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Cynthia A. Branigan - The Last Diving Horse in America: Rescuing Gamal and Other Animals—Lessons in Living and Loving

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Cynthia A. Branigan The Last Diving Horse in America: Rescuing Gamal and Other Animals—Lessons in Living and Loving
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Named Best Equine Non-Fiction Book at the 2022 Equus Film & Arts Fest
The rescue of the last diving horse in America and the inspiring story of how horse and animal rescuer were each profoundly transformed by the otherfrom the award-winning animal rescuer of retired racing greyhounds and author of the best-selling Adopting the Racing Greyhound

It was the signature of Atlantic Citys Steel Pier in the golden age of Americas Favorite Playground: Doc Carvers High Diving Horses. Beginning in 1929, four times a day, seven days a week, a trained horse wearing only a harness ran up a ramp, a diving girl in a bathing suit and helmet jumped onto its mighty bare back, and together they sailed forty feet through the air, plunging, to thunderous applause, into a ten-foot-deep tank of water.
Decades later, after cries of animal abuse and changing times, the act was shuttered, and in May 1980, the last Atlantic City Steel Pier diving horse was placed on the auction block in Indian Mills, New Jersey. The author, who had seen the act as a child and had been haunted by it, was now working with Cleveland Amory, the founding father of the modern animal protection movement, and she was, at the last minute, sent on a rescue mission: bidding for the horse everyone had come to buy, some for the slaughterhouse (they dropped out when the bidding exceeded his weight). The authors winning bid: $2,600and Gamal, gleaming-coated, majestic, commanding, was hers; she who knew almost nothing about horses was now the owner of the last diving horse in America.
Cynthia Branigan tells the magical, transformative story of how horse and new owner (who is trying to sort out her own life, feeling somewhat lost herself and in need of rescuing) come to know each other, educate each other, and teach each other important lessons of living and loving. She writes of providing a new home for Gamal, a farm with plentiful fields of rich, grazing pasture; of how Gamal, at age twenty-six, blossoms in his new circumstances; and of the special bond that slowly grows and deepens between them, as Gamal tests the author and grows to trust her, and as she grows to rely upon him as friend, confidant, teacher.
She writes of her search for Gamals past: moved from barn to barn, from barrel racer to rodeo horse, and ending up on the Steel Pier; how his resilience and dignity throughout those years give deep meaning to his life; and how in understanding this, the author is freed from her own past, which had been filled with doubts and fears and darkness. Branigan writes of the history of diving horses and of how rescuing and caring for Gamal led to her saving other animalsburros, llamas, and goatsfirst as company for Gamal and then finding homes for them all; and, finally, saving a ten-year-old retired greyhound called Kingdespondent, nearly broken in spiritwho, running free in the fields with Gamal, comes back to his happy self and opens up for the author a whole new surprising but purposeful world.
A captivating tale of the power of animals and the love that can heal the heart and restore the soul.

Cynthia A. Branigan: author's other books


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Also by Cynthia A Branigan Adopting the Racing Greyhound The Reign of the - photo 1
Also by Cynthia A. Branigan

Adopting the Racing Greyhound

The Reign of the Greyhound: A Popular History of the Oldest Family of Dogs

Copyright 2021 by Cynthia A Branigan All rights reserved Published in the - photo 2
Copyright 2021 by Cynthia A Branigan All rights reserved Published in the - photo 3

Copyright 2021 by Cynthia A. Branigan

All rights reserved. Published in the United States by Pantheon Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Penguin Random House Canada Limited, Toronto.

Pantheon Books and colophon are registered trademarks of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Branigan, Cynthia A., author.

Title: The last diving horse in America : rescuing Gamal and other animalslessons in living and loving / Cynthia Branigan.

Description: New York : Pantheon Books, 2021. Includes index.

Identifiers: LCCN 2020055047 (print). LCCN 2020055048 (ebook). ISBN 9781101871959 (hardcover). ISBN 9781101871966 (ebook).

Subjects: LCSH: ThoroughbredNew JerseyBiography. Horse adoption. Animal rescue. Human-animal relationships. Seaside resortsNew JerseyAtlantic CityHistory20th century.

Classification: LCC SF293.T5 B73 2021 (print) | LCC SF293.T5 (ebook) | DDC 636.1/3209749dc23

LC record available at lccn.loc.gov/2020055047

LC ebook record available at lccn.loc.gov/2020055048

Ebook ISBN9781101871966

www.pantheonbooks.com

Cover images: (top) courtesy of the author; (bottom) Postcard: Diving Horse, Ocean End Steel Pier, Atlantic City, N.J.

Cover design by Jennifer Carrow

Frontis: Vintage poster of Diving Horse show, Atlantic City Albatross / Alamy Stock Photo

ep_prh_5.7.1_c0_r0

Contents

To Gamal,

who inspired by example

Prologue

Gamal, the horse who would become mine, was born in the early 1950s, as was I. For all I know, we entered the world in the same year, month, and day.

