with the entire Wilmarth Lewis collection at my disposal, the highlight of my research. The study visit was made possible by a generous grant from the Society of Authors (Authors Foundation), without which I could never have made the trip and completed the book. John Iddon of St Marys University College was my enthusiastic and informed guide to Strawberry Hill. My interest in the house dates from the Gothic Urge course I taught for his summer school at the college in the 1980s. For my introduction to RococoGothick architecture I must thank Roger White. He first alerted me to the importance of Batty Langley and accompanied me on many excursions to track down little-known Langley-style houses and Gothick garden buildings usually mouldering in romantic decay. My friend and usual coauthor Brian Earnshaw was a sounding board for my arguments and particularly helpful over the literary background of the Gothic novel and the editing of the typescript. Joanne Wright shared my enthusiasm for Horace and organized a memorable private viewing of the key Rosalba portrait of Lord Lincoln at Nottingham University.
Dr Simon Corcoran, Assistant Archivist in the Department of Manuscripts and Special Collections at Nottingham University Library, was most helpful over the Walpole letters to Lord Lincoln and quotations from these and other letters in the Newcastle Collection at the Library are made with the permission of the Keeper of Manuscripts. Quotations from the Yale edition of HoraceWalpolesCorrespondence are made with permission from Yale University Press.
Many friends and scholars have helped me over the past two years, but I should like to make particular mention of the following : David Alexander, Brian Allen, Bruce Bailey, Hazel Bannister, Reg and Maureen Barton, Andrew Boddington, Geoffrey Beard, the Marquess of Cholmondeley, Susan Cleaver, Catharine Edwards, Annie Grant, Peter Guillery, John Head, Charles Hind, Florence Kaminska, Gordon Kelsey, David Lambert, Michael Liversidge, David McKinney, Steven Parissien, Julian Self, Gillian Sladen, Michael Snodin, Martin Stiles, Baron Walpole of Wolterton.
Sara Menguc, my agent at Murray Pollinger, found me the most appropriate publisher, John Murray, the firm which first took a chance and made a good profit on Horaces Memoirs in 1822. Grant McIntyre, Caroline Knox and Gail Pirkis at John Murray have steered the book through to its publication with sensitivity and professionalism. Douglas Matthews has compiled the excellent index.
Lastly I should like to thank my wife, Sarah, to whom this book is dedicated. She has lived with Horace for over two years and has come to accept her husbands dubious fascination with one of this countrys most successful sexual outsiders.
Timothy Mowl
Spring 1996
A nyone who supposes that Horace Walpole was, in any normal sense, a pleasant and acceptable person should consider the following comical anecdote which he included in a letter of 15 May 1752 to his friend, the British minister in Tuscany, Horace Mann:
A young Mr Winstanley happened to go into a coffee-house in the City, where some grave elders were talking over a terrible affair, that had just happened in the country, where a man broke into a house, ravished the mistress and killed the master. Winstanley said very coolly, It was well it was no worse! The citizens stared, were shocked! An old alderman could not bear it, but cried Zounds! Sir, what do you mean? What could be worse? Why, replied tother as coolly as before, if he had murdered the wife, and buggered the husband what would one give to have seen the faces of the company? Adieu.
If the two Horaces they were distant cousins found that humorous, then readers should be prepared for a certain moral register and standards.
Walpole wrote the greatest letter sequence of the eighteenth century; wrote more than four thousand letters to chosen friends like Mann, then retrieved as many as possible and edited them to reflect a history of his life and times. This produced an infinitely readable and quotable source for the activities of the English ruling classes over a period of four decades during which the first British Empire was created and lost. No subsequent social or political historian of the period has been able to ignore the treasure trove of anecdote and informed gossip which these letters represent. In addition, with an even more deliberate intention of influencing posterity, Walpole wrote memoirs of the reigns of George II and George III which virtually created that Whig interpretation of English history which later nineteenth-century historians would think they had invented.
No commentator, contemporary or subsequent, has ever quite trusted Horace Walpole as a source. He was a notably effeminate bachelor with a strong vein of malice in his writing; but if he had homosexual tendencies, he appeared to have been too fastidious ever to have given way to them. To compensate, he wrote a celebrated Gothic novella, TheCastleofOtranto, built an even more famous Gothic castlevilla, Strawberry Hill at Twickenham, gave an impetus to the whole drive of the Gothic Revival and wrote a number of antiquarian tracts, scholarly and contentious, many of them printed on his own private printing-press.
And there, until the 1920s, Horace Walpoles reputation survived: inescapable because he had been so helpfully prolix and so well-connected, the youngest son of Sir Robert Walpole, Britains longest-serving, though far from triumphalist, Prime Minister. But he remained an indeterminate figure, not quite a literary giant, a ranking historian or an architect; and there remained a tantalizing ambivalence as to his motivation how precisely had he interacted within his own society?
Then there was a change.
At Farmington, a small town in Connecticut connected with Yale University, in a modest house built by one of Washingtons retired generals, an American scholar of great distinction Wilmarth Sheldon Lewis a man of eminently conventional sexual identity, made it his lifes work, beginning in 1924 and ending only with his death in 1979, to build up a library and a museum devoted to Horace Walpole. The collection Lewis made of manuscripts, letters, books and relics of his subject is awesomely comprehensive. Anyone who wishes to make a serious study of Walpole must go to Farmington.
Quite what attracted Wilmarth Lewis to a lifetime of Walpole scholarship is a fascinating question. Lewis was, from all accounts, happily married to a wife who shared his Walpole interests. He was a scholar in the fine gentlemanly sense of that term, born in 1897 and no natural rebel against the assumptions of his age. When he began his collections, he was bidding in a buyers market. Most collectors of belles-lettres were content to have one or two examples of the four thousand-odd surviving Horace letters. Lewis would only have been satisfied with them all. Travelling widely on this side of the Atlantic, he absorbed, like some scholarly chameleon, every sympathetic nuance of the English class system the arcane assumptions of life in aristocratic country houses, the complexities of rank and the conventions of insular spelling. English lords with packets of Walpole papers lying in rarely opened library cupboards responded favourably to the breadth of his background knowledge and to his cheque-book. The war years and the economic winter of a Labour government, 194551, worked to the advantage of an experienced researcher. Today, much of what is significant that Horace Walpole committed to paper or published, together with charming oddments, pictures, prints, scraps of silk, busts, coins and curios from Horaces enormous collection is at Farmington, generously accessible to serious scholars, all catalogued and ordered in a purpose-built, fireproof library behind the original eighteenth-century house.