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Ken Caillat - Making Rumours: The Inside Story of the Classic Fleetwood Mac Album

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Making Rumours: The Inside Story of the Classic Fleetwood Mac Album: summary, description and annotation

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Inside the making of one of the biggest-selling albums of all time: Fleetwood Macs Rumours

Fleetwood Macs classic 1977 Rumours album topped the Billboard 200 for thirty-one weeks and won the Album of the Year Grammy. More recently, Rolling Stone named it the twenty-fifth greatest album of all time and the hit TV series Glee devoted an entire episode to songs from Rumours, introducing it to a new generation. Now, for the first time, Ken Caillat, the albums co-producer, tells the full story of what really went into making Rumoursfrom the endless partying and relationship dramas to the creative struggles to write and record You Make Loving Fun, Dont Stop, Go Your Own Way, The Chain, and other timeless tracks.

  • Tells the fascinating, behind-the-music story of the making of Fleetwood Macs Rumours, written by the producer who saw it all happen
  • Filled with new and surprising details, such as Stevie Nicks and Lindsey Buckinghams screaming match while recording You Make Loving Fun, how the band coped with the pressures of increasing success, how the master tape nearly disintegrated, and the incredible attention paid to even the tiniest elements of songs, from Lindsey playing a chair to Mick breaking glass
  • Includes eighty black-and-white photographs

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Contents This book is printed on acid-free paper Copyright 2012 by Ken - photo 1

Contents

This book is printed on acid-free paper Copyright 2012 by Ken Caillat and - photo 2

This book is printed on acid-free paper. Picture 3

Copyright 2012 by Ken Caillat and Steven Stiefel. All rights reserved

Photo credits: pp. 2, 19, 20, 33, 59, 167, 170, 176, 177, 179, 180, 181, 217, 241, 243, 282, 283, 321, 329, 335, 341,342, 343, Ken Caillat; pp. 6, 7, Biff Dawes; p. 10, Jeffery Husband; pp. 12, 13, 28, 29, 30, 31, 32, 40, 41, 60, 138, 184, 190, 197, 198, 202, 210, 211, 212, 214, 234, 237, 239, Herbie Worthington; pp. 18, 21, 24, 26, 27, 153, 158, 178, Nina Urban Bombadier; p. 34, Sally Fleetwood; pp. 35, 46, Record Plant; p. 53, Christina Conte; pp. 55, 163, 207, 326, Cheryl Geary; p. 191, Sam Emerson

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com . Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions .

Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

For general information about our other products and services, please contact our Customer Care Department within the United States at (800) 762-2974, outside the United States at (317) 572-3993 or fax (317) 572-4002.

Wiley also publishes its books in a variety of electronic formats and by print-on-demand. Some content that appears in standard print versions of this book may not be available in other formats. For more information about Wiley products, visit us at www.wiley.com .

Library of Congress Cataloging-in-Publication Data:

Caillat, Ken.

Making Rumours: the inside story of the classic Fleetwood Mac album/Ken Caillat with Steven Stiefel.

p. cm.

Includes index.

ISBN 978-1-118-21808-2 (cloth : alk. paper); ISBN 978-1-118-28460-5 (ebk);

ISBN 978-1-118-28236-6 (ebk); ISBN 978-1-118-28286-1 (ebk)

1. Fleetwood Mac (Musical group). Rumors. I. Stiefel, Steven. II. Title.

ML421.F57C35 2012

782.421660922dc23

2012004081

To Mick, John, Christine, Lindsey, Stevie, Richard, and of course my mentor, Wally Heider

Foreword

by Colbie Caillat

Whenever I hear a song from Fleetwood Mac, I get a big smile on my face. Hearing their music reminds me of my childhood growing up in Malibu. My family lived in a little brown house on a cliff overlooking the ocean (the hill right above where the restaurant Dukes is, which used to be the Sea Lion back then). My big sister, Morgan, and I would play in the backyard in our blow-up pool with our golden retriever, Laz, and wed blast Second Hand News, Go Your Own Way, Songbirdall my favorites! Whenever I hear those songs my eyes fill with happy tears from beautiful memories with my family when I was a little girl! Those were the days.

Because of Fleetwood Mac, I learned to write meaningful and honest music with soaring melodies, and the importance of being able to listen to an album from start to finish. Working with my dad has been such a fun experience. I feel lucky that hes been a part of my last two records. Ive learned so many things recording with him.

Every song of mine that hes produced has honestly been my favorite. Hes such an enthusiastic producer and puts his heart into every project he works on. He has so much fun making music and wants every record he does to sound classic and timeless. He brings in unique and creative ideas, sounds, and instruments to each song.

I know he learned so much from being a producer on the classic Fleetwood Mac records Rumours and Tusk , and hes sprinkling some of that into the music of today.

Today when I hear Second Hand News, it makes me want to get in my car and drive up the coast of California on a beautiful sunny day, windows down, hair blowing in the wind, singing this song at the top of my lungs!

I hope you enjoy my dads book as much as I did.

Colbie Caillat, Grammy Awardwinning singer

Foreword

by John Shanks

Rumours is an album I carry with me emotionally: the sound, the songs, the playing, the tension. Its like Dark Side of the Moon : perfect as a whole, but with songs that stand alone as individual moments and that are hits. Its one of the records that made me want to be a producer, a writer and, without a doubt, a guitar player.

It not only has some of the greatest guitar playing, the drums and the bass are haunting and beautiful and strong, the arrangements add up to pure sonic perfection, and the singing and harmonies are some of the most beautiful ever.

Its amazing that a record that features three singers feels so connected. Even though the band members were each hurting and falling apart, they turned their personal pain into collective grief and love.

In this way, Rumours exemplifies what great records should be. You bare your soul for all to share.

There is such joy and sorrow in the record that I still feel when I listen to it. From the darkness of Gold Dust Woman to the hope of The Chain and Dont Stop, each song is its own movie.

Every day as I scan the radio dial for something to listen to, I always stop and reflect on the songs from Rumours when they pop up, because they still sound great and theyre better than most stuff out there.

Im sure it was not an easy one to record and make, but Ken and Richard made it seem effortless.

The record still sounds as fresh and as important today as it did when it was released. And it will sound the same way tomorrow. So thank you.

John Shanks, six-time Grammy nominee and Grammy Producer of the Year

Preface

Making Rumours is about the journey that a handful of people, myself included, took during the mid-1970s. Its about how being part of the phenomenon of the Rumours album not only changed our lives but touched millions of other lives around the world forever. It is also the story of a perfect album, made out of flaws in the human spirit, sometimes through agonizing determination, love, lust, and a force of will that made failure unthinkable. Its a success story of epic proportionsnot always pretty, but a dramatic illustration of greatness delivered, of passion embraced. It is my story, and I want to share it with you.

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