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Ziarek - Feminist Aesthetics and the Politics of Modernism

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Ziarek Feminist Aesthetics and the Politics of Modernism
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Second book of a trilogy about the contestations and contributions of feminism to the project of modernity. The author combines an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with womens literary modernism, particularly the writings of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender.

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FEMINIST AESTHETICS AND THE POLITICS OF MODERNISM

FEMINIST AESTHETICS AND THE POLITICS OF MODERNISM

Ewa Ponowska Ziarek

Columbia University Press New York

Picture 1

Columbia University Press

Publishers Since 1893

New York Chichester, West Sussex

cup.columbia.edu

Copyright 2012 Columbia University Press

All rights reserved

E-ISBN 978-0-231-53090-3

Library of Congress Cataloging-in-Publication Data Ziarek, Ewa Plonowska, 1961

Feminist aesthetics and the politics of modernism / Ewa Plonowska Ziarek.

p. cm.

Includes bibliographical references and index.

ISBN 978-0-231-16148-0 (cloth: alk. paper)ISBN 978-0-231-16149-7 (pbk. : alk. paper)ISBN 978-0-231-53090-3 (e-book)

1. Feminist criticism. 2. Aesthetics. 3. Modernism (Aesthetics) 4. Feminist theory. I. Title

HQ1190.Z556 2012 2012006808

305.4201dc23

A Columbia University Press E-book.

CUP would be pleased to hear about your reading experience with this e-book at .

References to Internet Web sites (URLs) were accurate at the time of writing. Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

For Halina Ponowska and ukasz Ziarek

Contents

It is my pleasure to acknowledge many colleagues and friends who read or discussed various parts of my book. I am indebted to Kalliopi Nikolopoulou, Devonya N. Havis, Alison Ross, Andrew Benjamin, Barbara Green, Kelly Oliver, Elizabeth Presa, and Krzysztof Ziarek for their helpful comments, suggestions, and support. I am especially grateful to Penelope Deutscher and Graham Hammill, who read the manuscript in its entirety and offered invaluable suggestions for revisions. I would like to thank the anonymous reviewers of Columbia University Press for their thoughtful engagement with my work and Wendy Lochner for her patience and support of this project. I am especially grateful to James Kurt for his expert help in the final preparation of the manuscript for production.

My mother Halina Ponowskas help and support was invaluable in the last stages of the manuscript preparation . Conversations with my son, ukasz, about his dissertation was a source of loving companionship and inspiration for my own work. Krzysztofs patience, support, and intellectual insights made it a better book.

Earlier versions of several sections of this book have already appeared in print and I am grateful for permissions to use these materials in their revised form:

An earlier version of section 1 of chapter 1 appeared as Right to Vote or Right to Revolt? Arendt and the British Suffrage Militancy, differences 19 (Fall 2008): 127, revised by permission. Section 4 of chapter 2 appeared as Towards a Feminist Aesthetics of Melancholia: Kristeva, Adorno, and Modern Women Writers, Critical Horizons: A Journal of Philosophy and Social Theory 11, no. 3 (April 2011): 443462, copyright 2010 Equinox Publishing Ltd. Section 2 of chapter 3 was published as Woolf Feminist Aesthetics: On the Political and Artistic Practice in A Room of Ones Own, Parallax 57 (December 2010): 7083, used by permission of the publisher, Taylor and Francis, Ltd. An earlier version of section 1 of chapter 4 was published as Women on the Market: On Sex, Race, and Commodification in Re-Writing Difference: Luce Irigaray and the Greeks (Albany: SUNY Press, 2010), all rights reserved, revised by permission; section 3 was published as Bare Life on Strike: Notes of the Biopolitics of Race and Gender, SAQ (Winter 2008): 89105, revised by permission. Section 3 of chapter 6 appeared as Nella Larsens Feminist Aesthetics: On Curse, Law, and Laughter in Oren Ben-Dor, ed., Law and Art (London: Routledge, 2011), revised and expanded by the permission of the publisher, Taylor and Francis, Ltd.

AG. W. F. Hegel, Aesthetics: Lectures of Fine Art, vol. 1, trans. T. M. Knox (Oxford: Oxford University Press, 1975).
AIPaul de Man, Aesthetic Ideology (Minneapolis: University of Minnesota Press, 1996).
ATTheodor W. Adorno, Aesthetic Theory, trans. Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1997).
BSJulia Kristeva, Black Sun: Depression and Melancholia, trans. Leon S. Roudiez (New York: Columbia University Press, 1989).
CTheodor W. Adorno, Commitment, trans. Francis McDonagh, in Aesthetics and Politics: The Key Texts of the Classic Debate within German Marxism, ed. Ronald Taylor (London: Verso, 1977).
CAKarl Marx, Capital, vol. 1, trans. Ben Fowkes (London: Penguin Classics, 1992).
CFVirginia Woolf, Character in Fiction in The Essays of Virginia Woolf, vol. 3: 19191924, ed. Andrew McNeillie (New York: Harcourt, 1992).
CNAW. E. B. Du Bois, Criteria of Negro Art, Crisis 32 (October 1926): 290297, reprinted in Sondra Kathryn Wilson, ed., The Crisis Reader: Stories, Poetry, and Essays from the N.A.A.C.P.s Crisis Magazine (New York: Modern Library, 1999).
EISigmund Freud, The Ego and the Id in The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. Joan Riviere (New York: Norton, 1960).
HTheodor W. Adorno, Hegel: Three Studies, trans. Shierry Weber Nicholsen (Cambridge: MIT Press, 1993).
HSGiorgio Agamben Homo Sacer: Sovereign Power and Bare Life, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1998).
ILAG. W. F. Hegel, Introductory Lectures on Aesthetics, trans. Bernard Bosanquet (London: Penguin, 1993).
ILTYLuce Irigaray, I Love to You: Sketch of a Possible Felicity in History, trans. Alison Martin (New York: Routledge, 1996).
ITBFred Moten, In the Break: The Aesthetics of the Black Radical Tradition (Minneapolis: University of Minnesota Press, 2003).
JTRUSigmund Freud, Jokes and Their Relation to the Unconscious in The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey (New York: Norton, 1989).
LCJNella Larsen, Letter to Charles S. Johnson, reprinted in Passing, ed. Carla Kaplan (New York: Norton, 2007).
MBMBVirginia Woolf, Mr. Bennett and Mrs. Brown in The Essays of Virginia Woolf, vol. 3: 19191924, ed. Andrew McNeillie (New York: Harcourt, 1992).
MBPMHortense J. Spillers, Mamas Baby, Papas Maybe: An American Grammar Book, Diacritics 17, no. 2 (1987): 65-81.
MERKarl Marx, The Marx-Engels Reader, ed. Robert C. Tucker (New York: Norton, 1978).
MFVirginia Woolf, Modern Fiction in The Gender of Modernism: A Critical Anthology, ed. Bonnie Kime Scott (Bloomington: Indiana University Press, 1990).
MMSigmund Freud, Mourning and Melancholia, in Collected Papers, vol. 4, ed. James Strachey, trans. Joan Riviere (New York: Basic Books, 1959), 152-170.
MNVirginia Woolf, Modern Novels in The Essays of Virginia Woolf, vol. 3: 19191924, ed. Andrew McNeillie (New York: Harcourt, 1992).
NTTheodor W. Adorno, Notes to Literature, trans. Shierry Weber Nicholsen (New York: Columbia University Press, 1991).
OVirginia Woolf, Orlando: A Biography (New York: Harcourt, 2006).
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