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David Lazar - Ill Be Your Mirror: Essays and Aphorisms

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David Lazar Ill Be Your Mirror: Essays and Aphorisms
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Ill Be Your Mirror: Essays and Aphorisms: summary, description and annotation

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In his third book of essays, David Lazar blends personal meditations on sex and death with considerations of popular music and coping with anxiety through singing, bowling, and other distractions. He sets his work apart as both in the essay and of the essay by throwing himself into the forms pastinterviewing or speaking to past masters and turning over rocks to find lost gems of the essay form.Ill Be Your Mirror further expands the dimensions of contemporary nonfiction writing by concluding with a series of aphorisms. Surreal, comical, and urban moments of being, they are part Cioran, part Kafka, and part Lenny Bruce. These are accompanied by Heather Frises illustrations, whose looking-glass visions of motherhoodfunny and grotesquemeet the vision of the aphorist in this most unusual nonfiction book.

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David Lazar asks to be known and seen as Montaigne asked to be known and seen - photo 1

David Lazar asks to be known and seen, as Montaigne asked to be known and seen in his Essais.... This collection is a weird and wonderful conglomeration of form that invites the reader to ruminate with a brilliant and savvy mind.... There is no posturing here, but a sophisticated sifting through of moments, memories, and the relationships that comprise a single life, thoughtfully engaged with the world, reflecting much more than its own singularity.

Angela Pelster-Wiebe, author of Limber

In David Lazars essays, the ostensible subjects become mindstream explorations in which music and memory dance to the intimate mysteries of human love and longing.

Lawrence Sutin, author of A Postcard Memoir

David Lazars aphorisms are more like stairs up into a strange isolation or down into the stranger isolation of our community with each other.... Exhilarating and unpredictable reading.

James Richardson, author of By the Numbers: Poems and Aphorisms

Ill Be Your Mirror
Ill Be Your Mirror
Essays & Aphorisms

David Lazar

Illustrated by Heather Frise

University of Nebraska Press | Lincoln & London

2017 by the Board of Regents of the University of Nebraska

Acknowledgments for the use of copyrighted material appear in , which constitutes an extension of the copyright page.

Cover designed by University of Nebraska Press; cover image is from the interior.

Author photo courtesy of the author.

All rights reserved.

Library of Congress Cataloging-in-Publication Data

Names: Lazar, David, 1957 author.

Title: Ill be your mirror: essays and aphorisms / David Lazar.

Other titles: I will be your mirror

Description: Lincoln: University of Nebraska Press, 2017. |

Identifiers: LCCN 2017017417 (print)

LCCN 2017033183 (ebook)

ISBN 9781496202062 (paperback: alk. paper)

ISBN 9781496205186 (epub)

ISBN 9781496205193 (mobi)

ISBN 9781496205209 (pdf)

Subjects: | BISAC : LITERARY COLLECTIONS / Essays.

Classification: LCC PS 3612. A 973 (ebook) | LCC PS 3612. A 973 A 6 2017 (print) | DDC 814/.6dc23

LC record available at https://lccn.loc.gov/2017017417

The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

For Lois

and in memory of Stephen Zamora

Contents

I am most grateful to the John Simon Guggenheim Foundation for a fellowship that allowed me to complete this book.

Many thanks to the editors and magazines in which some of these essays first appeared:

The Normal School: To the Reader, Sincerely (printed in After Montaigne: Contemporary Essayists Cover the Essays, ed. Lazar and Madden [Athens: University of Georgia Press]); and When Im Awfully Low: On Singing.

River Teeth: Five Autobiographical Fragments, or She May Have Been a Witch.

Superstition Review: Lollipop Is Mine.

Bellingham Review: Ann; Death and the Maiden.

The Rumpus: Pandora and the Naked Dead Woman.

Essay Review: Hydra: Ill Be Your Mirror.

Essay Daily: A Conversation with Robert Burton, Meet Montaigne.