He, a Texas native, went on to the more traditional horse pursuits of barrel racing and rodeos before being tapped for the unconventional career of diving. I was born in suburban New Jersey, and it was my fathers fond hope that, after he invested in my education and travel, I enter a respectable profession of some sort. Instead, I became an inveterate rescuer of displaced animals. It was through our disparate occupations that Gamal and I wound up together.

We had help getting together, help that could be traced to two dissimilar yet equally headstrong men. Doc Carver, creator of the diving horse act, was born just before the Civil War, on the edge of Americas fast-disappearing frontier. Carver was expected to follow in his fathers footsteps, either as a doctor, or, as he did briefly, a dentist. Instead, he toured the world with diving horses while also showcasing his considerable sharpshooting skills. Cleveland Amory, scion of one of Bostons founding families, was born as America was entering World War I. His early life followed a prescribed routeprestigious boarding school followed by Harvard. But although he became a renowned writer, he devoted the last quarter of his life to advocating for animals.

There was a time when horses, flying through the air, could have been said to reflect the promise of Americathe notion that anything, even the impossible, was possible. But as the decades wore on, people began to see the diving horse act as little more than animal cruelty. Eventually, diving horses became no more than a vacationers distant memory.

That might have been the end of it, but there was one more chapter to be written in the diving horse saga: my relationship with the last of those horses.

Chapter One

In 1980 on West 57th Street in New York, you could set your watch by the chanting of the Hare Krishnas. Every afternoon at five oclock the saffron- and claret- and tangerine-robed throng serenaded midtown with an ecstatic, impassioned, a cappella performance punctuated by a trembling tambourine. Actually, I heard them before I saw them, faintly when they rounded the corner of Seventh by Carnegie Hall, louder as they moved east toward the Russian Tea Room, and louder still as their spiritual conga line reached the office building of The Fund for Animals, where I was working. From a large bay window, I would gaze down at them as they snaked along the street, their daily devotional drifting from the gum-stained sidewalk, rising up the elegant but soot-covered building, and permeating the dingy windows.

Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare

Some of the other employees must have taken the song-and-dance routine as a sign from God that they should straighten their desks, pack their belongings, and call it a day. No one looked at me to see how long I was staying. By now they knew that I was more the ten-to-six type, or even the eleven-to-seven type, and no one was willing to stay at the office that late. And why should they? They arrived hours before I did. When they realized I was not watching them, they stopped watching me.

In fact, I barely noticed their departure. My interest was in the show on the street. It wasnt the Krishnas bright swirling hues or exotic sounds that caught my attention, although I could hardly be blamed if it was. Between New Yorks precarious financial footing and skyrocketing crime rate, these were bleak, even dangerous, times in the city. Any pop of color or hint of optimism was a welcome respite.

Neither was my interest in their ritual a result of my being shocked by every sight and sound in New York. I may not have been a native New Yorker, but I grew up little more than an hour away. It was vital to my father, if not always to me, that I be well traveled and well educated, someone who hailed from New Jersey, not Joisey. When we werent traveling the world, we were visiting the crossroads of the world, New York.

Although I was affected by the Krishnas, surely it was not in the way they intended. I experienced no subsequent compulsion to bolt from the office, renounce my few worldly possessions, and join the devotees. My fascination was more practical than spiritual: they seemed not only to have discovered their calling, but knew what to do with it once they did. I could not say the same for myself.

My twin passionswanting to write and wanting animals in my lifehad been whispering in my ear for as long as I could remember. In Greyhound racing circles, they might have said I came out of the box with early speed. My mother unleashed a monster when, between music and art appreciation, she also taught me to read. By age three I had exhausted her homemade curricula and insisted on attending kindergarten. My parents enrolled me at the only school that would accept a child my age: a Victorian-era relic directed by its equally old-fashioned founder, Miss Ireland. By age five I grabbed my crayons, found some index cards, and wrote my first story, The Book of a Kids Life. The plot, thinly disguised propaganda: A girl refuses to take a nap unless her mother agrees to get both a cat and a dog from the local shelter. The mother relents, and both creatures become part of the family (using a writers prerogative, I dropped the nap subplot).

In real life, my desire for animal companions was only partially fulfilled. We always had a cat or two, ragged males we found, or who found us. These scrawny, dirty, beat-up toms walked the thin line between feral and domesticated. With enormous scarred heads, and equally oversized testicles, their pleading eyes told a cautionary tale of what comes of being a slave to lust. If any stick-thin female cat tried to slither in our door, she would be whisked to an uncles farm to live out her life as a mouser in an empty barn. Once there, I would never see her again; but I would never forget her, either.

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