Subcultures, Bodies and Spaces
EMERALD STUDIES IN ALTERNATIVITY AND MARGINALISATION
Series Editors: Samantha Holland, Leeds Beckett University, UK and Karl Spracklen, Leeds Beckett University, UK
There is growing interest in work on transgression, liminality and subcultural capital within cultural studies, sociology and the social sciences more broadly. However, there is a lack of understanding of the problem of alternativity: what it means to be alternative in culture and society in modernity. What alternative looks like is often left unexplored. The alternative is either assumed un-problematically, or stands in for some other form of social and cultural exclusion.
Alternativity delineates those spaces, scenes, subcultures, objects and practices in modern society that are actively designed to be counter or resistive to mainstream popular culture. Alternativity is associated with marginalisation, both actively pursued by individuals, and imposed on individuals and subcultures. Alternativity was originally represented and constructed through acts of transgression and through shared subcultural capital. In contemporary society, alternative music scenes such as heavy metal, goth and punk have spread around the world; and alternative fashions and embodiment practices are now adopted by footballers and fashion models. The nature of alternativity as a communicative lifeworld is now questioned in an age of globalization and hyper-commodification.
This book series provides a stimulus to new research and new theorising on alternativity and marginalisation. It provides a focus for scholars interested in sociological and cultural research that expands our understanding of the ontological status of spaces, scenes, subcultures, objects and practices defined as alternative, liminal or transgressive. In turn, the book series enables scholars to theorise about the status of the alternative in contemporary culture and society.
Titles in this series
Amanda DiGioia, Childbirth and Parenting in Horror Texts: The Marginalized and the Monstrous
Stephen Brown and Marie-Ccile Cervellon, Revolutionary Nostalgia: Neo-Burlesque, Retromania and Social Change
Karl Spracklen and Beverley Spracklen, The Evolution of Goth Culture: The Origins and Deeds of the New Goths
SUBCULTURES, BODIES AND SPACES: ESSAYS ON ALTERNATIVITY AND MARGINALISATION
EDITED BY
SAMANTHA HOLLAND
Leeds Beckett University, UK
KARL SPRACKLEN
Leeds Beckett University, UK
United Kingdom North America Japan India Malaysia China
Emerald Publishing Limited
Howard House, Wagon Lane, Bingley BD16 1WA, UK
First edition 2018
Copyright Samantha Holland and Karl Spracklen Published under an exclusive licence
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British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-1-78756-512-8 (Print)
ISBN: 978-1-78756-511-1 (Online)
ISBN: 978-1-78756-513-5 (Epub)
Contents
Samantha Holland and Karl Spracklen
Thersa M. Winge
Amanda DiGioia and Charlotte Naylor Davis
Thorsten Botz-Bornstein
Gareth Heritage
M. Selim Yavuz
Charlotte Dann
Beverly Yuen Thompson
M. Katharina Wiedlack
Abigail Gardner
Kay Inckle
Samantha Holland
Laura Way
Asya Draganova and Shane Blackman
Conclusion:
Making Sense of Alternativity in Leisure and Culture: Back to Subculture?
Karl Spracklen
List of Contributors
Shane Blackman is Professor of Cultural Studies at Canterbury Christ Church University, UK. He has held posts at the University of Surrey and University of Greenwich. He has conducted research projects on sociological and ethnographic aspects of young peoples culture, undertaking funded research for the Home Office, London Health Authorities, the Kent Constabulary and local authorities in Kent, he was also a consultant for the British Board of Film Classification (London). His research interests include ethnography, social and cultural theory, youth cultures and subcultures, popular music, drug war politics, drug education and prevention, schooling, feminist theory, homeless young people and social exclusion.
Thorsten Botz-Bornstein is an Associate Professor of Philosophy at the Gulf University for Science and Technology in Kuwait. He is the author of Films and dreams: Tarkovsky, Bergman, Sokurov, Kubrick, Wong Kar-wai (2007) and Veils, nudity and tattoos: The new feminine aesthetic (2015), and has written a number of books on topics ranging from intercultural aesthetics to the philosophy of architecture. He has been researching in Japan and worked for the Center of Cognition of Hangzhou University, China, as well as at Tuskegee University, USA.
Charlotte Dann is Lecturer in Psychology at University of Northampton, UK, where she recently successfully defended her PhD. Her research is centred around qualitative explorations of tattoos, femininities and bodies.
Amanda DiGioia is a PhD student at The UCL School of Slavonic and East European Studies, UK. Her PhD thesis focuses on the construction of the female gender in the Finnish heavy metal music scene. Amanda is a member of the International Society for Metal Music Studies, and has been published in Metal Music Studies, Horror Studies and Fan Phenomena: Game of Thrones.
Asya Draganova is Lecturer in Media and Communications at Birmingham City University, UK, as well as an active researcher within the fields of media and cultural studies, popular music and cultural sociology. Asya obtained her PhD in 2016; her doctoral thesis reflected on Asyas ethnographic research into the creation and articulation of popular music within the social and political contexts of contemporary Bulgaria. Since completing her PhD, Asya has been involved with research dedicated to the value of popular music particularly heavy metal and the Canterbury Sound for the heritage and contemporary identity of places and their communities.
Abigail Gardner is a Reader in Music and Media at the University of Gloucestershire, UK. She writes on music and ageing, music video and music documentary. Publications include PJ Harvey and Music Video Performance (Routledge, 2015) and Rock on: Women, Ageing and Popular Music
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