TheConversant.org: Voluptuously, Expansively, Historically, Contradictorily: Essaying the Interview with Mary Cappello and David Lazar.

My thanks to:

Cathleen Calbert, Mary Cappello, William Fraser, Adrienne Kalfopoulou, Nicole Kirk, Delmore Lazar, Leo and Roz Lazar, Patrick Madden, Martin McGovern, Alyce Miller, Laura Oros, Lia Purpura, Jean Walton, Lois Zamora.

My intense gratitude to Heather Frise, whose drawings grace this volume and continue to inspire and unsettle me.

I would also like to thank Alicia Christensen, my editor at Nebraska, for inspiring the shape of this book, and the other editors and staff for their excellent work.

To the cast and crew, I appreciate your professionalism and your dedication to this showI knew we wouldnt close on the road.

David Lazar

Thanks to all those who have encouraged me to draw over the years: my mother, my sister, my daughter, and my dear friends. Also my late grandfather Jimmie Frise, whose fine cartoons have inspired me in more ways than Im sure I even know. And of course, David, for his poetry and faith.

Heather Frise

After tea its back to paintinga large poplar at dusk with a gathering storm. From time to time instead of this evening painting session I go bowling in one of the neighboring villages, but not very often.

Gustav Klimt

When O.J. Simpson was leading the police on the errant chase on that freeway in LA, I was in Madison Square Garden in New York, at the famous Knicks playoff game where the monitors switched to the chase, to our astonishment, but it didnt register as surreally or wildly as it might have otherwise because I had been in the middle of telling my brother about Ann.

I was a young professor, thirty-seven, and she was an older doctoral student, thirty-four, and we had fallen for each other, and I thought it was going to be a big deal, in the way you know that someone is going to come into your life and the tectonics are going to change. I thought she might just be the girl for me, excuse the language, and was all aquiver in telling my brother the news, must have felt, I suppose in thinking back on it now, rather certain about my feelings, and about it, which is to say the prospects of where this new thing was headed.

Ann killed herself about a year and a half ago. The details are vague because no one seems terribly willing to yield them up. She had attempted suicide a few years before, slitting her wrists, but she was discovered or didnt quite go through with itIm not quite remembering which. It was serious enough for hospitalizationterrible, terrible, but not life-threatening, at least not the cuts.

She had been on a downward trajectory for years.

I havent been able to quite stop thinking about her or to quite think about her since I heard about her death: the once promising career, writing about Virginia Woolf, that heavy eastern Kentucky accent, laden with irony and graceful goodwill. Her extraordinary recklessness. Her generosity. A bit like Zelda Fitzgerald gone in self-immolation. She was manic-depressive, as probably was Zelda. She looked a bit like Zelda, gamine and dark eyed. When I say I havent been able to quite think about her, I mean that as much as she comes into my mind, a kind of creaturely sharp pain accompanies the thought of her, and I jump away as though I had laid my hand on a hot stove.

Twenty years ago an affaire de coeur between a professor and a graduate student not her or his own was not much of a deal in many places. In some places, geographical outposts, even encouraged. Younger, post-Internet readers perhaps wont quite understand the human urgencies of being alone and being isolated among rolling hills and aging colleagues in the earlier days of academe. To this sector of audience, the emotional premise of my memory might seem politically nauseating. What can I say except I understand, times change, etc. People communed where possible, even when the tincture of taboo tinted the edges of relation. They still do.

We met furtively at first, after a series of notes she had sent me toward the end of a seminar. We did meet, I must stress, after the seminar ended. But, and I suppose this is among the reasons I turn to writing these things, to see what repressed details show their hoary heads, I remember now that she was actually separated and moving toward a divorce from her third husband. But they hadnt actually, which is to say formally, made plans to divorce yet. That, no doubt, was part of our film noirish meetings in back alleys and cheap motels. It was one thing to date an available graduate student of ones own age. Quite another to be perceived (albeit wrongly) as a homewrecker, sharpest edge of a triangle.

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