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GERMAN FILM AND LITERATURE
Adaptations and Transformations

GERMAN FILM
& LITERATURE

Adaptations and Transformations

Edited by
Eric Rentschler

First published in 1986 by Methuen, Inc.

This edition published 2012 by Routledge

Routledge
Taylor & Francis Group
711 Third Avenue
New York, NY 10017

Routledge
Taylor & Francis Group
2 Park Square, Milton Park
Abingdon, Oxon OX14 4RN

Routledge is an imprint of the Taylor & Francis Group

The collection 1986 Eric Rentschler
Individual chapters 1986
the respective authors

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Library of Congress Cataloging in Publication Data
German Film and Literature: Adaptations and transformations.
Bibliography: p.
Includes index.
1. Moving-pictures Germany.
2. German literature Film and video adaptations.
I. Rentschler, Eric.
PN1993.5.G3G36 1986
791.43750943 85-25903

ISBN 0-415-23915-3

British Library Cataloguing in Publication Data
German Film and Literature: Adaptations and transformations.
1. Moving-pictures Germany History. 2. German literature Film and video adaptations
I. Rentschler, Eric.
791.430943 PN1993.5.G3

ISBN 0-415-23975-3

Contents

ERIC RENTSCHLER

HEIDE SCHLPMANN

JUDITH MAYNE

THOMAS ELSAESSER

GERTRUD KOCH

ALAN WILLIAMS

MARC SILBERMAN

KARSTEN WITTE

JAN-CHRISTOPHER HORAK

JAN-CHRISTOPHER HORAK

MARC SILBERMAN

RUSSELL A. BERMAN

ERIC RENTSCHLER

MIRIAM HANSEN

BRIGITTE PEUCKER

MAUREEN TURIM

DENNIS F. MAHONEY

TIMOTHY CORRIGAN

ANTON KAES

E. ANN KAPLAN

ERIC RENTSCHLER

Appendices

RUSSELL A. BERMAN teaches twentieth-century German literature and culture at Stanford University. He is the author of Between Fontane and Tucholsky: Literary Criticism and the Public Sphere in Wilhelmine Germany as well as numerous articles and reviews on German literature, critical theory, contemporary cinema, and political culture.

TIMOTHY CORRIGAN is Associate Professor of English at Temple University where he teaches courses on literature and film. Besides many articles on film, literature, and theory, he is the author of New German Film: The Displaced Image and the editor of a forthcoming anthology on the films of Werner Herzog.

THOMAS ELSAESSER teaches comparative literature and film at the University of East Anglia. Author of articles on a wide spectrum of topics ranging from melodrama to classical and contemporary German cinema, film theory and the representation of history in film, he is the former editor of Monogram and a contributor to Screen, Positif, Sight & Sound, New German Critique, Wide Angle, Monthly Film Bulletin, October, Framework, and other journals.

MIRIAM HANSEN teaches literature and film courses in the Department of English at Rutgers University. She is a member of the editorial board of New German Critique and author of a book on Ezra Pound. Her most recent work includes studies on early silent cinema in Germany, Adorno and film, recent directions in film theory, the work of Ulrike Ottinger, as well as a series of articles on Alexander Kluge.

JAN-CHRISTOPHER HORAK is the Associate Curator of Film at the George Eastman House. He has just completed a lengthy study of German filmmakers in exile during the Third Reich and the anti-Nazi film genre. His many publications include a book on film and photography in the 1920s and articles on Werner Herzog, Zionist film propaganda in Nazi Germany, progressive film culture in the Weimar Republic, and German films of the Third Reich.

ANTON KAES is Associate Professor of German at the University of California, Berkeley, where he teaches courses on literature, film, and theory. Besides a book study on the reception of German expressionism in America, he has edited the volumes Kino-Debatte and Weimarer Republik: Manifeste und Dokumente zur deutschen Literatur 19181933. He is currently working on a book concerned with the question of national identity as represented in recent New German films.

E. ANN KAPLAN teaches film and literature at Rutgers University in the Department of English. Her books include Fritz Lang: A Research and Reference Guide and Women and Film: Both Sides of the Camera as well as the edited volumes Women in Film Noir and Regarding Television: A Critical Anthology. At present she is working on a study devoted to constructions of the mother in literature, film, and psychoanalytic theory.

GERTRUD KOCH is the co-editor of Frauen und Film and a film critic and theorist. Based in Frankfurt, she has taught at the Johann Wolfgang von Goethe Universitt as well as at the film academies in Berlin and Munich. Her publications include monograph studies on Louis Malle and Carlos Saura, articles on pornography and film, feminist film theory, women directors, critical theory and film, Jacques Tati, Yasujiro Ozu, and other topics.

DENNIS F. MAHONEY is Associate Professor of German at the University of Vermont where he teaches courses on literature and film. He is the author of Die Poetisierung der Natur bei Novalis and is presently completing a book on the novel in the Age of Goethe.

JUDITH MAYNE is Associate Professor in the Department of Romance Languages at Ohio State University where she teaches courses on film, literature, and women's studies. She has completed book-length studies on film and literature as well as on Soviet films of the 1920s. Her numerous articles and reviews include work on feminist film theory, Rainer Werner Fassbinder, Heike Sander, Hiroshima mon amour, King Kong, primitive cinema, spectatorship and spectacle, as well as Roland Barthes.

BRIGITTE PEUCKER teaches film and literature in the Department of Germanic Languages at Yale University where she is Associate Professor. She has published articles on Werner Herzog and Rainer Werner Fassbinder as well as a book on eighteenth-century German poetry.

ERIC RENTSCHLER is Associate Professor of German and Director of Film Studies at the University of California, Irvine. His articles include pieces on Alexander Kluge, Herbert Achternbusch, Hans W. Geissendrfer, film history and reception theory, images of America in New German Film, and German film historiography. His most recent book is West German Film in the Course of Time. He is currently completing an anthology in English devoted to the writings of New German filmmakers and working on a book dealing with fantasy production in the Third Reich.

HEIDE SCHLPMANN lives in Frankfurt, where she is co-editor of Frauen und Film and instructor at the Johann Wolfgang von Goethe Universitt. She has published on psychoanalysis and film, Mdchen in Uniform, and romantic couples in German films of the 1950s, as well as writing regular film reviews in various German periodicals.

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